A Fryed Meate (Pancakes) in Haste for the Second Course (The Whole Body of Cookery Dissected, 1682)
A Fryed Meate in Haste for the Second Course — apple & curd pancakes finished with sugar.
Originally published 10/29/2017 - updated 9/17/2025
In late 17th-century English cookery, “meat” can simply mean food/dish, not specifically animal flesh. This recipe from The Whole Body of Cookery Dissected (1682) makes quick, delicate apple-and-curd pancakes scented with rosewater, sack (fortified wine), cinnamon, and nutmeg. It’s a natural fit for a brunch or as a sweet course between heavier roasts. I originally made these for our Curia Regis Brunch set—now updated to my modern format.
Take a pint of curds made tender of morning milk, pressed clean from the Whey, put to them one handful of flour, six eggs, casting away three whites, a little rosewater, sack, cinnamon, nutmeg, sugar, salt, and two pippins minced small, beat this all together into a thick batter, so that it may not run abroad; if you want wherewith to temper it add cream; when they are fried, scrape on sugar and send them up; if this curd be made with sack, as it may as well as with rennet, you may make a pudding with the whey thereof.
Notes: “Pippins” = firm cooking apples. “Sack” ≈ fortified white wine (e.g., dry sherry). “Curds” today map neatly to drained cottage cheese or farmer’s cheese.
Modern Recipe — Apple & Curd Pancakes (makes ~12 small)
Canabeys/Canabens in Harleian MS. 279 refers to cooked beans, most often the broad/fava beans familiar to medieval cooks, prepared plainly in broth or enriched with dairy and sometimes served with bacon. Combined with lekys (leeks), you get a humble, comforting pottage that fits beautifully on a fifteenth-century table—and on ours.
🥕 Dietary badge: Vegetarian as written; easily vegan. Gluten-free.
Sometimes a recipe resists easy interpretation, and this one has long puzzled cooks. “A Potage” from Harleian MS. 279 begins with an unusual step: cooking eggs in red wine before straining them with almond milk. At first glance, it might resemble wine clarification, but comparisons to similar recipes in Le Ménagier de Paris and other sections of Harleian MS. 279 suggest the intent was closer to a custard technique — lightly curdled eggs beaten into wine, strained, and then enriched with almond milk. The result is a sweet-savory almond custard-pottage, thickened with rice flour, colored red with sandalwood, and optionally garnished with chopped veal on flesh days. This dish sits somewhere between rice pudding, mincemeat, and almond custard, showcasing the medieval love of spice, fruit, and color in festive pottages.
Modern redaction of a 15th-century almond milk pottage, enriched with dried fruits, pine nuts, honey, and sweet spices.
The Original Recipe
Cxlix. A Potage.
Take an sethe a fewe eyron̛ in red Wyne; þan take & draw hem þorw a straynoure with a gode mylke of Almaundys; þen caste þer-to Roysonys of Coraunce, Dates y-taylid, grete Roysonys, Pynes, pouder Pepir, Sawndrys, Clouys, Maces, Hony y-now, a lytil doucete, & Salt; þan bynde hym vppe flat with a lytyl flowre of Rys, & let hem ben Red with Saunderys, & serue hym in flatte; & ȝif þou wolt, in fleyssℏ tyme caste vele y-choppid þer-on, not to smale.
Cxlix. A Potage.
Take and seethe a few eggs in red wine; then take and draw them through a strainer with a good almond milk. Then cast thereto currants, chopped dates, large raisins, pine nuts, powdered pepper, sandalwood, cloves, mace, honey enough, a little doucete, and salt. Then bind it up flat with a little rice flour, and let it be red with sandalwood, and serve it in flat. And if you will, in flesh time cast veal chopped thereon, not too small.
A Dynere of Flesche — John Russell’s Medieval Feast and the Logic of Digestion
Roasted peacock served “re-plumed,” a classic showpiece in late-medieval banquets. Source: Wikimedia Commons.
Introduction
In the mid-fifteenth century, court official John Russell compiled the Boke of Nurture (Harley MS 4011), a manual of etiquette, service, and feasting. Among its most intriguing passages is “A Dynere of Flesche”—a model feast for a flesh day. At first glance it reads like excess: swan, peacock, venison, custards, jellies, fritters, sotelties. But beneath the display lies clear order, guided by humoral theory and the theory of digestion.
Humoral theory:
Foods are classified hot/cold, moist/dry.
The goal was balance — so heavy/dry meats might be paired with moist/sweet sauces, or cooling jellies follow heating roasts.
Theory of Digestion (stomach as a fireplace model):
Light, quick-digesting foods first (whet the appetite, “open the stomach”).
Heavy meats mid-meal (need the appetite at full flame).
Cooling or binding foods at the end (to “close the stomach” and aid digestion).
Spices and hippocras (spiced wine) seal the stomach and prevent putrefaction.
Feasting, Status, and Seasonality
Russell’s menu was a model feast—aspirational and didactic. It reflected both status and medical order:
Sotelties: allegorical sugar or pastry sculptures, more about piety and performance than eating.
Hierarchy: the high table saw the full spread; lower tables ate simpler portions.
Seasonality: autumn/winter hunting game + preserved foods (brawn, baked quinces, hippocras). Likely a winter festival setting—Christmas or Twelfth Night.
The Logic of the Courses
First Course: Awakening the Appetite
The feast begins with brawn of boar with mustard. Preserved brawn (salted/pressed) was hot/dry, paired with mustard (also hot/dry) to stimulate appetite. Then came pottages of herbs, spice, and wine (warm, moist, aromatic), followed by staples—beef and mutton, heavy and dry but softened by sauces. Showpieces—pheasant and swan with chawdron sauce, capons, pig, venison bake—balanced humors by variety. The course lifted with leches and fritters, hot/oily appetite stimulants, and paused with a sotelty of the Annunciation.
Second Course: Heaviest Roasts & Entremets
The second course starts gently with blancmanger (chicken and almond, moist and white) and jellies (cooling, clarifying). Then came the heaviest fare: venison, kid, fawn, coney, bustard, stork, crane, peacock, heron. These were dry/hot meats, demanding the stomach’s “strongest fire.”
Between them: entremets—custards, pastries, sweet leches—moist refreshers, palate cleansers, and spectacles. A fritter revived appetite, and an angelic sotelty provided allegory and pause.
Third Course: Stepping Down
Cream of almonds and mawmany were restorative and nourishing. Smaller roasts—curlews, snipes, quails, sparrows—replaced great birds. Moist/cooling dishes returned: perch in jelly, crayfish. Quinces baked (astringent) helped close digestion, alongside sage fritters and spiced leches. A Magi sotelty provided solemn close.
Finale: Issue & Sendoff
The issue de table included pippins (apples) with caraway comfits, custard (blaunderelle), wafers, and hippocras. Apples (cold/dry) restrained excess; caraway (hot/dry) dispelled wind; hippocras (spiced wine) “sealed” the stomach.
Overall Temperament by Course
HotColdMoistDryAstringent
Course / Stage
Overall Temperament
Why this net effect?
First Course
HotDry(+Moist from pottages)
Opens with mustard & preserved brawn (hot/dry stimulants), then warm/moist pottages; heavy meats appear early but are sauced. Net effect = warming/activating with a slight dry edge to “open the stomach.”
Second Course
HotDry(+ moderated by Moist entremets)
Heaviest roasts (venison, crane, peacock) are hot/dry at peak digestion; custards/jellies (entremets) punctuate to moisten/refresh. Net effect = the feast’s hottest/driest point, tempered between platters.
Third Course
MoistCool(+ Astringent close)
Steps down with smaller birds and moist/cooling fish in jelly; baked quinces add astringency to begin closure; sage fritters give brief warmth without flipping the net trend.
Finale (Issue & Boute-hors)
CoolDry→ sealed by HotDry (hippocras)
Raw apples + caraway comfits = cool/dry & wind-dispelling; wafers are light/dry. Final seal with hippocras (hot/dry) “closes the stomach” and guards against putrefaction.
Show SCA stages with temperament
SCA Stage
Temperament
Notes
On Table / Entrance
HotDry
Mustard & brawn stimulate and announce status.
Pottages & Gentle Dishes
MoistWarm
Opens and soothes the stomach.
Great Roasts
HotDry
Peak heat/dryness; serve when digestion is strongest.
Entremets
MoistCool
Palate/digestion refreshers between roasts.
Lighter Birds & Fish
MoistCool
Step-down phase toward closure.
Dessert / Fruit
Astringent
Begins the “binding” close (quinces, etc.).
Issue
CoolDry
Raw apples + comfits; wafers light and crisp.
Boute-hors
HotDry
Hippocras seals the stomach.
Feast Planning with Russell’s Menu
For SCA feast planners, Russell’s feast maps neatly into modern service frameworks:
Beef, mutton, venison, swan, peacock, bustard, crane, etc.
Heaviest, driest meats; mid-digestion
Entremets
Custards, pastries, fritters, sotelties
Palate refreshers, visual allegories
Lighter Birds & Fish
Curlew, quail, perch in jelly, crayfish
Moist/cooling, easier to digest
Dessert / Fruit
Quinces baked, sage fritters
Astringent closure, sharpen digestion
Issue
Apples with caraway, wafers
Refresh and bind, dispel wind
Boute-hors
Hippocras
Spiced wine to seal digestion
Mythbusting Russell’s Feast
“Feasts were chaotic.” ❌ They followed medical choreography.
“Everyone ate the same food.” ❌ Hierarchy dictated portions.
“Peacock and swan were delicacies.” ❌ They were tough; value lay in spectacle.
“Sugar was common.” ❌ It was a costly luxury spice.
“Fritters were desserts only.” ❌ They appear in every course as stimulants.
“Fruit was always cooked.” ❌ The pippins at issue were raw, paired with comfits.
✅ Dos & ❌ Don’ts by Course
First Course
✅ Pair heavy meats with moist dishes (pottage, sauce)
❌ Don’t open with multiple cold/moist foods — they dull appetite
Second Course
✅ Interleave entremets between heavy roasts
❌ Don’t serve only hot/dry roasts back-to-back — digestion overload
Third Course
✅ Use cooling/moist dishes (fish, almond cream) to “calm the stomach”
❌ Don’t drop in new hot/dry meats here — it reverses the descent
Finale
✅ Always end with an astringent fruit + spiced closer
❌ Don’t pile sweets without balance — needs closure to “seal digestion”
Conclusion
Russell’s Dynere of Flesche shows that medieval dining was deliberate: humoral balance, digestive order, spectacle, and hierarchy all interlaced. What seems like excess was careful choreography. For modern readers—and especially SCA feast stewards—it offers both inspiration and a reminder: a medieval feast was an art of health and performance.
Why this matters today: Russell’s feast reminds us that medieval banquets were not chaotic indulgence, but carefully balanced systems of health, status, and art.
It’s a reminder that food has always been about more than eating—it shapes identity, power, and performance at the table.
From Sauce to Aspic – The 500-Year Journey of Galentyne → Galantine
From hot medieval sauce to elegant cold aspic — the shifting identity of galentyne/galantine.
What’s in a name? Few dishes illustrate the transformations of European cuisine as vividly as galentyne. In the 14th century, it meant a spiced, bread-thickened sauce for meats or fish. By the 19th century, galantine had become a boned, stuffed, aspic-set cold dish — a centerpiece of French haute cuisine. Here we trace that remarkable journey across 500 years, with original recipes and modern adaptations.
Medieval Origins (14th–15th c.)
Harleian MS. 279 (England, c.1430):Fyletes in Galentyne is one of the best known. Pork is roasted, cut up, and stewed with onions, pepper, ginger, bread, and vinegar, finished with blood or sanders for color.
“Take fayre porke of the fore quarter, and rost hit tyl hit be almost ynogh; … and colour hit with blode, or elles with sandres, and then lat hit boyle up wel, and serve it forth.”
Modern feast menus often jump from a pottage or soup straight to roasts. Historically, diners expected something between. The entremet (Old French: “between-dish”) served as a bridge between heavy services, offering refreshment, surprise, and sometimes outright spectacle. This post explains the term’s origins, how it functioned, where it went, and practical ways to revive it in today’s feasts.
Etymology & Early References
Entremet derives from Old French (entre + mettre/mettre “to place/send in between”), literally a dish interposed between services. The concept appears prominently in 14th‑century French sources such as Le Viandier and later in Le Ménagier de Paris; in English material (e.g., Harleian MS. 279, c.1430) you find dishes that likely filled the same role, even when not labeled “entremet.”
Function of the Entremet
Pacing & Palate Reset: a light interlude after dense pottages or fish and before the roasts.
Blawnche Perrye — a light, pale pottage; visually striking early in a feast.
Colored rice — saffron‑gold, parsley‑green, or spiced rice for contrast.
Fritters — rice or fruit fritters served in small bites.
Jellies — molded almond or wine jellies; multicolored effects.
Disguised dishes — meats/fish presented in altered forms for surprise.
Regional Variations of the Entremet
While the entremet began in French courtly dining, the idea of a “between dish” spread widely. Each region adapted the form to local tastes, ingredients, and cultural priorities.
France
In sources such as Le Viandier and Le Ménagier de Paris (14th c.), entremets often took spectacular form — multicolored jellies, stuffed or disguised animals, and occasional allegorical displays.
England
English manuscripts like Harleian MS. 279 (~1430) present plainer entremets: light pottages (e.g., Blawnche Perrye), spiced rice, or oyster dishes — emphasizing humoral balance over pageantry.
Italy
Italian masters (Maestro Martino, Scappi) blurred entremets with refined lighter courses: almond milk dishes, sugared rice, small pasta or vegetable preparations with elegant presentation.
Spain & Catalonia
Texts such as Llibre de Coch (1520) show sweet‑leaning entremets — almond pastes, candied fruits, spiced rice — foreshadowing dessert traditions.
Germany
German Speisebücher and later works (e.g., Anna Wecker, 1598) feature Zwischenspeisen (“between‑dishes”): saffron or parsley‑colored rice, Sülze (bright fish/meat jellies), and fritters like Krapfen or Strauben — practical, colorful, and texturally contrasting.
Blawnche Perrye – creamy almond & fish dish, often served between courses
FAQ: Does a Modern Galantine Count as an Entremet?
Sometimes. If served as a small, decorative “between” dish (rather than as part of the roast service), a galantine can function as an entremet. Keep portions modest and presentation striking; otherwise it reads as a main meat course.
Sources & Further Reading
Le Viandier (14th c.) — early entremet references.
🍊 Oranges after the Portugal Fashion (Sir Hugh Plat, 1609)
Originally published 1/18/2015 - Updated 9/10/2025
Description. This dazzling Renaissance confection comes from Sir Hugh Plat’s Delights for Ladies (1609). “To preserve Orenges after the Portugall fashion” describes a labor-intensive but show-stopping sweet: whole oranges boiled to temper bitterness, candied in syrup, then stuffed with marmalade made from their own pulp. Once finished, they’re sliced like hard-boiled eggs—revealing a jewel-bright center.
Note: Period cooks likely used Seville (bitter) oranges. Sweet oranges make a gentler, less astringent modern result; either works with the method below.
Candied whole oranges simmering in syrup.
Historical Recipe (1609)
To preſerue Orenges after the Portugall faſhion. Take Orenges & coare them on the ſide and lay them in water, then boile them in fair water til they be tender, ſhift them in the boyling to take away their bitterneſſe, then take ſugar and boyle it to the height of ſirup as much as will couer them, and ſo put your Orenges into it, and that will make them take ſugar. If you haue 24. Orenges, beate 8. of them till they come to a paſte with a pounde of fine ſugar, then fill euery one of the other Orenges with the ſame, and ſo boile them again in your ſirup: then there will be marmelade of orenges with your orenges, & it will cut like an hard egge.
— Sir Hugh Plat, Delights for Ladies (1609)
Modernized Transcription
To preserve oranges after the Portugal fashion: core each orange on the side and soak in water. Boil in fair water until tender, changing the water to reduce bitterness. Boil sugar to a syrup sufficient to cover and put the oranges in so they take sugar. Of 24 oranges, beat 8 to a paste with a pound of fine sugar and fill the remaining oranges. Boil again in the syrup: you’ll have marmalade of oranges within the oranges, and it will cut like a hard egg.
Harleian MS. 279 (c.1430) – For to make Blawnche Perrye – Creamed Leeks with Rice Originally published 3/30/2017 Updated 9/10/2025
In Two Fifteenth-Century Cookery Books (Harleian MS. 279, c.1430), we are told to serve fish — especially eel — with Blawnche Perrye, much as venison was paired with furmenty. Eel was common in medieval England, but difficult to find (and costly) today. For this version, I substituted perch, though monkfish or mullet would be closer to the fatty, firm texture of eel.
This dish sits at the intersection of pottage cookery and fish service. It’s a reminder of the wide variety of fish eaten in the Middle Ages: herring, salmon, eel, cod, pike, turbot, perch, carp, trout, even porpoise and whale. Shellfish such as oysters, cockles, shrimps, crabs, and mussels were also common.
The Original Recipe
.xlv.—For to make Blawnche Perrye.
Take þe Whyte of the lekys, an seþe hem in a potte, an presse hem vp, & hacke hem smal on a bord. An nym gode Almaunde Mylke, an a lytil of Rys, an do alle þes to-gederys, an seþe an stere it wyl, an do þer-to Sugre or hony, an dresse it yn; þanne take powderd Elys, an seþe hem in fayre Water, and broyle hem, an kytte hem in long pecys. And ley .ij. or .iij. in a dysshe, and putte þin perrey in a-noþer dysshe, an serue þe to dysshys to-gederys as Venysoun with Furmenty.
Daniel Myers offers a modernized Middle English transcription on Medieval Cookery, and the recipe is also rendered in Austin’s edition of Two Fifteenth-Century Cookery Books.
Chykonys in Bruette — Chicken in Ale-Broth with Saffron (Harleian MS. 279, c.1430)Chykonys in Bruette — Chicken in Ale-Broth with Saffron (Harleian MS. 279)
Chykonys in Bruette — Chicken in Ale-Broth with Saffron (Harleian MS. 279, c.1430)
Originally published 12/21/2016 - Updated 9/10/2025
Bruet/bruette in Middle English generally signals a sauce or broth thickened with bread and seasoned with warm spices. In Harleian MS. 279, this dish is a straightforward, feast-friendly pottage: gently boiled chicken, chopped, then simmered in its own broth with ale, pepper, ginger, and saffron, thickened with ground bread. A related stream of recipes (Forme of Cury, Liber cure cocorum, Noble Boke) adds pork and cumin; this post presents the Harleian-only version first and notes the pork-and-cumin variant below.
Original Recipe
.lxxxxvij. Chykonys in bruette.
Take an Sethe Chykonys, & smyte hem to gobettys; þan take Pepir, Gyngere, an Brede y-grounde, & temper it vppe wyth þe self brothe, an with Ale; an coloure it with Safroun, an sethe an serue forth.
Gloss: Boil chickens; chop to gobbets. Grind pepper, ginger, and bread; temper (mix) with the same broth and ale; color with saffron; boil and serve.
2 lb (900 g) bone-in chicken (thighs or split breasts)
Water to cover (or light chicken broth)
1 cup (240 ml) mild ale (low-bitterness)
1 tsp ground ginger
¾–1 tsp ground black pepper
Generous pinch saffron, crumbled
¾–1 cup (45–60 g) fresh breadcrumbs (or 35–45 g dried, finely ground)
Salt, to taste
Method
Parboil: Cover chicken with water; bring to a gentle boil. Skim, then simmer until just cooked (20–25 min). Remove chicken; reserve broth. When cool enough, strip meat and cut into bite-size pieces.
Make the bruette: Measure 4 cups (950 ml) of the chicken broth back into the pot. Add ale, ginger, pepper, and saffron. Bring to a gentle simmer 3–5 minutes to bloom spices.
Thicken: Whisk in ground bread gradually until the broth lightly coats a spoon; simmer 3–5 minutes. Adjust thickness with more bread or broth.
Finish: Return chicken to the pot; simmer 2–3 minutes. Season with salt to taste. Serve hot.
Cook’s Notes: Aim for a spoonable, saucy pottage—not a paste. If your ale is bitter, cut with more broth. For a silkier texture, sieve the sauce before adding the chicken.
Fylettys en Galentyne – Pork in Spiced Onion Sauce (Harleian MS. 279, c.1430)
Kitchen test photo from the original post,
showing the stew interpretation of Fyletes in Galentyne.
Fyletes in Galentyne appears in Harleian MS. 279 (c.1430) and exemplifies a common medieval pairing: roasted or half-roasted meat finished in a rich, spiced sauce. The “galentyne” is thickened with bread and given depth either by blood (for savory richness) or by sanders (red sandalwood) to tint and flavor. Both are legitimate medieval options, so we present them side by side.
Note on interpretation: When this recipe was first published here on , I presented it as a stew — simmered pork and onions in a spiced broth. On closer reading, however, the text more clearly aligns with the medieval understanding of galentyne as a sauce for meat: roast pork finished with a thickened, spiced, colored sauce.
Both versions are plausible, so I’ve left my original interpretation here (Version A) and added the sauce-based version (Version B). The original post has been updated and republished on to reflect this correction.
Original Recipe (Harleian MS. 279, c.1430)
Englishe:
“Take fayre porke of the fore quarter, and rost hit tyl hit be almost ynogh; then take and smyte hit in fayre pecys, and caste hit in a fayre potte; then take oynons and shredde hem small, and frie hem in fayre grece, and caste hem to the porke, and stew hit togydre; then take gode broth of beef or motton, and caste thereto; then take powder of peper and of gynger, and caste thereto; and take bred ystepid in vinegre, and strayne hit thorow a straynoure, and caste thereto; and colour hit with blode, or elles with sandres, and then lat hit boyle up wel, and serve it forth.”
Modern Translation:
Take good pork from the forequarter and roast it until nearly done; cut into pieces and place in a pot. Chop onions, fry them in fat, and add to the pork. Stew together with good beef or mutton broth. Add pepper and ginger. Take bread soaked in vinegar, strain it, and add. Color with blood—or else with red sandalwood—and let it boil well. Serve forth.
Powder Douce & Powder Forte – Medieval Spice Mixes
Medieval-style spice blends: sweet poudre douce and strong poudre forte.
Quick context: In medieval English and Italian sources, powder mixes are pre-made spice blends used much like modern garam masala or pumpkin spice. The two most common names are Powder Douce (sweet, sugar-forward) and Powder Forte (pepper-forward, “strong”). Exact formulas weren’t standardized—each cook adjusted to taste, budget, and what was on hand.
Powder Douce (aka douce/“sweet”/white powder): typically sugar-heavy with warm spices like cinnamon and ginger; sometimes nutmeg, mace, cloves.
Powder Forte (aka strong powder): pepper-based, sometimes with long pepper, cubebs, grains of paradise; may include cloves, nutmeg, cinnamon, coriander/caraway.
Social & Political Implications of Elaborate Entremets