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Showing posts with label English. Show all posts
Showing posts with label English. Show all posts

Autre Vele en Bokenade: Veal in Spiced Almond Pottage from Harleian MS 279 (c. 1430)

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Autre Vele en Bokenade: Veal in Spiced Almond Pottage from Harleian MS 279

Autre Vele en Bokenade, a medieval veal pottage with spiced almond broth, saffron, onion, and currants
Autre Vele en Bokenade — veal in a saffron-colored spiced almond pottage. Original 2017 kitchen photograph.

There are old reconstructions that make me wince because I no longer agree with them, and there are old reconstructions that make me smile because I can see exactly what I was learning. Autre Vele en Bokenade belongs firmly in the second group.

I first cooked this dish in February 2017 on a gray, rainy day when I wanted medieval comfort food. Veal was expensive, so I used beef, put the meat directly into an almond-and-broth mixture with the spices and onions, and let everything cook together until tender. The result was delicious. The taste testers loved the warm ginger, galingale, cinnamon, mace, cubeb, saffron, onion, and currant combination, and I immediately put it on the list of dishes I wanted to serve again.

Nearly ten years later, the flavor judgment still stands. The method, however, needs correcting. Harleian MS 279 does not tell us to stew raw veal in the finished almond sauce. It tells us to cut the veal into gobbets and seethe it first. Then the cook makes a separate sauce from rich broth and ground almonds, thickens it with rice flour, seasons it with spices, onion, currants, and saffron, and only then returns the cooked veal to the pottage.

That changes the dish in an important way. This is not simply beef stew made creamy with almonds. It is cooked veal served in a carefully constructed, lightly thickened, aromatic almond-and-broth pottage.

Why You Will Love This Recipe

  • The flavor is wonderfully warm without being sharply acidic.
  • Veal, almond-enriched broth, onion, and currants create a savory-sweet base.
  • Ginger, galingale, cinnamon, mace, cubebs, and saffron give the dish a distinctly fifteenth-century profile.
  • The manuscript gives us a clear two-stage method: cook the veal first, then build the sauce.
  • It is substantial enough for a main dish but elegant enough for a first-course pottage.
Historical Integrity: Harleian MS 279 explicitly requires veal, rich broth, ground almonds, rice flour, ginger, galingale, cinnamon, mace, cubebs, minced onions, currants, and saffron. It also gives a clear sequence: the veal is cut into gobbets and cooked first; the almond-and-broth pottage is then prepared and thickened; the cooked veal is returned at the end. The manuscript does not provide quantities, exact cooking times, sauce thickness, or a specific broth recipe. The 2026 reconstruction below follows the manuscript sequence but necessarily supplies modern proportions.

Arbolettys: Medieval Cheese, Egg & Herb Pottage from Harleian MS 279 (c. 1430)

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Arbolettys: Medieval Cheese, Egg & Herb Pottage from Harleian MS 279

Arbolettys reconstructed from Harleian MS 279. Original 2016 kitchen photograph retained.

Some recipes announce themselves as winter comfort food the moment you read them. Arbolettys is one of those dishes. Milk, butter, cheese, eggs, parsley, sage, ginger, and galingale do not sound like hardship food. They sound warm, rich, savory, and deeply soothing.

I first made this recipe in 2016 on a cold, gray day and described it as a cheese soup. That interpretation produced a delicious dish and earned enthusiastic approval from the taste testers. Returning to the source now, I still think the old experiment was onto something—but I would name it differently. Arbolettys is best understood as a soft, spoonable cheese, egg, and herb pottage, somewhere between a savory custard and a very thick soup.

The reason this matters is simple: this recipe is often interpreted online as a kind of scrambled egg dish. Yet the manuscript tells the cook to boil milk, butter, and cheese together first, then add eggs, herbs, and spices, and finally serve it forth. It never tells the cook to fry, bake, or dry the eggs into curds. That makes a soft pottage-style reconstruction more defensible than I realized when I first wrote about it.

Why You Will Love This Recipe

  • It is simple, fast, and genuinely comforting.
  • The manuscript ingredient list is short and vivid: milk, butter, cheese, eggs, parsley, sage, ginger, and galingale.
  • It sits in Harleian MS 279 among the Potages dyuers, which strongly supports a spoonable interpretation.
  • The title links it to a broader medieval family of herb dishes, but this version takes the idea in a richer dairy direction.
  • The original 2016 reconstruction was tested and loved by even a skeptical taste tester.
Historical Integrity: Harleian MS 279 explicitly gives milk, butter, cheese, eggs, parsley, sage, powdered ginger, and galingale. It tells the cook to boil the milk, butter, and cheese together, add the eggs, then the herbs and spices, and serve the dish. It does not give quantities, tell us whether the eggs are whole or separated, specify the cheese, or define the final consistency. The reconstruction below is a source-led working interpretation built from the manuscript sequence, the recipe's placement among the Potages dyuers, and comparison with related medieval herb-and-egg dishes.

Quystis Scun: Medieval Wood Pigeon Pottage from Harleian MS 279 (c. 1430)

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Quystis Scun: Medieval Wood Pigeon Pottage from Harleian MS 279

AI-generated visualization of Quystis Scun for the 2026 revision. The original 2016 food photograph was deliberately retired because it did the dish no favors. This image is illustrative rather than documentary.

Quystis Scun is a fifteenth-century English pottage of wood pigeons cooked in a broth of beef or mutton, wine, and water. The birds are filled with whole pepper and marrow, cooked in the covered pot, then finished with ginger, verjuice, and salt. At service, the cook places a pigeon or two into each dish and adds a little of the broth "in the manner of a pottage."

I first reconstructed this recipe on November 17, 2016 because pigeon was difficult for me to obtain. I substituted a Cornish game hen, used prepared beef broth instead of beginning with a piece of beef or mutton, and used vinegar in place of verjuice. The result tasted much better than it photographed. The wine-stewed chicken skin became gray-purple and deeply unhelpful to anyone trying to imagine how good the dish actually was.

Nearly ten years later, returning to the source revealed a more important problem than the photograph. My original interpreted recipe accidentally omitted the marrow that is explicitly named in the manuscript. The 2026 revision restores that ingredient, returns the broth-making step to the manuscript sequence, separates verjuice from the vinegar substitution, and makes a clearer distinction between what I actually tested in 2016 and what the surviving evidence now supports.

Why You'll Love This Recipe

  • It is a compact but unusually informative recipe from Harleian MS 279.
  • The manuscript gives us the bird, cooking liquid, stuffing, seasonings, cooking method, and serving style.
  • Whole pepper and marrow are placed inside the birds rather than simply stirred into the broth.
  • Verjuice gives the finished pottage a bright sour edge against the wine and rich meat broth.
  • The original Cornish hen adaptation was genuinely delicious, even if its photograph was not.

Jump to Historical Reconstruction

Historical Integrity: The main recipe below is a source-led reconstruction of Harleian MS 279. The manuscript explicitly gives beef or mutton, wine, water, wood pigeons, whole pepper, marrow, ginger, verjuice, salt, covered cooking, and brothy service. It does not provide quantities, cooking times, wine type, bird size, marrow amount, or exact proportions. The original 2016 Cornish hen adaptation was tested and enjoyed. The fully restored 2026 version has not yet been cooked as a separate controlled test, so source-led corrections are identified as such rather than presented as new kitchen results.

A Potage of Roysons: Medieval Apple and Raisin Rice Porridge from Harleian MS 279

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A Potage of Roysons, a medieval apple and raisin pottage from Harleian MS 279
Cxxxvj. A Potage of Roysons – apple, raisin, almond milk, rice flour, ginger, and galangal

A Potage of Roysons – Medieval Apple and Raisin Rice Porridge

There are recipes that sweep into the medieval kitchen wearing gilt and peacock feathers, and then there are recipes like A Potage of Roysons. This one arrives quietly with apples, raisins, almond milk, rice flour, ginger, and galangal. It sounds simple. It is simple. But it is not nearly as plain as it first appears.

The original recipe is only a few lines long, yet those few lines give us several excellent little mysteries. Why do the raisins have “kernels”? What does the cook mean by temper? How thick is clene chargeaunt? And why, after all that careful instruction, does no one actually tell us to put the pot over the fire?

I first made this pottage in 2016 and served it at an SCA breakfast. It went over well, although one of the kinder verdicts was, “Tasty, but not delicious.” Honestly? Fair. I have made similar dishes with more sparkle, and I have never been a devoted member of the raisin fan club. Still, there was enough here to make me curious, and curiosity is usually where the good cooking begins.

Apple Moyle: A Sweet Medieval Apple Porridge from Harleian MS 279

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A bowl of Apple Moyle, a medieval apple and almond rice pottage reconstructed from Harleian MS 279
Apple Moyle, a warm apple and almond rice pottage reconstructed from Harleian MS 279, c. 1430

Apple Moyle: A Sweet Medieval Apple Porridge from Harleian MS 279

Apple Moyle is the sort of dish that makes a medieval manuscript feel suddenly close enough to touch. Ground rice and almond milk cook into a soft, creamy pottage; small pieces of apple settle into it; sugar, saffron, and sweet spices turn an armful of familiar ingredients into something warm, golden, and unmistakably fifteenth-century.

It is comforting without being plain and rich without being heavy. The apples are not puréed away. They remain as tender little morsels inside the smooth rice-thickened base, giving each spoonful a bit of orchard brightness. My testers liked this one enough that the final serving inspired what can only be described as a very polite spoon duel.

Why You Will Love This Recipe

  • It is warm, gently spiced, and deeply comforting.
  • The ingredient list is short and naturally dairy-free.
  • It works beautifully as a modern camp breakfast or a small pottage course.
  • The rice flour thickens the almond milk without eggs, butter, or wheat.
  • It reheats well with a small splash of almond milk.
Historical Integrity Statement: The manuscript clearly names rice, almond milk, apples, sugar, saffron, and “good powder,” and it preserves the basic order of preparation. It does not provide quantities, cooking times, a final consistency, or the composition of the spice powder. The measurements below are my tested reconstruction. Fine rice flour replaces rice freshly ground in a mortar, Powder Douce is my interpretation of “good powder,” and salt is an optional modern addition.

Apple Muse: Medieval Apple Purée with Almond Milk from Harleian MS. 279

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Apple Muse: A Medieval Apple Pottage from Harleian MS 279

A bowl of Apple Muse, a medieval apple pottage reconstructed from Harleian MS 279
Apple Muse reconstructed from Harleian MS 279, c. 1430

At first glance, Apple Muse looks almost too simple to hide a mystery. Apples are boiled and pushed through a sieve. Almond milk, honey, grated bread, saffron, saunders, and a little salt follow them into the pot. The cook stirs, lets the mixture simmer, and sends it to the table.

Yet this short recipe opens a remarkably wide door into the medieval kitchen. It shows us how familiar fruit could be transformed through texture, color, spice, and careful thickening. It also leaves us with one stubborn little question: how, exactly, did the medieval cook use the saunders?

The finished dish is not a modern mousse and it is not ordinary applesauce. It is a warm, smooth fruit pottage, gently sweetened with honey, enriched with almond milk, and given body with bread. It is humble in its ingredients but elegant in its handling, the sort of recipe that rewards patience more than spectacle.

Why You May Love This Recipe

  • It turns everyday apples into a distinctly medieval dish.
  • It is naturally dairy-free and vegetarian as written.
  • It introduces bread thickening, one of the quiet workhorses of the medieval kitchen.
  • It can be prepared ahead for a feast and reheated gently.
  • It gives us a chance to taste texture, color, and seasoning working together in a fifteenth-century pottage.
Historical Integrity Statement

The manuscript gives the ingredients and the order of work, but it does not give quantities, temperatures, cooking times, or the final consistency. The proportions below are my tested reconstruction. Saunders remains the least certain part of the dish because the source names it without explaining how it was prepared or added.

Venyson in Broth: Medieval Venison in Spiced Broth from Harleian MS 279

Venyson in Broth: Medieval Venison in Spiced Broth from Harleian MS 279

Venyson in Broth is a compact but revealing recipe from Harleian MS 279. Ribs of venison are washed, placed in their strained washing water, and boiled with parsley, sage, pepper, cloves, mace, vinegar, and a little red wine until done.

The receipt contains no bread thickener, almond milk, eggs, onions, or elaborate finishing sauce. The meat and its seasoned cooking liquid remain at the center of the dish. Herbs lend freshness, wine and vinegar provide acidity, and a restrained measure of warm spice gives the broth its medieval character.

When I first published this reconstruction in 2016, I combined it with the following receipt for furmenty. Returning to the manuscript makes the division clearer. Venyson in Broth is recipe xxij. Venyson with Furmenty follows as recipe xxiij and gives a separate method for preparing the wheat. They belong together at the table, but each deserves its own reconstruction.

Why You Will Love This Recipe

  • It places venison at the center rather than burying it beneath a heavy sauce.
  • Parsley, sage, wine, vinegar, pepper, cloves, and mace create a bright, aromatic broth.
  • The recipe demonstrates how medieval cooks balanced herbs, acidity, and warm spice.
  • It can be reconstructed with venison ribs or practical boneless stew meat.
  • It pairs naturally with saffron-colored furmenty, bread, or another mild grain dish.

Jump to the Modern Recipe

Historical Integrity: The surviving receipt, historical interpretation, tested reconstruction, and modern food-safety accommodations are identified separately. The practical recipe uses fresh water rather than reusing raw-meat washing water.

Furmenty (Frumenty): Medieval Creamy Wheat Dish from Harleian MS 279

Furmenty (Frumenty): A Medieval Creamy Wheat Dish from Harleian MS 279

Furmenty, now more often written frumenty, is a wheat dish cooked until the grain becomes tender, swollen, and creamy. In Harleian MS 279, the wheat is cleaned, dampened, pounded, winnowed, boiled until it breaks, enriched with fresh milk, colored with saffron, and seasoned with salt.

It is a simple recipe, but not an insignificant one. Harleian MS 279 is a selected culinary collection, and furmenty was important enough to receive a distinct receipt and a defined method. Its inclusion beside venison reminds us that the grand medieval table did not rest upon spectacular meats and costly spices alone. It also depended upon cooks who understood grain, heat, texture, and timing.

When I first reconstructed this dish in 2016, I used Kamut-brand khorasan wheat. Its large grains produced a substantial, pleasantly nutty dish rather than a smooth modern breakfast cereal. Returning to the manuscript years later changed how I explain the recipe and where I place the saffron, but it did not change my conviction that furmenty deserves to be understood as a preparation in its own right.

Why You Will Love This Recipe

  • It uses a short ingredient list to create a rich and satisfying historical dish.
  • It preserves the texture of softened, broken wheat rather than turning the recipe into instant cereal.
  • It explains why a basic grain preparation mattered in a fifteenth-century culinary collection.
  • It can be served with venison, beef, fish, or another savory medieval dish.
  • It includes both the manuscript method and a clearly labeled practical reconstruction.

Jump to the Modern Recipe

Historical Integrity: The manuscript evidence, historical interpretation, tested modern reconstruction, and practical substitutions are identified separately. The main household recipe uses soaking as a practical substitute for the manuscript's labor-intensive pounding and winnowing process.

Beef y-Stywyd | Medieval English Stewed Beef from Harleian MS. 279 (c. 1430)

Beef y-Stywyd | Medieval English Stewed Beef
Harleian MS. 279 (c. 1430)

Search Description: Discover Beef y-Stywyd, a richly spiced medieval English beef pottage from Harleian MS. 279 (c.1430), faithfully reconstructed for today's kitchen.

Beef y-Stywyd reconstructed from Harleian MS. 279 (c.1430).

Some historical recipes preserve forgotten techniques. Others surprise us because they taste remarkably familiar despite the centuries that separate us from the cooks who first prepared them. Beef y-Stywyd accomplishes both, and after years of historical cooking it remains one of my favorite medieval recipes to prepare whenever the grocery budget allows.

The first time I served this dish, nearly everyone at the table commented that it reminded them of Cincinnati-style chili. At first that comparison seems impossible. This recipe was written in England around 1430, centuries before Cincinnati existed. Yet once the cinnamon, cloves, vinegar, herbs, and slow-simmered beef come together, the resemblance becomes surprisingly understandable. Medieval cooks understood how to layer warm spices and acidity in ways that still resonate with modern palates.

Recorded in Harleian MS. 279, Beef y-Stywyd is a beautifully balanced beef pottage combining forequarter beef, onions, parsley, sage, imported spices, saffron, vinegar, and bread into a rich, fragrant dish. Although historically classified as a pottage, it is substantial enough to serve as the centerpiece of a rustic feast or tavern meal.

Medieval Pork Meatballs in Almond Milk



Pumpes, medieval pork meatballs served in almond milk with edible flowers
Pumpes - Meatballs in Almond Milk

Originally published May 20, 2016. Updated June 2026.

Pumpes are among the prettiest dishes preserved in Harleian MS. 279: tender pork meatballs served beneath a smooth almond milk sauce, thickened with rice flour and finished with sugar, mace, and tiny red flowers. At first glance, the recipe looks simple. A good piece of pork is boiled, chopped very small with cloves, mace, and currants, rolled into small pellets, and served five to a dish beneath a pale almond milk pottage.

What makes this recipe so interesting is not simply that it is an early English meatball dish, but that it belongs to a much larger family of medieval shaped meat recipes. Across several English manuscripts we find related dishes called pomme dorry, powme dorrys, poumes, pumpes, pompys, and pomes. Some are boiled and roasted. Some are gilded with egg. Some are colored red or green with herbs or saffron. Some are served in broth, syrup, or almond milk. The meatball remains familiar. The sauce, color, and presentation change from manuscript to manuscript.

Here is another meatball recipe from Two Fifteenth-Century Cookery-Books: Harleian MS. 279 (ab. 1430), and Harl. MS. 4016 (ab. 1450), with extracts from Ashmole MS. 1439, Laud MS. 553, and Douce MS. 55, edited by Thomas Austin. This is very pretty to look at, but without salt or pepper the dish is a bit on the bland side. My guess is that the majority of the seasoning would come from whatever seasonings might have been used in the pork when it was cooked. I used ground raw pork to make the meatballs, and would highly suggest that you add additional seasoning than just clove and mace. I did.


Why This Recipe Matters

Long before meatballs found their way into bowls of tomato sauce, cooks across Europe and the Mediterranean were shaping seasoned meat into elegant little portions fit for refined tables. Roman cooks prepared shaped meats in savory sauces. Medieval Arabic cooks pounded meat with spices, saffron, onion, murri, and egg. English cooks gilded meatballs with eggs, colored them with herbs, floated them in almond milk, and crowned them with flowers.

Pumpes preserves one branch of that long culinary story. It shows how a familiar cooking technique could become something delicate, decorative, and unmistakably medieval.


Recipe Lineage: A Medieval Family of Meatballs

Unlike many medieval recipes that survive in only a single manuscript, Pumpes belongs to a remarkable family of shaped meat dishes that can be traced across English cookery from at least the late fourteenth century into the later fifteenth century.

Earlier examples appear in Forme of Cury as Pomme Dorryle and Pommedorry. These recipes use raw pork or beef, spices, currants, and egg before the formed balls are boiled, roasted, and decorated with herbs or saffron. Liber Cure Cocorum preserves Powme Dorrys, again emphasizing raw pork, beaten eggs, boiling, roasting, and colorful gilding. A Noble Boke off Cookry continues the tradition with Pomes, showing that these decorative meatball dishes remained part of English culinary practice well into the fifteenth century.

The broader technique is older still. Roman cookery includes shaped meat preparations served in sauce, and the thirteenth-century Anonymous Andalusian Cookbook includes meatball dishes made from pounded meat, egg, spices, saffron, onion, oil, murri, and aromatic cooking liquids. These sources do not prove that English Pumpes descended directly from Roman or Andalusian recipes, but they do show that cooks across many centuries understood the same useful idea: finely chopped or pounded meat could be seasoned, shaped, cooked, and served as elegant individual portions.

What changes from manuscript to manuscript is not the meatball itself, but the finishing treatment. In some recipes the balls are boiled and then roasted. In others they are colored with herbs or saffron. In Harleian MS. 279, they are transformed by broth, almond milk, rice flour, sugar, mace, currants, and flowers. That makes Pumpes part of a living recipe family rather than a lonely curiosity in the manuscript.


Historical Background

The name of the dish is part of the story. Medieval English spelling was far from standardized, and related recipes appear under several forms: poumes, pumpes, pompys, pomes, and pomme dorry. The word likely points toward the idea of a rounded shape, recalling the Old French pomme, or apple. These were not pumpkin dishes, but little rounded morsels of meat, shaped like small apples or pellets.

The recipe itself gives one of the most useful clues about presentation: "ley .v. pompys in a dysshe." Five meatballs were to be placed in a dish and covered with the almond milk pottage. This suggests an individual or small shared serving rather than a vague quantity poured into a communal bowl. The optional flower garnish, sugar, and mace also indicate that appearance mattered. This was not merely a way to use chopped pork. It was a dish meant to be seen.

Did You Know?

Medieval cooks decorated savory dishes with flowers centuries before edible flowers returned to modern fine dining. In Pumpes, each meatball could be topped with a small red field flower before serving.

The Original Recipe

Original source note: The Middle English recipe appears in Thomas Austin's edition of Two Fifteenth-Century Cookery-Books. A modern transcription is also available through Medieval Cookery. Full source links are listed in the Sources section below.

.Cxxxviij. Pumpes. Take an sethe a gode gobet of Porke, & noȝt to lene, as tendyr as þou may; þan take hem vppe & choppe hem as smal as þou may; þan take clowes & Maces, & choppe forth with-alle, & Also choppe forth with Roysonys of coraunce; þan take hem & rolle hem as round as þou may, lyke to smale pelettys, a .ij. inches a-bowte, þan ley hem on a dysshe be hem selue; þan make a gode Almaunde mylke, & a lye it with floure of Rys, & lat it boyle wyl, but loke þat it be clene rennyng; & at þe dressoure, ley .v. pompys in a dysshe, & pore þin potage þer-on. An ȝif þou wolt, sette on euery pompe a flos campy*. [? field-flower. ] flour, & a-boue straw on Sugre y-now, & Maces: & serue hem forth. And sum men make þe pellettys of vele or Beeff, but porke ys beste & fayrest.

Translation

38. Pumpes - Take and boil a good piece of pork, and not too lean, as tender as you may; then take it up and chop it as small as you may; then take cloves and mace, and chop them together with it, and also chop in raisins of Corance; then take them and roll them as round as you may, like small pellets, about 2 inches around, then lay them on a dish by themselves; then make a good almond milk, and mix it with flour of rice, and let it boil well but look that it be clean running; and when you go to serve, lay five meatballs in a dish and pour your broth thereon. And if you will, set on every meatball a field flower, wild campion, a small red flower, and above strew on sugar enough and mace; and serve them forth. And some men make the pellets of veal or beef, but pork is best and fairest.


Flos Campi: A Flower Worth Remembering

One of the most delightful details in Pumpes appears in the final sentence of the recipe. After the meatballs have been placed in the almond milk pottage, the cook is invited to place a flos campi, literally a "flower of the field," upon each one before finishing the dish with sugar and mace. It is a reminder that medieval cooks valued presentation every bit as much as flavor.

The exact flower intended has been debated. The Middle English Dictionary describes it as:

"a special flour and hath that name for he groweth by himself in places that be nought tilled...and is a litil flour with a small stalk and the flour is reed as blood."

Many historians associate the description with wild campion or another small red field flower. For my reconstruction I chose red dianthus, known in period as the clove gillyflower, because it provides a similar appearance while remaining edible and readily available. Regardless of the exact species, the manuscript makes one thing clear: these meatballs were intended to be beautiful as well as delicious.

Red dianthus used as flos campi in the reconstruction of Pumpes

Ingredients in Context

Pork

The manuscript recommends pork over both beef and veal, concluding that "pork is best and fairest." The additional fat in pork helps produce tender meatballs after boiling while also creating a pleasing pale color beneath the white almond milk sauce. Although beef and veal were acceptable substitutions, pork clearly represented the preferred presentation.

Almond Milk

Modern readers often think of almond milk as a recent innovation, yet it appears throughout medieval English cookery. Almond milk was valued for its rich texture, delicate flavor, and brilliant white color. It also allowed cooks to prepare luxurious dishes during periods of religious fasting when animal milk was restricted. Harleian MS. 279 uses almond milk repeatedly, making it one of the defining ingredients of the manuscript.

Rice Flour

Rice was an imported luxury commodity in fifteenth-century England. Ground into flour, it created smooth sauces without overwhelming delicate flavors. The recipe specifically instructs the cook to make the sauce "clean running," suggesting that the finished pottage should lightly coat the meatballs rather than becoming a thick gravy.

Roysons of Coraunce

The manuscript specifies roysons of coraunce, small dried currants imported through Mediterranean trade. Medieval cooks frequently paired meat with dried fruit, producing the characteristic sweet-savory combinations found throughout aristocratic cuisine. These currants contribute gentle sweetness while balancing the warming spices of mace and cloves.


Household Context

Pumpes was likely prepared in the kitchens of prosperous households where imported almonds, rice, sugar, spices, and currants were readily available. Although the technique itself is straightforward, the ingredients speak of status. Individually plated portions, edible flowers, and imported luxuries suggest that this was intended for the tables of the gentry or nobility rather than as everyday fare.

The instruction to serve exactly five meatballs to a dish further suggests careful presentation rather than simple family dining. Like many recipes in Harleian MS. 279, the finished appearance was every bit as important as the flavor.


Feast Placement

Pumpes would have been especially appropriate during the opening courses of a medieval feast or as an elegant entremet served between larger meat courses. Its delicate almond milk sauce, decorative flowers, and imported ingredients made it visually impressive while remaining relatively light compared to the heavily roasted meats that often followed later in the meal.


Humoral Theory

Within medieval dietary theory, pork was generally regarded as nourishing and moist. The warming qualities of cloves and mace helped balance those characteristics, while almond milk softened the richness of the meat. Currants and sugar added gentle sweetness without overwhelming the savory nature of the dish. Together these ingredients produced what medieval physicians would likely have regarded as a carefully balanced first-course dish, intended to prepare the stomach for the remainder of the meal.


Reconstruction Notes

This reconstruction taught me an important lesson about medieval recipes. My first attempt followed the manuscript quite literally using fresh ground pork. Although the finished dish was attractive and remarkably easy to prepare, it lacked the depth of flavor I expected.

Looking more carefully at the manuscript, I suspect the answer lies in the opening instruction. The original recipe begins with a boiled piece of pork, not raw ground pork. That pork may already have been seasoned during its original preparation, something the medieval cook would simply have taken for granted. By beginning with fresh ground pork, I unintentionally omitted an entire layer of flavor.

Rather than altering the historical recipe itself, I chose to add additional seasoning for modern tastes. At the very least, salt and pepper greatly improve the final result. If I prepare this dish again, I would likely begin with leftover roasted or gently seasoned pork before chopping it finely, preserving both the spirit of the manuscript and the flavor the original cook may have expected.


Interpreted Recipe

Serves: 1 as a main dish, 2 as a side

1/4 pound ground pork
1/8 tsp. clove and mace
1 tbsp. raisins
1 cup almond milk
2 tbsp. rice flour
Small red flowers (I used red dianthus, known as clove gillyflower in period.)
Pinch of sugar and mace to garnish

Mix together the pork, clove, mace, raisins (and any additional seasoning you may wish), then shape into meatballs. I added one egg to bind the mixture together. Drop the meatballs into a pan of cool water and bring to a boil. Cook until thoroughly done.

While the meatballs are cooking, bring the almond milk and rice flour to a gentle boil until slightly thickened. I prefer a thicker sauce, so I used two tablespoons of rice flour. When the sauce has thickened and the meatballs are cooked, place them into a serving bowl, pour the almond milk over them, garnish with the flowers, and finish with a light sprinkle of sugar and mace. Add the flowers immediately before serving, as they wilt quickly.

As I noted in the original article, this was a very bland dish as reconstructed. Additional seasoning is required, at the very least salt and pepper, to better suit the modern palate. I suspect it would be especially successful using the same seasoning profile found in the lvj. Poumes recipe. Despite its mild flavor, this remains one of the prettiest dishes in Harleian MS. 279, and I would happily prepare it again for a future feast.


Kitchen Notes

  • Authenticity: The recipe has been intentionally left at its original tested yield. Medieval feast cooks can easily scale it using [The Steward's Table]
  • Seasoning: The manuscript assumes previously cooked pork. Modern ground pork benefits from additional seasoning, especially salt and pepper.
  • Almond Milk: Homemade almond milk produces the richest flavor, but an unsweetened commercial almond milk may also be used.
  • Currants: True currants are closer to the manuscript than modern raisins, although either produces an enjoyable result.
  • Flowers: Add edible flowers only at the moment of service. They wilt quickly in the warm almond milk.
  • Feast Preparation: The meatballs can be prepared a day ahead and gently reheated in the finished almond milk sauce before serving.

Kitchen Copy

Pumpes (Harleian MS. 279)

Yield:
1 main course or 2 side servings

Ingredients

1/4 pound ground pork
1/8 tsp ground cloves
1/8 tsp ground mace
1 tbsp currants (or raisins)
1 egg (optional for binding)
1 cup almond milk
2 tbsp rice flour
Pinch sugar
Pinch mace
Edible red flowers

Instructions

Mix pork, cloves, mace, currants and egg if using.
Form into small meatballs.

Poach until cooked through.

Heat almond milk and whisk in rice flour until lightly thickened.

Place five meatballs into each serving bowl.

Pour almond milk sauce over top.

Garnish with sugar, mace and edible flowers immediately before serving.

The Steward's Table

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The Steward's Table is designed specifically for historical cooks preparing anything from a family dinner to a large SCA feast.


Frequently Asked Questions

Why almond milk instead of dairy milk?

Almond milk was one of the defining ingredients of medieval English cookery. Besides producing a delicate white sauce, it was acceptable during many Church fast days when animal milk was prohibited.

Why are there flowers on the meatballs?

Decoration was an important part of elite medieval dining. Flowers, colored sauces, and bright garnishes demonstrated both wealth and the cook's skill while making the table more visually impressive.

Can I use beef or veal?

Yes. The manuscript specifically notes that some cooks prepared the pellets from beef or veal. However, it concludes that pork is "best and fairest."

Why does the recipe taste mild?

The original recipe begins with an already cooked piece of pork. That meat was probably seasoned during its initial preparation, something the medieval cook did not need to explain. Modern ground pork benefits from additional seasoning.


Continue Exploring Harleian MS. 279



Sources & Further Reading

If you'd like to explore the original manuscripts and related works, these sources provide the foundation for this reconstruction and are well worth reading.


Further Reading

One of the most enjoyable discoveries during the research for this article was realizing that Pumpes belongs to a much larger family of recipes spanning more than a thousand years. From Roman shaped meats served in savory sauces, through Arabic meatball dishes seasoned with saffron and murri, to the elegant English recipes of Forme of Cury, Liber Cure Cocorum, Harleian MS. 279, and A Noble Boke off Cookry, medieval meatballs tell a surprisingly rich story of culinary continuity and innovation.

AI Transparency

This article was originally published in 2016 and extensively expanded in 2026 using the original manuscript, comparative medieval cookbooks, historical food scholarship, and the author's tested reconstruction. The original recipe, photographs, observations, and reconstruction have been preserved while historical context has been expanded.

Vyolette: A 15th-Century Violet Almond Custard from Harleian MS. 279

Vyolette: A 15th-Century Violet Custard from Harleian MS. 279

Vyolette, a medieval violet custard made with almond milk and fresh March violets.

Vyolette, a delicate medieval custard celebrating one of spring's most cherished flowers.

First published: April 20, 2016
Updated: June 26, 2026

Among the first flowers to announce the return of spring, few were as admired by medieval gardeners, physicians, and cooks as the fragrant March Violet. Long before edible flowers became fashionable in modern kitchens, sweet violets were cultivated for their beauty, preserved in syrups and conserves, infused into oils and honey, and transformed into elegant dishes such as this remarkable custard from Harleian MS. 279.

Unlike many modern floral desserts that rely upon extracts or artificial flavorings, Vyolette asks the cook to work directly with fresh blossoms. The flowers are gently cooked, pressed, and blended into almond milk before being thickened into a silky custard. The result is subtle rather than perfumed, allowing the delicate fragrance of the violet itself to remain the centerpiece of the dish.

Historical Context

The flower called for in this recipe was almost certainly the Sweet or March Violet (Viola odorata), a plant prized throughout medieval Europe for both its fragrance and its versatility. Writing in A Nievve Herball (1554), Rembert Dodoens distinguished the richly scented garden violet from its weaker wild cousin, describing the cultivated flower as possessing a "very pleasant and amiable smell." He notes that these violets flowered in March and April, giving rise to the familiar English name "March Violet."

Woodcut of the Sweet or March Violet (Viola odorata) from Rembert Dodoens' A Nievve Herball (1554).

The Sweet or March Violet (Viola odorata) from Rembert Dodoens' A Nievve Herball (1554).

By the early seventeenth century, John Parkinson observed that generations of careful cultivation had produced garden violets that were "fairer in colour, and peradventure of a better scent than when they grew wild." His descriptions of single, double, white, and purple March Violets reveal that these flowers were not merely gathered from hedgerows but intentionally grown in gardens for both ornament and household use.

Our companion article, Of March Violets: Medicinal and Culinary Lore, explores the rich botanical, culinary, and medicinal history of this remarkable flower, including period herbals, violet syrup, violet honey, and additional historical recipes.

Household Context

Fresh violets were among the earliest gifts of spring, making them a naturally seasonal ingredient. Le Ménagier de Paris, the late fourteenth-century household guide known in English as The Good Wife's Guide, instructs gardeners to lift violet plants into pots before winter and shelter them in a cellar or protected place during severe frosts. During mild days the plants were carried back into the fresh air and watered carefully before being returned indoors. Such advice demonstrates that prosperous households deliberately cultivated violets rather than relying solely upon wild flowers.

The same household tradition also records violets decorating elegant dishes. One recipe for aspic jelly directs the cook to garnish each serving with white violets, pomegranate, bay leaves, and colorful dragées before presentation. These references remind us that medieval cooks valued flowers not only for their flavor but also for the beauty they brought to the feast table.

Luxury household accounts likewise record the purchase of violets alongside costly imported sugar, mastic, and spices, illustrating that fragrant flowers were considered worthy companions to some of the finest ingredients available to elite kitchens.

The Manuscript

This recipe appears as .Cxxv. Vyolette in Harleian MS. 279, one of the most important surviving collections of fifteenth-century English cookery. Unlike the manuscript's other recipe for Vyolette, which combines violets with dried fruits, warming spices, and saffron to create a substantial almond pottage, this version is remarkably restrained. It allows the flower itself to remain the principal flavor, supported only by almond milk, a starch thickener, and sugar or honey.

The manuscript also offers an interesting choice between almond milk and "good cow's milk," reminding us that medieval cooks readily adapted recipes to both the liturgical calendar and the resources available in their own kitchens. Almond milk was especially common during fasting periods, while fresh dairy was equally acceptable when dietary restrictions permitted.

The Original Recipe

.Cxxv. Vyolette. — Take Flourys of Vyolet, boyle hem, presse hem, bray hem smal, temper hem vppe with Almaunde mylke, or gode Cowe Mylke, a-lye it with Amyndoun or Flowre of Rys; take Sugre y-now, an putte þer-to, or hony in defaute; coloure it with þe same þat þe flowrys be on y-peyntid a-boue.

Translation

Take violet flowers, boil them, press them, and grind them finely. Mix them with almond milk or good cow's milk, then thicken the mixture with amidon or rice flour. Add enough sugar, or honey if sugar is unavailable. Color the finished dish to resemble the violet flowers themselves.

Smale Byrdys y-stwyde - Small Birds Stewed in Wine and Spices


Small Birds Stewed, a medieval poultry pottage from Harleian MS 279, reconstructed with chicken in wine and spices
Harleian MS 279, about 1430, Smale Byrdys y-stwyde - Small Birds Stewed

Originally published April 18, 2016. Updated June 2026.

Medieval cooks were practical cooks. A recipe did not always name a single bird, cut of meat, or exact modern equivalent because the medieval kitchen often worked with what the household, market, dovecote, poultry yard, or hunt provided. Smale Byrdys y-stwyde, or “Small Birds Stewed,” from Harleian MS 279 is one of those wonderfully flexible recipes.

The instruction is not for chicken alone, nor for one specific game bird. It is a method for preparing small birds in a richly seasoned wine sauce. The birds are first fried, then drained, then returned to a pot with onions, wine, cinnamon, cloves, mace, pepper, saffron, sugar, ginger, and salt. In modern terms, this is less a plain stew and more a medieval braise: browned meat finished gently in a fragrant cooking liquor.

This recipe belongs to the same family of sauced poultry dishes as several other recipes in Harleian MS 279, including Gelyne in Dubbatte - Chicken in Wine Sauce, Henne in Bokenade - Stewed Chicken in Sauce, Pertrich y-stwyde - Partridge Stewed, and Quystis Scun. What makes Smale Byrdys especially interesting is the breadth of the title. It assumes a kitchen familiar with many kinds of birds and gives a flexible method rather than a narrowly fixed recipe.

Brawn en Peuerade | Medieval Pork Pottage in Pepper Sauce (Harleian MS 279)

Brawn en Peuerade, a medieval pork pottage in pepper sauce from Harleian MS 279
Brawn en Peuerade, a medieval pork pottage in pepper sauce from Harleian MS 279.

Originally published March 11, 2016. Updated June 24, 2026 with expanded historical notes, seasonality discussion, pottage classification, internal links, and a copy-friendly modern reconstruction.

Brawn en Peuerade is a fifteenth-century English pork pottage from Harleian MS 279. The dish combines pork, wine, onions, vinegar, pepper, ginger, and warming spices into a sharply flavored pepper sauce that the manuscript tells us should be "as potage shulde be."

That phrase matters. Although the modern title may sound like a meat dish with sauce, the original recipe gives us a strong clue about its intended texture and service. It should be neither too thick nor too thin, but spoonable, saucy, and substantial. For that reason, this recipe belongs among Pottages & First Course Dishes rather than among dry roasted, fried, grilled, or baked meats.

Auter Brawn en Peuerade | Medieval Pork Pottage with Pepper Sauce (Harleian MS 279)

Medieval pork pottage with pepper sauce, Auter Brawn en Peuerade from Harleian MS 279
Auter Brawn en Peuerade, a medieval pork pottage with pepper sauce from Harleian MS 279.

Originally published March 14, 2016. Updated June 24, 2026 with expanded historical notes, feast placement discussion, color theory context, internal links, and a copy-friendly modern reconstruction.

Auter Brawn en Peuerade, or "another brawn in pepper sauce," is a fifteenth-century English pork pottage from Harleian MS 279. It combines pork, onions, broth, wine, vinegar, pepper, saffron, and warming spices into a richly colored dish that sits somewhere between a stew, a sauce, and a medieval pottage.

This recipe is especially useful because it appears alongside another version of Brawn en Peuerade. The earlier version is based more heavily on wine, while this "auter" version begins with a strong broth of beef or capon. Together, the two recipes show how medieval cooks could adapt the same flavor family to different ingredients, textures, and service styles.

Oyle Soppys (Oil Sops): Medieval Onion Soup Recipe with Ale | Harleian MS 279

Oyle Soppys, a medieval onion and ale soup from Harleian MS 279 served over toasted bread sops
Oyle Soppys, or Oil Sops, a medieval onion and ale soup from Harleian MS 279

Published: December 24, 2015
Updated: June 18, 2026

Few recipes in Harleian MS 279 demonstrate the ingenuity of medieval cooks quite as clearly as Oyle Soppys. Built from onions, ale, bread, oil, and a handful of seasonings, this fifteenth-century onion soup transforms simple household ingredients into a satisfying and economical first course.

When researching medieval pottages, two recipes immediately caught my attention: Soupes Dorroy and Oyle Soppys. Both recipes begin with onions, yet they produce remarkably different dishes. Soupes Dorroy relies upon wine and almond milk to create a rich golden broth, while Oyle Soppys turns instead to ale, producing a humbler but no less interesting soup.

At first glance, Oyle Soppys appears almost too simple to merit attention. There are no elaborate garnishes, expensive meats, or complex preparations. Yet recipes like this offer an important reminder that medieval cooks spent far more time preparing practical daily meals than creating the grand dishes that often dominate modern discussions of historical food.

The result is a medieval onion and ale soup that reveals not only what people ate, but how cooks stretched common ingredients into nourishing meals suitable for households, travelers, and large feasts.

Let Lory (Larded Milk): Medieval English Custard Recipe | Harleian MS 279

Let Lory, a medieval English saffron milk curd dish from Harleian MS 279
Let Lory, also called larded milk, from Harleian MS 279

First Published: February 8, 2017
Updated: June 2026

Few medieval dishes feel as curious and unexpected to modern diners as Let Lory, sometimes called larded milk. Found in Harleian MS 279, dated to about 1430, this unusual English dish sits somewhere between a soft custard, a fresh cheese, and a delicate entremet. Milk scented with saffron is gently curdled with eggs, drained, and dressed with a warm sauce of sweetened yolks and warming spices.

To modern eyes, Let Lory may appear unusual, yet medieval cooks seem to have delighted in dishes of curdled milk and eggs. Similar preparations appear across Europe, from the English Forme of Cury recipe for Letelorye to French recipes for larded milk. These dishes blurred the line between custard, cheese, and composed delicacy.

Rather than a hearty pottage or broth of the first course, Let Lory feels especially at home among the entremets, the often-overlooked dishes served between courses to delight guests and shift the rhythm of the feast. Soft, rich, and lightly perfumed with saffron and spice, it makes an excellent conversation piece for historical dinners, reenactment feasts, or anyone curious about the stranger corners of medieval cookery.

Æppla Syfling: Following the Trail of an Anglo-Saxon Apple Butter

Æppla Syfling: Following the Trail of an Anglo-Saxon Apple Butter

Sometimes revisiting an old recipe does not reveal mistakes. Sometimes it reveals how much care went into the reconstruction in the first place.

A few weeks ago, while revisiting an Anglo-Saxon feast I originally prepared in 2003, I found myself in a strange place: ten pages deep into Google searching for Æppla Syfling.

The odd thing?

Most of the results led right back to me.

Or rather, to a much younger version of myself.

Back in 2003, for Ceilidh XVI, I prepared an Anglo-Saxon inspired feast using recipes from Mary Savelli’s Tastes of Anglo-Saxon England. Like many historical cooks of my generation, I trusted her work because she attempted something genuinely difficult: taking fragmentary evidence and transforming it into dishes that modern cooks could understand, discuss, and place on the table.

One of those dishes was Æppla Syfling, translated simply as apple butter.

At the time, the recipe felt entirely reasonable. Apples, cider, honey, mint, cumin, and black pepper cooked into a soft accompaniment to bread or the feast table. I made it, served it, enjoyed it, and moved on.

More than twenty years later, curiosity got the better of me.

What exactly had Mary seen in this recipe?

And perhaps more importantly:

What did Anglo-Saxons mean by the word syfling?

Anglo-Saxon inspired feast prepared for Ceilidh XVI in 2003
Ceilidh XVI, March 29, 2003. The original Anglo-Saxon inspired feast where Æppla Syfling first appeared on my table.

Original Feast Context: Æppla Syfling was originally prepared for Ceilidh XVI, an Anglo-Saxon inspired feast held on March 29, 2003.

📜 Read the original feast record:
Ceilidh XVI – March 29, 2003

🍏 Explore the updated feast research:
Reconstructing an Anglo-Saxon Feast: Ceilidh XVI Revisited


The Value of Revisiting Old Recipes

One of the gifts of maintaining a long-running historical cooking blog is that older work remains visible. That is not always comfortable. Old recipes can show what sources were available, what assumptions were common, and what questions had not yet been asked.

But older work also preserves something precious: the moment when a cook took the evidence available and made it practical.

That matters especially for Anglo-Saxon food. Unlike later medieval English cookery, we do not have a large collection of household recipe books telling us exactly how these dishes were made. Instead, we work from scattered clues: medical texts, glossaries, archaeology, food rents, monastic rules, comparative sources, and later culinary habits.

In 2003, that work was harder than it is today. Searchable manuscript databases, digitized medieval texts, OCR search tools, online dictionaries, and high-resolution scans from major libraries were not sitting one click away.

Most historical cooks worked from the books they owned, interlibrary loans, photocopies, conference notes, handwritten bibliographies, and the generosity of other researchers.

A Note on Mary Savelli’s Work: This revisit is not an attempt to correct Tastes of Anglo-Saxon England. If anything, it has deepened my appreciation for it. Mary Savelli was doing something genuinely useful: building practical bridges between fragmentary Anglo-Saxon evidence and modern kitchens.

That is the spirit in which I returned to Æppla Syfling.

Not to ask, “Was Mary wrong?”

But to ask, “What was Mary seeing?”


What Does Syfling Mean?

That question led me somewhere unexpected.

Not first to a recipe.

Not even to a manuscript.

It led me to a dictionary.

According to the Bosworth–Toller Anglo-Saxon Dictionary, the Old English word syfling refers broadly to a food eaten with bread, an accompaniment, or something supplemental served alongside a staple food. Even more intriguingly, the dictionary glosses æppla syfling as apple sauce.

That stopped me for a moment.

Had I misunderstood the recipe all these years?

The longer I sat with the idea, the more I found myself circling back to Mary Savelli’s original interpretation with fresh appreciation.

If syfling means an accompaniment eaten with bread, then translating Æppla Syfling as apple butter begins to make practical sense. Historical cooks often choose familiar language to help modern readers understand unfamiliar ideas, and “apple butter” immediately communicates an apple-based preparation meant to accompany bread or a meal.

English speakers have long used the word butter for soft fruit preparations:

  • Apple butter
  • Pear butter
  • Pumpkin butter

Not dairy butter, but soft, spoonable fruit accompaniments.

Seen through that lens, Mary’s choice feels less like a literal translation and more like an interpretive bridge between Anglo-Saxon foodways and a modern kitchen.

Language Note: Syfling does not need to mean “butter” in the dairy sense. It points toward an accompaniment eaten with bread. That makes “apple butter” a surprisingly sensible modern way to describe a soft apple preparation served at table.


Following the Flavor Trail

If the word syfling started making more sense, the next question became flavor.

Why mint? Why cumin? Why pepper?

At first glance, these seem unusual companions to apples. Yet the deeper I looked into Anglo-Saxon medicine and comparative culinary traditions, the more thoughtful Mary Savelli’s reconstruction began to feel.

What I expected to find, if I am being honest, was evidence that I might reinterpret the recipe dramatically.

Instead, I found evidence that Mary may already have understood more than I first realized.


Bald’s Leechbook, Digestion, and Familiar Flavors

Bald’s Leechbook is not a cookbook. It is a 10th-century Old English medical manuscript, deeply influenced by earlier Mediterranean medical traditions inherited through Greek, Roman, and Byzantine learning.

That matters because Anglo-Saxon medical texts often preserve familiar kitchen ingredients in practical use: apples, herbs, honey, vinegar, butter, milk, ale, grains, and warming spices.

While revisiting Mary Savelli’s reconstruction, I found something in Bald’s Leechbook that stopped me in my tracks.

In Book II, Chapter XII, a digestive remedy “for spewing, and in case that a man’s meat will not keep down” combines several ingredients that felt immediately familiar:

  • Mint
  • Pepper
  • Cumin
  • Sour apples
  • Wine
“For spewing, and in case that a mans meat will not keep down… take one ounce of seed of dill, four of pepper, three of cumin… put into water in which mint has been sodden and sour apples… if the man be not in a fever, eke it with wine.”

Thomas Oswald Cockayne, Leechdoms, Wortcunning, and Starcraft of Early England, Vol. II, Book II, Ch. XII.

That does not prove Æppla Syfling exactly. Historical evidence rarely works so neatly.

But it demonstrates something important:

Anglo-Saxon medicine already understood apples, mint, pepper, cumin, and wine as ingredients that belonged together.

Even more fascinating, Cockayne notes that this remedy partly reflects the medical writings of Alexander of Tralles, a Byzantine physician whose work helped transmit older Mediterranean medical traditions into medieval Europe.

In other words:

Anglo-Saxon medicine did not emerge in isolation.

It inherited centuries of medical thinking in which foods, herbs, and spices were understood to warm, cool, stimulate digestion, soothe discomfort, and support bodily balance.

Page from Bald's Leechbook Anglo-Saxon medical manuscript
Bald’s Leechbook, Book II, Chapter XII. Digestive remedies preserve combinations of mint, cumin, pepper, sour apples, and wine.

Ann Hagen, Fruit Sauces, and Digestion

Ann Hagen’s work on Anglo-Saxon foodways provides another fascinating clue.

Hagen notes that fruit sauces were traditionally served with meat and fish dishes and could help “cut the fat,” making richer foods easier to digest.

Even more intriguingly, she points out that Anglo-Saxon leechdoms mention sauces of vinegar, honey, and herbs, observing that there is little reason to suppose these belonged only to medicine.

In one discussion, Hagen references:

“sweet apples, marinaded in wine, then stewed and sweetened with honey and peppered.”

That combination immediately caught my attention.

Not because it proves Æppla Syfling exactly, but because it demonstrates something important:

apples, honey, pepper, herbs, and sharp liquids already belonged together in Anglo-Saxon thinking.

Apples provide tartness and body. Honey softens the edge. Mint brightens. Pepper and cumin warm.

Seen this way, Æppla Syfling begins to feel less like an odd reconstruction and more like a very plausible accompaniment for richer foods on an Anglo-Saxon table.


Roman Echoes: Apicius

Mary also pointed toward Apicius, the Roman cookbook tradition.

This does not mean Anglo-Saxons were cooking Roman recipes unchanged. Rather, it suggests that flavor families survived and evolved across centuries.

In John Edwards’ The Roman Cookery of Apicius, a cumin sauce for oysters combines:

  • Pepper
  • Mint
  • Cumin
  • Honey
  • Sharp liquids such as vinegar

No apples, of course.

But the flavor logic feels strikingly familiar.

Sweet. Sharp. Herbal. Peppery.

Modern cooks sometimes find these combinations surprising. Ancient and medieval cooks clearly did not.

Explore Apicius Online:
Roman Cookery of Apicius


Mary Savelli’s Original Reconstruction

One of the things I expected to find while revisiting this recipe was evidence that I might want to reinterpret it more dramatically. Instead, revisiting Mary Savelli’s original instructions revealed something surprising:

She was closer to an Anglo-Saxon interpretation than many may have recognized.

Her recipe does not resemble the thick, heavily reduced modern apple butter many of us imagine today.

Instead, it produces something softer, brighter, and far more sauce-like.

Æppla Syfling – Apple Butter
Makes 1½ cups

  • 2 medium apples, peeled and finely chopped
  • 1 cup apple cider (or apple juice)
  • 2 tbsp honey
  • ⅛ tsp ground black pepper
  • ¼ tsp each dried mint and cumin leaves

Method:
Boil the apples in the cider for 30 minutes or until soft; purée. Thoroughly mix the remaining ingredients into the apple purée and cool.

Recipe adapted from Mary Savelli, Tastes of Anglo-Saxon England.

At first, I thought I might reinterpret this dish as something looser and more relish-like.

Looking back at Mary’s original instructions, however, I realized she may already have been aiming for exactly that.

What changed for me was not the recipe itself.

It was understanding the historical logic behind it.

My 2026 Interpretation: I would keep the heart of Mary’s recipe and its soft, sauce-like texture. If anything, I would be careful not to reduce it too far. I would aim for a tart, herbal apple accompaniment eaten with bread or served beside richer foods.


Æppla Syfling: A Modern Historical Reconstruction

Serves 8

Ingredients

  • 6 medium tart apples, peeled, cored, and chopped
  • 1 cup apple cider or unsweetened apple juice
  • 1 to 2 tablespoons honey, or to taste
  • 1 tablespoon fresh mint, finely chopped, or 1 teaspoon dried mint
  • 1/4 teaspoon ground cumin
  • 1/8 teaspoon freshly ground black pepper
  • Pinch of salt, optional
  • 1 to 2 teaspoons cider vinegar, optional, if your apples are not tart

Method

  1. Place the chopped apples and cider in a saucepan over medium heat.
  2. Bring to a gentle simmer, then reduce the heat and cook until the apples are soft, stirring occasionally.
  3. Mash the apples with a spoon or potato masher. For a smoother sauce, press through a sieve or use an immersion blender briefly.
  4. Stir in the honey, mint, cumin, pepper, and salt if using.
  5. Taste. If the sauce is too sweet or flat, add a small splash of cider vinegar.
  6. Continue cooking only until the mixture is soft and spoonable. Do not reduce it into a dense preserve unless you prefer a more modern apple butter texture.
  7. Serve warm or at room temperature.

To Serve

Serve Æppla Syfling with warm bread, oatcakes, roast pork, sausage, fish, sharp cheese, or as part of an Anglo-Saxon inspired feast board.

Cook’s Note: For a version closer to modern apple butter, continue cooking the mixture over low heat until thick and deeply reduced. For my current interpretation, I prefer to leave it looser and more sauce-like, preserving the tartness of the apples and the brightness of the mint.

2003 Version vs. 2026 Interpretation

In 2003, I understood this dish primarily through the modern phrase apple butter. In 2026, I still think that phrase is useful, but I understand it more broadly.

A syfling was an accompaniment. Something eaten with bread. Something that made the staple more flavorful, nourishing, or pleasant.

So yes, Æppla Syfling can still be understood as apple butter.

But perhaps not only as the thick sweet preserve many of us grew up with.

It may also be apple sauce. Apple relish. Apple accompaniment. A tart, herbal spoonful of something bright beside bread and meat.

And in that sense, Mary’s original translation may have been doing exactly what good reconstruction often does: giving modern cooks a doorway into a much older kitchen.


Frequently Asked Questions

What does Æppla Syfling mean?

Æppla means apples. Syfling refers broadly to a food eaten with bread or an accompaniment. Bosworth–Toller glosses æppla syfling as apple sauce.

Is Æppla Syfling really apple butter?

It can reasonably be understood that way if “apple butter” is used broadly to mean a soft apple accompaniment served with bread or at table. It may not have resembled the thick, heavily reduced sweet preserve many modern cooks associate with apple butter.

Why does the recipe include cumin and pepper?

Cumin and pepper may seem surprising with apples today, but they make sense in a historical context where sharp, sweet, herbal, and warming flavors often appeared together. Bald’s Leechbook, Ann Hagen, and Apicius all help contextualize this flavor family.

Would this have been eaten with meat?

Possibly. Ann Hagen notes that fruit sauces could accompany meat and fish dishes and help cut richness. Æppla Syfling would make sense with sausage, pork, beef, fish, cheese, or bread.

Was Anglo-Saxon food medicinal?

Food and medicine overlapped in Anglo-Saxon culture. Medical texts regularly used common kitchen ingredients, including fruits, herbs, honey, vinegar, dairy, and grains. This does not mean every dish was medicinal, but it does show that food and bodily comfort were closely connected.

More Like This

Sources and Further Reading

Final Thought: Revisiting this recipe made me appreciate Mary Savelli’s work more. With modern tools, digitized sources, and twenty years of additional cooking experience, I understand Æppla Syfling differently today. But the trail she followed still feels thoughtful, plausible, and very much worth tasting.

Would you serve Æppla Syfling with warm bread, or beside sausage and roast pork?