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Showing posts with label Banquet or Final Course. Show all posts
Showing posts with label Banquet or Final Course. Show all posts

Italian (Medieval) – Finnocchio dolce verde- Sweet Green Fennel (Candied Fennel Stalks) (Comfits and Candies)

 

Plates of Candies and Comfits waiting to be served 


Domenico Romoli's "La Singolare Dottrina," published in 1560, is a comprehensive guide for cooks and maรฎtres d'hรดtel, offering insights into the selection, preparation, and service of various foods and wines. In its fourth book, Romoli presents detailed menus for each month, including the "Banquet of January." This banquet showcases a variety of dishes suitable for the winter season, reflecting the culinary traditions of 16th-century Italy.


Sweet Green Fennel from Domenico Romoli's Banquet of January


Domenico Romoli's La Singolare Dottrina (1560) offers a fascinating glimpse into Renaissance cuisine for those who love diving into historical recipes. This culinary guide, written by Romoli—nicknamed Panunto—details elaborate feasts for every month of the year. Among the dishes featured in the Banquet of the Month of January is Finnocchio Dolce Verde, or Sweet Green Fennel, a unique Renaissance treat that transforms humble fennel stalks into candied delights.


A Taste of 16th-Century Italy


Fennel was a staple in Italian Renaissance kitchens, prized for its digestive properties and aromatic qualities. This particular preparation, which candies the fennel stalks in sugar syrup, reflects the era's fascination with preserving flavors and enhancing natural sweetness. The result is a delicately flavored confection, perfect for pairing with cheeses and wine or simply enjoying as a sweet snack.


The Recipe: Sweet Green Fennel (Candied Fennel Stalks)


Yield: About 3/4 cup candied fennel and 1 cup syrup


Ingredients:


  • 1 cup sugar
  • 1 cup water
  • 5 to 6 ounces of fennel stalks, cut on the diagonal into thin sticks (about 1 1/2 cups)

Instructions:


  1. Preheat the oven to 250°F. Line a baking sheet with parchment paper or a silicone liner.
  2. Prepare the syrup: In a small saucepan over medium-high heat, combine the sugar and water. Stir until the sugar dissolves.
  3. Candy the fennel: Add the sliced fennel stalks to the syrup and reduce heat to medium. Cook until the fennel stalks become translucent.
  4. Strain and bake: Strain the fennel stalks, reserving the syrup for future use (it's great for cocktails or drizzling over desserts). Spread the syrup-coated fennel slices in a single layer on the prepared baking sheet.
  5. Dry the fennel: Bake for about 30 minutes, then separate any sticking slices. Continue baking for 30 minutes or until the fennel is dry yet slightly sticky.
  6. Cool and serve: Allow the fennel to cool completely before serving or storing.

Bringing History to Your Table


The candied fennel from Romoli's Banquet of January offers a glimpse into the refined tastes of Renaissance Italy. Its delicate sweetness and herbal notes make it a versatile addition to modern dishes—try it as a garnish for cheese boards, an elegant topping for desserts, or even infused into a winter tea.

By recreating historical recipes like this one, we can appreciate how Renaissance chefs balanced sweetness, texture, and aromatic flavors. Next time you're in the kitchen, why not step back and savor the flavors of a 16th-century banquet?

Kitchen Adventures – 17th Century Dessert (Spanish Wedges)


Spanish Candy Wedges from A Book of Fruits and Flowers, 1653

Originally published:  Jul 2, 2022

https://giveitforth.wixsite.com/giveitforth/post/medieval-desserts-spanish-wedges

To Preserve all kinde of Flowers in the Spanish Candy in Wedges.


Take Violets, Cowslips, or any other kinde of Flowers, pick them, and temper them with the pap of two roasted Apples, and a drop or two of Verjuice, and a graine of Muske, then take halfe a pound of fine hard Sugar, boyle it to the height of Manus Christi, then mix them together, and pour it on a wet Pye plate, then cut it it in Wedges before it be through cold, gild it, and so you may box it, and keep it all the year. It is a fine sort of Banquetting stuffe, and newly used, your Manus Christi must boyle a good while and be kept with good stirring.

Download Recipe Here

Ingredients

2 apples (I used granny smith)
1-2 drops white wine vinegar (to replace verjuice)
1 grain of musk *opt.
1 cup sugar
2/3 cup water
Pinch of dried edible flowers

Directions

1. Peel and core your apples, cut into wedges, and roast in a 400-degree oven for approximately 20 minutes, or until apples have started to brown.

2. While apples are roasting bring your sugar and water and boil it until it reaches 245 degrees.

3. Add sugar syrup, roasted apples, white wine vinegar, or verjuice to a blender and blend until smooth. Opt. Add a drop or two of food-grade musk flavoring at this point.

4. Prepare a mold by spraying it with a little bit of oil and lining it with parchment paper.

5. Sprinkle flowers on the bottom of the tin, add the apple mixture. Be sure to sprinkle more flowers on top.

6. Allow drying until no longer sticky to the touch, cut as desired.When completely dry this candy has the texture of maple sugar candy, otherwise, it is very similar to fruit leather. Store in air tight container

NOTES:

There are two different ways this recipe can be read. The first is the method that I used where the pureed apple is added to the boiled sugar syrup and allowed to dry. The second is that the pureed apple is added to the sugar and water and that mixture is then brought to a boil before being poured into your mold.

It took several days for this beauty to dry completely. When it had dried became a crystalized sugar candy. I did allow it to dry overnight in the oven before removing it from the mold. I veered from the recipe by using a 6" tart pan instead of an 8" pie pan, and I believe this made the candy thicker than originally intended.

I also believe that this very thick candy should have been allowed to dry two or three days before I removed it from the mold and cut it into wedges. The thing that I would do differently in the future would be to make a thinner candy by using a larger plate.

I believe this is a very luxurious treat, that would enhance any dessert course at an event. The taste is a very sweet apple, with just a touch of floral note at the end of the bite. I cut this 6" tart-shaped treat into 12 wedges and I would not want to make it any bigger. At this size, it creates a two to three-bite candy.

TOA Documentation


Source

"The Project Gutenberg Ebook Of A Book Of Fruits And Flowers". Gutenberg.Org, 2022, https://www.gutenberg.org/files/13265/13265-h/13265-h.htm?fbclid=IwAR1UD2bx6I7bO97kplgubSC10fQE05PsXq0GMT8gFpH9C-xvmtRwouCh_x8.

Kitchen Adventures – Of assorted sugar comfits

 Originally published on Patreon Oct 5, 2022


Thomas Dawson lists comfets (comfits) as one of the "necessaries appertaining to a banquet". Comfits were often served at the end of the feast to freshen the breath, act as a digestive, as decoration, and sometimes used in the treatment of specific illnesses.

Aromatic seeds such as anise, fennel, or caraway were coated with sugar and colored using beet, spinach, or saffron. They can also be made using almonds or ginger. Comfits can still be purchased today, for example, Jordan almonds or pastilles. They are a bit time-consuming to make but oh so much tastier than the ones you purchase!

The easier comfits to make are the ones with seeds such as caraway, fennel, or anise. Making cinnamon comfits is a bit of a process. To start I will walk you through the process of candying seeds such as anise, caraway, coriander, fennel, or other seeds or nuts.

Many of the cookbooks that were published in the 1700s and after suggest coating the seeds with a solution of gum arabic. To create your solution use 1 tsp. of gum arabic, to 3 tsp. rosewater. I let mine sit overnight and it becomes a thick, honey-colored gel. If you are going to use gum arabic to coat your seeds, the first few coats (charges) will need to use this solution. Then you can move on to your sugar.

For more information on making these historic treats, please visit Historic Comfits Using Modern Equipment by Dame Alys Katharine (Elise Fleming).

Original Recipe

CLXXIX

Von allerley Zucker Confect

Ausz der Apotecken.

Of assorted sugar comfits

(as) from the apothecary

I. Almonds coated.

2. Anise coated.

3. Cinnamon-bark coated.

4. Cloves coated.

5. Coriander coated.

6. Caraway coated.

7. Fennel coated.

8. Pinion nut coated

9. Walnuts coated

10. Hazelnut (Filbert) kernels coated.

11. Peach kernel coated (I assume only the soft kernel inside the pit)

12. Citron peel coated.

13. Apricot kernel coated.

14. Assorted plum kernel(s) coated.

15. Assorted cherry kernels coated (is there a soft center to a cherry pit?)

16. Chestnuts coated.

17. (Sauer) Orange peel coated.

18. Lime peel coated (there is debate if Limonien were limes or lemons)

19. Eichorium (unsure what this is... perhaps oak???) root coated.

20. Pimpernell (Pimpinella saxifraga L) root coated. (greater Burnett???)

21. Glockenwurtz or Helmenkraut (Inula helenium L) root coated. (Elecampane is an expectorant, root also dyes blue)

22. Sugar root coated (sugar beet root)

23. Violet (or pansy) (Viola odorata L, Viola tricolor L) root coated.

24. Ginger coated.

25. Of assorted roots/ that have a well tasting scent/smell.

If you wish such comfits to coat with sugar/ so take a clean copper vessel/ that has two handholds/ hang it in the height on a rope at both handholds/ set a glow kettle with glowing coals thereunder/ put the comfits into the vessel/ and make it fine warm/ pour nice clarified (clean) sugar thereto/ and stir it often therewith/ till the confits the sugar takes to it/ so it becomes nice white and dry. Also coats one assorted grains (do they really mean wheat, rye, etc? or are they talking about kernels as in individual anise seeds?) with sugar/ and assorted spices/ so it becomes good and also welltasting.

Original Recipe How to cover all kinds of Seeds, or little pieces of Spices, or Orange or Limon Pill, with Sugar for Comfits. First of all you must have a deep bottomed Basin of Brass or Latin, with two ears of Iron to hang it with two Cords over some hot Coals. You must also have a broad Pan to put Ashes in, and hot Coals upon them. You must have a Brass Ladle to let run the Sugar upon the Seeds. You must have a Slice of Brass to scrape away the Sugar from the sides of the hanging Basin if need be. Having all these things in readiness, do as followeth; Take fine white Sugar beaten, and let your Seeds and Spice be dry, then dry them again in your hanging Basin: Take to every two pounds of Sugar one quarter of a pound of Spices or Seeds, or such like.  If it be Aniseeds, two pounds of Sugar to half a pound of Aniseeds, will be enough. Melt your Sugar in this manner, put in three Pounds of Sugar into the Basin, and one Pint of Water, stir it well till it be wet, then melt it very well and boil it very softly until it will stream from the Ladle like Turpentine, and not drop, then let it seeth no more, but keep it upon warm Embers, that it may run from the Ladle upon the seeds.  Move the Seeds in the hanging Basin so fast as you can or may, and with one hand, cast on half a Ladle full at a time of the hot Sugar, and rub the Seeds with your other hand a pretty while, for that will make them take the Sugar the better, and dry them well after every Coat. Do thus at every Coat, not only in moving the Basin, but also with stirring of the Comfits with the one hand, and drying the same: in every hour you may make three pounds of Comfits; as the Comfits do increase in bigness, so you may take more Sugar in your Ladle to cast on: But for plain Comfits, let your Sugar be of a light decoction last, and of a high decoction first, and not too hot.  For crisp and ragged Comfits make your decoction so high, as that it may run from the Ladle, and let it fall a foot high or more from the Ladle, and the hotter you cast on your sugar, the more ragged will your Comfits be; also the Comfits will not take so much of the sugar, as upon a light decoction, and they will keep their raggedness long; this high decoction must serve for eight or ten Coats, and put on at every time but one Ladle full. A quarter of a pound of Coriander seeds, and three pounds of sugar, will serve for very great Comfits. See that you keep your Sugar in the Basin always in good temper, that it burn not in Lumps, and if at any time it be too high boiled, put in a spoonful or two of water, and keep it warily with your Ladle, and let your fire be always very clear, when your Comfits be made, set them in Dishes upon Paper in the Sun or before the Fire, or in the Oven after Bread is drawn, for the space of one hour or two, and that will make them look very white. 

 Comfits 

1 tbsp. seed of choice (anise, fennel, caraway, etc.) 

1 cup sugar 

1/3 cup water

Instructions 1. If you choose to coat your seeds with gum arabic you will need to do that in the first few charges of syrup. The ratio that most of the later confectionary books used was 6:1 - 6 parts sugar syrup to 1 part gum arabic solution. It has an odd smell when you "cook" it, but that does not affect the taste  2. Heat the sugar and the water until it reaches 170 degrees for a smooth coat, or  225 degrees for a jagged coat.  3. While the sugar syrup is heating, you will want to heat your seeds or nuts in a large flat pan such as a wok or frying pan in order to release its essential oils.  If you cannot use your fingers to stir the seeds as they heat it is too hot.   4. Once the syrup has reached the temperature you want, take a teaspoon of it and pour it over the seeds in the pan. I shake the pan until the syrup has cooled enough I can smooth the seeds around with my fingers. However, you can use the back of a wooden spoon, and stir the seeds until the sugar dries.

  • If the seeds stick together, you have used too much syrup.
  • If the sugar forms pellets in the bottom of the pan then you have used too much syrup.

NOTE: In the first few charges (coats) of the syrup the seed will look grayish, and then they will gradually begin to turn white.   5. After about 12 charges, you are done for the day. I prefer my comfits smaller, so I usually do not do this process a second day. However, you can, if you wish, make another solution of syrup and coat your seeds again after they have had time to dry out overnight. The larger the comfits get, the more you will need to divide your batch. You need to be able to work with the pan.

NOTE: Beet juice, spinach juice, and saffron can be used to color your comfits in the last several charges of syrup, or, you can add a few drops of food coloring if you wish.  

To Make Cinnamon Comfits

 Cinnamon comfits require an extra step. First,  you need to make sure that you are using "true" cinnamon, that is Ceylon Cinnamon, which is soft, crumbly, and brittle. When you look at it, it is "compact" and consists of many layers. Cassia cinnamon is what you normally find in the store, and it is thick, and darker in color than Ceylon cinnamon which is a light rusty brown in color. Once you have obtained Ceylon cinnamon you will need to soak it overnight in water. This is so that you can shave it down into the needle-like strips that are needed to make the comfit. Then you will need to let your cinnamon dry thoroughly.  Once the cinnamon has dried completely, proceed as above, being careful to coat the cinnamon with the gum arabic/syrup solution in the first three charges (coats). You will need to stop coating your comfits after about eight charges of syrup and let them dry overnight. Then you can make another solution of syrup and continue the next day.  Enjoy! 

 Update: Regarding cinnamon comfits,  I have been able to make these successfully without soaking ahead of time. 

 Sources

"Deutsches Textarchiv – Rumpolt, Marx: Ein New Kochbuch. Frankfurt (Main), 1581.". Deutschestextarchiv.De, 2022, https://www.deutschestextarchiv.de/book/view/rumpolt_kochbuch_1581/?p=418&hl=Rote. Accessed 4 Oct 2022.

Palmer, Sharon. "Ein New Kochbuch". Academia.Edu, 2022, https://www.academia.edu/6272538/Ein_New_Kochbuch. Accessed 4 Oct 2022.

The Queen-like Closet (1675) (Rose Conserve)

Old Fashioned Rose Petal Jam

Conserve? Jam? Jelly? Marmalade? Cake? Paste? Compote? Butters? Curds? What are they? Before electricity and the advent of modern day refridgeration and freezing food preservation was an art. It still is, don't get me wrong, but think about it. Living seasonally has made me much more aware of how necessary it was to carefully preserve summer and fall bounties to make it through the leaner winters and springs. I can't go into my garden and pick a quart of fresh strawberries in winter, but I might be able to go into my cellar and bring up cabbages, turnips, apples or a winter squash. Our ancestors were geniuses! They had to be. Many of us would be lost if we had to survive without electricity or refridgeration for more then a few days. they lived their lifetimes without it.
 
Sugaring is a method of food preservation, along with smoking, salting, drying and pickling. I have become fascinated with the way sugar was employed in the diet of our ancestors. It was thought to be a medicine so I can't help but thing that the copious amounts that were used in cooking was medicinal as well as functional for flavor. It's a fascinating part of food history with a wide variety of methods employed to create the final product. The Food History Timeline offers this quote to support the long history of preserving food with honey or sugar: 

"The earliest kind of jam making...dates back to pre-Roman times, when fruit pulp was mixed with honey and spices and dried in the sun. In the first century AD, Greeks made a preserve, using their abundant crops of quinces, by stuffing pieces of peeled and pipped raw fruit tightly into jars filled with honey. After a year the fruit became soft as wine-honey'. This Greek quince preserve was called melomeli' (apple: melo, in honey: meli). The Romans later reversed the words into melimela' and improved the preserve by cooking the fruit in the honey with pepper and spices and sealing the jars to make them airtight. Quinces had a high pectin content so that when cooked, preserves made with them would have had a very solid texture. Pectin is a vital ingredient for successful jelly and jam making... By the 17th century...cane sugar was more readily available, and preserving fruit with sugar became an affordable option. Recipes that previously used honey were easily adapted...The English had their own particular version that included pieces of warden pear, but seemed to prefer the Portuguese quince preserve. Using their sugar from India and their abundance of quinces, the Portuguese had developed their own specialty, which they called marmelada' (like the Roman melimela')...As early as the sixteenth century, little chests of marmelada were included in the cargoes of Portuguese merchant ships arriving in English ports. Gradually the same process was applied to other fruits, which then came to be known as a marmalade' of pears, damsons, or plums..." ---Pickled, Potted and Canned: How the Art and Science of Food Preserving Changed the World, Sue Shepard, chapter on sugar (p. 163-174)
The main differences when discussing the different ways to preserve with sugar are the methods used to incorporate the sugar, the kind of fruit used, the size of the fruit, the addition of additional ingredients (booze, spices, nuts, additional fruit) and the proportion of sugar to fruit. Some of the methods we will discuss today were used in period, others (such as fruit curds) would not have been available. 

Preserve is a "catch all" word but when referring to sugaring as a method of preservation, fruit preserves are whole or pieces of fruit suspended in a jelly or a syrup.  Preserves may or may not include additional spices, alcohol, acids or pectin. A great example of a period fruit preserve is .x. Wardonys in syryp which creates pears that have preserved in a syrup flavored with red wine, sugar, vinegar, ginger and saffron. 

What is a conserve? Conserves are a jam which is made up of fruit, or in this case flower petals, mixed with sugar and sometimes other things such as nuts or spices. They can be referred to as "posh jams" and have a consistency that is softer then jam and very spreadable.

If a conserve is a jam, what is a jam? Great question! Jam's consist of a fruit (or flower petal) that has been chopped, crushed, mashed into small pieces and cooked with sugar until it gels. Sometimes additional pectin or an acid of some kind is added to the jam.

Jellies are a mixture of fruit (or petals) and sugar which has been cooked then strained so that the juice becomes the primary ingredient. By definition jellies should be clear without added fruit or spices.

Marmalades are specifically any citrus fruit that has been chopped and then preserved with sugar. The fruit is peeled and the peeled is cooked for a long, slow period of time to soften it before the sugar is added. Ideally a marmalade will be between the consistency of jam and jelly and consist of peices of the peel suspended in a clear jelly. The word marmalade dates back to the Greek melimฤ“lon, which refers to quince stored in honey. My interpretation of Hannah Wooley's orange marmalade can be found here: The Queen-like Closet (1675) - LXXXVI. To make the best Orange Marmalade. - Orange Marmalade. Another more time consuming example of a marmalade is Sir Hugh Platt's To preserve Oranges, after the Portugal fashion which creates an orange marmalade inside of a whole preserved orange peel. 

A "cake" consists of fruit and sugar that has been cooked, pureed and then dried and I believe is the grandfather of our modern day gummy candies or fruit rollups dependant upon how thick you make your sheets and how long you allow them to dry. A good example of this kind of recipe is my interpretation of  Hannah Wooley's dried peaches.

Fruit pastes consists of fruit and sugar, sometimes spices that have been cooked over low heat for a very long period of time until they become concentrated in their flavors. They are then spread onto a tray or a sheet similar to the method you would use for the "cakes" and then dried in an oven. I recently published my interpretation of Sir Hugh Platt's To Make Quidinia of Quinces (Delights for Ladies, Sir Hugh Platt, 1600) which makes a beautiful fruit paste of quince.

Compotes may contain fresh or dried fruit, whole or in pieces and other ingredients that have been cooked in a sugar syrup that may be fortified with liquor or spices and cooked slowly to allow the fruit to keep it's shape. While conserves or jams may be saved for later, compotes are most normally used right away. If that were not confusing enough a coulis is basically a compote that has been pureed to a smooth consistency.

Fruit butters are cooked fruit which has been pureed until smooth and then added to sugar and heated gently until the fruit darkens. They are not cooked until they jelly, but rely on the high pectin content of the fruit to create thickness. They have a much lower sugar content then jams, conserves or jellies. According to the FDA, fruit butter can only be made and labeled such from eight fruits; apples, apricots, grapes, peaches, pears, plums, prunes, and quince.

Curds are a mixture of fruit, sugar, butter and eggs that have been cooked together to form a smooth creamy spread that *must be refridgerated* in order to keep. 


The queen-like closet; or, Rich cabinet stored with all manner of rare receipts for preserving, candying & cookery. Very pleasant and beneficial to all ingenious persons of the female sex. By Hannah Wolley offers this fascinating recipe for a conserve of roses that I had to try. I find it delicious but it is one of those things that you will either like or not like. I like to serve mine over ice cream or on bread. The most common rose used was the apothocary rose, or Rosa gallica officinalis, prized for its scent. This rose is believed to have originated in Persia and legend has it that the rose received it's color from a nightingale who so loved the white rose that it grasped it tightly, the thorn piercing the nightingale and that it was the nightingales blood that turned the white rose red. Thus the rose also became known as the Dasmask rose. Whatever it's origins, it is known that the rose was brought to England with the return of the crusade knights sometime in the 12th or 13th century. 

LXXXVIII. To make Conserve of red Roses. 

Take their Buds and clip off the Whites, then take three times their weight in sugar double refin'd; beat the Roses well in a Mor∣tar, then put in the sugar by little & little, and when you find it well incorporated, put it into Gally Pots, and cover it with sugar, and so it will keep seven years.

Recipe

1 part very fragrant rose petals
3 parts sugar

Fortunately for us we do not need to use a mortar. Do be sure to clean your roses very well. I usually pick mine in the morning, wash them very quickly with water and remove the petals and then store them in the refridgerator overnight. I do this to humanely kill any pests that chose to cling to the petals. Sorry guys :-( The next day I gently rinse them again and dry them on a towel, clip off the bitter white end of the petal and then place it and the sugar into my blender and blend until well blended. At this point I put it into jelly jars and store in my fridge.

While I would have LOVED to have shown you a picture of this, I only had enough conserve to make 2 pint jars both of which have been consumed. So you get a *bonus* recipe--Rose petal jam. For those who you didn't know, my rose bushes were very hard hit a few years ago in winter and many of them died. I am slowly replacing them, but my rose yields are still somewhat small. Early in the year I had enough roses to make the conserve. However, in the second blooming I had enough petals to make rose petal jam, something I intend to give away as a gift this year along with violet syrup.

Old Fashioned Rose Petal Jam                                                                      Makes about 3 pints

1 1/2 cups water (I used bottled)
Approximately 2 cups (more is better) lightly packed fragrant rose petals (alternatively you could use dried petals keeping in mind that 1/3 cup dried is equal to 1 cup fresh just be sure what you use is *food grade*)
2 cups sugar
3 tbsp. fresh lemon juice
1 tsp pectin (as an alternative you could cook 1 green apple with your rose petals skin, pips and all. The apple should contain enough pectin to make thicken to jelly. I chose the pectin)

Bring roses and water to a simmer in a sauce pan and simmer for about ten minutes. Add 1 3/4 cup of sugar and stir until dissolved. Do not be disappointed that the color is not what you would want, the brilliant red color will come when you do the next step--it's magic! Add lemon juice and watch the magic happen. Simme for another ten minutes or so. While it is simmering add pectin to remaining sugar and stir to prevent clumping when you add the remaining sugar and pectin to your jam. Do so a spoonful at a time making sure that it is well incorporated before adding the next spoonful. Cook for another 20 minutes or so and then remove it from the stone and put into your jars. It will seem very loose--but do not worry as it cools it will set. This is best used in two months or, go ahead and process through canning for longer term storage.

I hope you enjoy this unusual and tasty treat as much as I do.

Gallipot ~1650

















To Dry Peaches (The Queen-like Closet (1675))

Dry Peaches and Red Quince Paste Served at Curia Regis 9/10/2017

Several of the recipes that I have experimented with recently can be found in  The queen-like closet; or, Rich cabinet stored with all manner of rare receipts for preserving, candying & cookery. Very pleasant and beneficial to all ingenious persons of the female sex. By Hannah WolleyThis book was first published in 1670, which is late for the period I most normally cook in. However, I believe that while the publishing date is late for the SCA, the recipes are reflective of cooking of the latter half of our SCA time line and therefore are not outside of the boundaries of SCA cooking.

The author, Hannah Wolley was born in 1623 and was the "Martha Stewart" of her day. By the age of 17 (1640) she was working in a nobles household who recognized that the culinary skills she had learned from her mother (general cooking, confectionary and medicinal remedies) was extraordinary and helped her to develop those skills.  Hannah had many firsts in her long career; the first woman to attempt to make a living from writing, the first to have her name attributed to a cooking book and the first to direct her writings to servants in an attempt to bring to the lower social classes the ability to enjoy the grand style of food enjoyed by the upper classes.  It appears that her writing career began at the age of 38 with the publication of her first book "The Ladies Directory" in 1661 and then her next book "The Cook's Guide" in 1664.  All in all, the Queen-Like closet had five publication dates (1670, 1672, 1681 and 1684) and also enjoyed two editions published in German.

The inspiration for this dish began with the idea of wanting to present two different fruit pastes of contrasting color to those who were present at the Curia Regis brunch.  Before we go further, I have to admit that I used the cook's prerogative to make this dish--instead of leaving the fruit whole, I pureed it and created a fruit paste. I wanted to make a bright yellow candy that would be a counterpoint to the red quince paste that I had made.  I also wanted it to be a different shape. I knew I wanted to make use of summer fruit, either peaches or apricots and to create a bright gold candy. Having already interpreted the recipes for the orange marmalade and the rose conserve from "The Queen-Like Closet ", I took inspiration from the following recipes to create the clear peach jelly pictured above.

CCXV. To dry Apricocks. - Take your fairest Apricocks and stone them, then weigh them, and as you pare them, throw them into cold water, have in readiness their weight in fine sugar, wet it with some of the water they lie in, and boil it to a Candy height, then put in your A∣pricocks, and boil them till they are clear, when they have lain three or four days in the Syrup, lay them out upon Glasses to dry in a stove, and turn them twice a day.

CCI. To dry Apricocks or Pippins to look as clear as Amber. - Take Apricocks and take out the stones, and take Pippins and cut them in halves and core them, let your Apricocks be pared also; lay these Fruits in an earthen dish, and strew them over with fine Sugar, set them into a warm Oven, and as the Liquor comes from them put it away, when all the Liquor is come away turn them and strew them thick with Sugar on every side, set them into the Oven again, and when the Sugar is melted lay them on a dry dish, and set them in again, and every day turn them till they be quite dry. Thus you may dry any sort of Plumbs or Pears as well as the other, and they will look very clear.

Recipe

1 pound fresh peaches (alternatively you could use 18 ounces dried apricots that you have reconstituted in apple juice or you can use 1 bag of frozen peach slices (this is what I used)) - peeled and sliced 
2 apples peeled, cored and sliced 
1/4 cup sugar

Place your fruit in a pan and add just enough water to cover it and boil it until it is very soft.  Drain the fruit and place it in a blender--give thanks to the Kitchen God's for modern technology and puree.  At this point your fruit should look like baby food.  If you have doubts about how well pureed your fruit is, strain it into a sieve into a pot and then return it to your stove.  Add your sugar, bring to a boil and cook until the puree starts to "stick" to the pan leaving a furrow behind it as you scrape your spoon through it.  

I put a spoonful of the mixture into well-oiled mini muffin tins, but you could just as easily pour the mixture onto a baking sheet and smooth it out.  Place your puree into an oven that has been heated to its lowest setting (mine is 175 degree's) for five or six hours (or more depending on humidity and the amount of moisture left in the fruit) and let it dry.  It should feel dry and slightly sticky to your touch. As an alternative, you could use a food dehydrator but be sure to keep an eye on the paste as it dries.

I plan on bringing fruit pastes and dry "jelly's" with me to camping events.  I am looking forward to creating something similar with plums and pears as well as with apples.  They are a sweet treat, easy to make and store well when made correctly. They are also fabulous edible decorations (I made a dragon out of the red quince paste and gilded it) and the extra "something" that will take your feasts over the top.  They are very inexpensive to make and store extremely well. 

The Queen-like Closet (1675) (LXXXVI. To make the best Orange Marmalade. - Orange Marmalade)

The Queen-like Closet (1675) - LXXXVI. To make the best Orange Marmalade. - Orange Marmalade
In a few months I will be cooking a luncheon for a very special group of people. I'm honored to have been asked to do this. No pressures :-) but I have challenged myself to serve a mostly period set of dishes and among the dishes I am preparing to serve is orange marmalade. I have been eager to try this dish since I first saw the instructions in Hannah Woolley's (1622-1675) The Queen-like Closet OR RICH CABINET Scored with all manner of RARE RECEIPTS FOR Preserving, Candying and Cookery. and now I have the perfect excuse! Granted the book was published a little later then the period we use in the SCA, I believe it is a representation of dishes that were used very late in period.

I was fortunate to run across some blood oranges marked down because they were not perfect. I love blood oranges and used them to make this dish. It is sweeter then I would have expected but I am going to have a hard time keeping it until September! EVERYONE who has tried it has liked it, and it uses the part of the fruit that most people would throw away. I like to save my orange and lemon peels to make candied peels. It only takes a few hours of time and it makes a lovely presentation at the end of a feast or to put out for lunch, or even a quick snack when you are on the run. I had no difficulty having enough peel to make this marmalade.

LXXXVI. To make the best Orange Marmalade.

Take the Rinds of the deepest coloured Oranges, boil them in several Waters till they are very tender, then mince them small, and to one pound of Oranges, take-a Pound of Pippins cut small, one Pound of the fi∣nest Sugar, and one Pint of Spring-water, me't your Sugar in the Water over the fire, and scum it, then put in your Pippins, and boil them till they are very clear, then put in the Orange Rind, and boil them together, til you find by cooling a little of it, that it wil jelly very well, then put in the Iuice of two Oranges, and one Limon, and boil it a lit∣tle longer; and then put it up in Gally-pots.

86. To make the best Orange Marmalade

Take the rinds of the deepest colored oranges, boil them in several waters till they are very tender, then mince them small, and to one pound of oranges, take a pound of pippins (apples) cut small, one pound of the finest sugar, and one pint of spring-water, melt your sugar in the water of the fire, and scum it, then put in your pippins, and boil them till they are very clear, then put in the orange rind, and boil them together, til you find by cooling a little of it, that it will jelly very well, then put in the juice of two oranges and one lemon, and boil it a little longer; and then put it up in gally-pots.

Interpreted Recipe

1 pound of orange peel
1 pound -or- 2 cups apple sauce (unsweetened natural)
1 pound of sugar
2 cups water 
Juice of 2 oranges
Juice of 1 lemon

This recipe made 4 8-ounce jelly jars of marmalade.  I first cut the peels into like sized pieces and boiled in water several times.  I usually bring the first water to boil and boil for five minutes to remove as quickly as possible any dye and bitterness. Then I drain the peels and on the second boiling boil again for five minutes before draining.  When I do the final boiling I boil till tender.  I wish I could give you a magic number for how long you should boil "until tender" but I think it depends on the age of the fruit, and the thickness.  When you can easily pierce with a fork or toothpick it's done.  The average time is
about 15 to 20 minutes.

I then drained the peels a final time and let cool enough I could easily handle them and minced them small.  When they were minced I had about 2 cups of peels.  I started using apple sauce when I started making fruit paste for the pectin to thicken my fruit pastes, which is why I knew I could use natural, unsweetened applesauce in lieu of the pippins called for in this recipe.  What I have discovered using applesauce for it's pectin instead of pectin is that sometimes your pastes, candies or jellies will set up long before the reach the standard height for sugar cookery.  It is also possible that my digital thermometer is no longer dependable. My modern recipes for orange marmalade advised that I cook the marmalade till it reached 222-223 degree's. But what happened was that it was ready to be put in the jars before it reached that height.  
The instructions indicated that you wanted the same amount of apples as oranges, so I added the water, applesauce and sugar to a pot and heated until the sugar had melted, then added the orange peels. At this point I baby sat the mixture, stirring constantly until I noticed that the marmalade had thickened and that my spoon was leaving a noticeable trail behind it.  My digital thermometer was reading 214 degrees and I agonized over letting it cook further or not.  I did add the orange and lemon juice to the mixture and cooked another five minutes before pulling the pot off the stove and canning the jelly.  At this point, the jelly that spattered was setting on impact on the counter, the stove and me! It was done.  

This is truly one of the best orange marmalades I have ever tasted, much better then commercially made.  The sample 8 ounce jar I kept back was inhaled by the taste testers and their friends.  I strongly recommend that you consider making your own to serve at a future event, to give away as largesse, etc. When properly canned, your items can be put up and used as frequently as you wish.  

Enjoy!