} -->
Showing posts with label Beef. Show all posts
Showing posts with label Beef. Show all posts

Tudor Mince Pies (1591) – For Pyes of Mutton or Beefe from A Book of Cookrye

For Pyes of Mutton or Beefe (A Book of Cookrye, 1591)

Originally published: December 31, 2020 · Updated: November 15, 2025

16th-century mince pies filled with beef, suet, dried fruits, and spices

🥕 Dietary Notes: Contains gluten, beef, and dried fruit. Suet may be replaced with vegetable shortening for a vegetarian-friendly option (texture and flavor will differ from period practice).

Kitchen Notes: For SCA feasts, I always post an ingredient-based menu on the kitchen door and tables, and I am happy to accommodate dietary needs with advance notice. Medieval dishes often contain ingredients modern diners may not expect, so clear labeling is essential.

A Note on Historical “Mincemeat”

Today, “mincemeat” often refers to a sweet mixture of fruit, spices, and sometimes spirits—but from the Middle Ages through the early modern period, mince pies always contained meat. The traditional mixture blended minced beef, mutton, or veal with suet, dried fruit, warm spices, and sometimes saffron.

These were hearty, savory-sweet hand pies served throughout the winter and were far closer to a spiced meat pastry than a modern dessert.

Original Recipe (1591)

For Pyes of Mutton or Beefe.
Shred your meat and Suet togither fine, season it with cloves, mace, Pepper, and same Saffron, great Raisins, Corance and prunes, and so put it into your Pyes.
~ A Book of Cookrye Very Necessary..., 1591

Modern English

Shred your meat and suet together fine. Season with clove, mace, pepper, and a little saffron. Add large raisins, currants, and chopped prunes, and place the mixture into your pies.

A Quick Story About Mincemeat & Misunderstandings

At one SCA event where I served these pies, a guest came into the kitchen distraught after eating a mince pie “with meat in it.” She had assumed they were vegetarian, not realizing that historical mince pies always contain meat. The menu—with a full ingredient list—was posted at the kitchen door and on the tables, but modern expectations can surprise people.

This experience reinforced why I am meticulous about posting detailed ingredient-based menus and why I encourage diners to share dietary needs in advance. I can always accommodate those needs when I know about them, and it helps everyone enjoy feast day without worry.

Why Medieval Cooks Mixed Meat, Fruit, and Spices

To a modern palate, combining beef with raisins and saffron may seem unusual, but in the 15th and 16th centuries this combination reflected the height of good cookery. Medieval recipes often balanced warm and cold humors using meat, fruit, and spices to keep the body in proper “temperament.”

Dried fruits brought sweetness and moisture; spices like mace, clove, and pepper added warmth and helped “correct” the perceived coldness or dampness of certain foods. Saffron contributed both color and a sense of luxury. A pie like this was not a random flavor mashup, but a carefully considered dish grounded in medieval food philosophy.

Mince Pies at the Medieval Table

Pies were central to medieval and Tudor feasts. A well-made pie demonstrated the cook’s skill, the host’s wealth, and the kitchen’s organization. Small, hand-sized pies like these were easy to portion out in a noisy hall, could be served hot, and traveled well on trenchers or small plates.

Mince pies appear in banquet menus, civic feasts, and household accounts as part of winter and holiday fare. Rich with meat, fat, fruit, and spice, they signaled generosity as much as good taste.

Historical Background

In medieval and Tudor England, mince pies were part of a long tradition of mixing meat with fruit and warm spices. This blend of savory and sweet flavors created a rich, festive pie that was especially popular during winter months and holidays. The dried fruit added subtle sweetness, the suet added richness, and the spices—clove, mace, pepper, and saffron—brought warmth and luxury.

By the 18th and 19th centuries, mince pies evolved into the sweet-only versions we know today, but in 1591, they were still very much a savory meat dish with a delicate sweet note.

How Mince Pies Changed Over Time

In the 16th century, mince pies were hearty, savory dishes that happened to include fruit. Over the 17th century, the amount of sugar and dried fruit increased, and the spice blends became more elaborate. By the 18th and 19th centuries, many “mincemeat” recipes had lost the meat entirely, relying instead on suet, fruit, sugar, and alcohol.

This 1591 recipe belongs to that earlier, meat-forward tradition. If your only experience of mince pies involves modern Christmas desserts, these will be a completely different—and delightfully historical—experience.

What These Pies Taste Like

These pies are savory first, with gentle sweetness from the dried fruits. The spices and saffron provide warmth and fragrance without overpowering the meat. They’re rich, filling, and wonderfully medieval—best enjoyed warm, and very much a hand pie rather than a dessert.

Why Saffron?

Saffron was one of the most prized spices in Tudor England. It added not only a golden hue, but also warmth and gentle floral notes. Its presence in a pie signaled celebration, hospitality, and expense—saffron was never used casually. A pinch in the filling is a small nod to the luxury this recipe would have represented on a 16th-century table.

What Suet Adds to the Recipe

Suet is the hard, clean fat from around the kidneys of cattle or sheep. It has a higher melting point than butter, which gives medieval pies their characteristic light, crisp bite and keeps the filling rich without becoming greasy.

Rendered suet (tallow) also acted as a preservative fat in winter cookery. When mixed with dried fruit and spices, it produced a filling that stayed good far longer than fresh meat alone. For cooks working with cool pantries and open hearths, this made mince pies both festive and practical.

How to Serve These Mincemeat Pies

These pies are best served warm from the oven and make excellent hand food for feasts, holiday tables, potlucks, or outdoor events. Their rich filling and small size make them ideal for the first or second course of an SCA feast.

If you want to stay close to period service, consider pairing them with:

  • a hot spiced drink, ale, or hippocras
  • a simple salad of herbs or “sallet” greens
  • a pottage or broth as a preceding course

Cook’s Notes

These little pies surprised me with how comforting and deeply flavorful they were. The saffron lifts the filling, the prunes add richness, and the suet gives the mixture the perfect texture. They remind me of other European holiday meat pastries, but with a distinctly medieval soul. If you enjoy this recipe, it pairs beautifully with other late 16th-century dishes and makes a fine addition to a winter or Christmas-themed board.

Medieval French Cooking: Une Vinaigrette (Beef & Onions in Spiced Wine Sauce)

Une Vinaigrette (Beef & Onions with Wine-Ginger Sauce)

Torta d’Aglio (Garlic Torte) – Renaissance Savory Pie with Cheese, Garlic & Spices
Renaissance banquet scene in Veronese’s House of Levi; a lavish table evocative of rich savory pies like garlic torte.
“The Feast in the House of Levi” (detail), Paolo Veronese. Used here as period context for a Renaissance savory pie.

Context

Une Vinaigrette appears in medieval French sources and was translated by Terence Scully (1998). The dish layers beef (or lamb) with onions and serves it in a sauce of red wine, broth, breadcrumbs, and warming spices—ginger, grains of paradise, pepper, saffron, and vinegar. The result is both hearty and sharp, showing the medieval palate for savory meats balanced with spice and sour notes.

Humoral Qualities

In humoral theory, beef is heavy, hot, and dry, suited to those with strong digestions or balanced by moistening and cooling elements. The onions and wine add heat and sharpness, while the vinegar offers a cooling, cutting quality to aid digestion. The dish would have been considered appropriate in a main roast course, but could also appear earlier to stimulate appetite.

Provenance

The recipe for Une Vinaigrette comes from Le Viandier, one of the most important medieval French cookbooks. Traditionally attributed to Guillaume Tirel (called Taillevent), master cook to King Charles V of France, the text survives in several manuscripts from the late 14th and 15th centuries. It reflects the refined cooking of the French court, where sauces of wine, vinegar, and warming spices balanced the heaviness of roasted meats. Terence Scully’s 1998 edition (The Viandier of Taillevent, University of Ottawa Press) provides a critical edition of the extant manuscripts and the English translation used here.

Original French

Une vinaigrette. Prenez buef ou mouton et coupez en pièces, puis mettez-les à rostir au gril. Prenez oignons et taillez par rondelles, et friez en sain de lart bien cuit. Puis prenez bon vin vermeil et bouillon de buef, et mettez du pain blanc tosté et broyé pour lier. Mettez gingembre, graine de paradis, poivre et saffran, et un petit de vinaigre. Couliez vostre sausse, et mettez vostre viande et oignons dedans; ou les servez à part, et la sausse en un autre plat.

This passage is the basis for Scully’s English rendering: beef or mutton, roasted with onions, served in a sauce of red wine, broth, breadcrumbs, ginger, grains of paradise, saffron, pepper, and vinegar.

Original Text & Modern Translation

Original (Scully, 1998) Modern Interpretation
Take beef or mutton and cut it in pieces, then put them to roast on the grill. Take onions and slice them into rounds, and fry them in grease until well cooked. Then take good red wine and beef stock, put therein white bread toasted and ground to thicken it, and season with ginger, grains of paradise, pepper and saffron, and a little vinegar. Strain the sauce and put the meat and onions therein; or serve the meat and onions separately, with the sauce in a dish. Cut beef or lamb into chunks and roast or grill until done, but not overcooked. Slice onions into rounds and sauté them in butter, oil, or lard until golden. For the sauce, simmer red wine and beef broth with breadcrumbs until smooth. Add ginger, pepper, grains of paradise (or allspice), saffron, and a splash of vinegar. Strain the sauce and serve it either mixed with the meat and onions, or on the side as a dip. Excellent served on its own, or with rice or pasta.

Piatti di Salumi: Renaissance Antipasti & Mostarda (period and non-period recipe included)

“The Royal Feast” by Alonso Sánchez Coello (1531–1588), oil on canvas, public domain. A sumptuous Renaissance banquet scene that captures the richness and communal spirit of salumi, fruit, and condiments on the table.

Piatti di salumi, formaggi, olive, frutta fresca e secca e senape

Plates of cured meats, cheeses, olives, fresh and dried fruit, and mustard — listed on our 12th Night 2024 menu and served during the Primo seruitio posto in Tavola (first service on the table, antipasti). Charcuterie is a modern framing; the Italian period lens is salumi with fruit, bread, olives, and a sweet-hot mostarda. Prepared and plated by Dan Parker, the board leaned rustic and abundant—grapes spilling over, glossy olives, rosemary releasing aroma as diners reached in.

Period Context: Salumi & Mostarda

While “charcuterie” is a French term, the Italian table has long featured salumi—prosciutto, pancetta, lardo, coppa, and regional salami—paired with breads, olives, grapes, and preserved fruits. Renaissance sources also describe mostarda (sweet fruit with mustard heat). Bartolomeo Scappi (1570) includes a Mostarda amabile that blends cooked quince and apple with sugar, candied citrus, and mustard essence.

Scappi, Opera (1570), Libro II, cap. 276 — “Per far Mostarda amabile”
Quince and apples cooked with wine & sugar, worked with candied citrus and spiced with mustard—pounded to a smooth, sweet-hot sauce.

For this feast I used a modern, chutney-style mostarda for ease and flavor balance (link below), which sits comfortably in the same family even if the texture and acidity are more contemporary.

Mostarda: Period vs. Modern (quick comparison)

How Scappi’s mostarda differs from the modern chutney used at feast
Aspect Period (Scappi, 1570) Modern Chutney Used Practical Notes
Fruits Quince & apples; candied citrus peels Apples & pears; dried cherries/cranberries Both seasonal & flexible; quince gives classic perfume
Sweet/acid Sugar + wine + grape must Sugar + white wine + cider vinegar Modern reads more “chutney” from vinegar
Heat Mustard essence/seed Mustard seed + ground mustard + cayenne Adjust heat post-cook to taste
Texture Smooth, pounded sauce Chunky, spoonable conserve Either pairs well with salumi & cheese
Make-ahead? Yes — improves with rest Yes — 3–4 weeks refrigerated Ideal for feast workflow

Italian Renaissance Spit Roasted Beef made with Salted Brisket & Served with Sweet Mustard Sauce from Scappi

Animal detail from medieval illuminated manuscript, British Library Harley MS 3244, 1236-c 1250, f47r

Arrosta — the grand roast course of a Renaissance feast — was far more than just meat on a spit. In Bartolomeo Scappi’s Opera (1570), the arrosta included an impressive variety: spit-roasted meats, braised vegetables, elegant sauces, pasta, and even colorful jellies. This was the third course of our 12th Night 2024 feast, following the Alesso course. It showcased the depth of Italian Renaissance cooking, balancing hearty dishes with refined accompaniments.

For this feast, we adapted Scappi’s recipes for a modern feast kitchen, using brisket in place of a full rack of beef ribs, seasonal vegetables, and accessible modern cooking methods — without losing the rich flavors of the originals.

Historical Context: The Arrosta in Renaissance Dining

Bartolomeo Scappi, personal chef to several Popes, published his monumental cookbook in 1570. His work captures both grand courtly dining and practical Lenten fare. The arrosta course was often the centerpiece of a meal, designed to impress guests with skill, abundance, and variety. Alongside the expected roasts, Scappi included vegetable dishes, pasta, and desserts, showing the Renaissance love for balanced and abundant tables.

In Renaissance banquet tradition, the arrosta — literally “roast” — was more than a single dish. It was a set course, positioned after the boiled meats (al lesso) and before the final sweets, and served as a showcase for the host’s wealth, skill, and access to prime ingredients. In Italian and broader European practice, this course could include not only spit-roasted meats, but also fried, grilled, and baked dishes, as well as richly sauced accompaniments.

Theory of Digestion and Humoral Balance

The Renaissance kitchen did not operate solely on taste — it was deeply influenced by the Galenic theory of digestion. According to this model, digestion happened in stages, with foods progressing from lighter and moister to heavier and drier as the meal went on. Roasted meats were considered among the “drier” preparations, especially when spit-roasted over open flame, which was thought to reduce their innate moisture. Without correction, such dishes were believed to tax the body and cause imbalance in the humors, particularly in those of “dry” constitution.

To make these roasts more healthful and digestible, period cooks paired them with moistening sauces — sweet, tart, or spiced — that counterbalanced dryness. This is why Renaissance cookbooks, including Bartolomeo Scappi’s monumental Opera (1570), often present roast recipes alongside multiple sauce preparations. In our feast, this principle is reflected in the Salsa di Mostardo amabile (sweet mustard sauce) and the walnut-garlic sauce served with the beef.

Variety Within the Roast Course

While the name suggests a single cooking method, the arrosta could include:

  • Spit-roasted meats — large joints of beef, lamb, game birds.
  • Grilled dishes — chops, skewers, or offal.
  • Fried items — fritters, pastries, and delicate morsels.
  • Baked pies and pasties — often with meat or cheese fillings.

This variety allowed the cook to display mastery over multiple techniques while still keeping within the course’s “dry” category in humoral terms.

Salting as a Preservation Technique

Our beef for this course followed a process rooted in Renaissance preservation methods. Salting was one of the most important means of keeping meat edible beyond the immediate slaughtering period, especially before reliable cold storage. Coarse salt (often mixed with aromatics like fennel, coriander, or garlic) was rubbed into meat to draw out moisture through osmosis, inhibiting bacterial growth. In larger households and urban kitchens, salted meats allowed for advance preparation and easier provisioning — vital for feast service where dozens or even hundreds of guests might be served.

In Scappi’s recipes, salting could be brief — just hours — for seasoning and texture, or extended over several days for preservation. The salted pressed beef method we adapted for our brisket echoes both preservation and seasoning traditions, ensuring flavorful meat that holds its structure through long, slow cooking. In feast context, the ability to produce such meat out of season or far from slaughter was a mark of logistical skill and kitchen sophistication.


Menu

  1. Per arrostire allo spiedo un carré di costolette di manzo – To spit-roast a rack of beef ribs (Brisket substitution) 
  2. Per brasare le cipolle intere in quaresima – To braise whole onions in Lent 
  3. Salsa di noci e aglio – Walnut and Garlic Sauce 
  4. Salsa di Mostardo amabile – Sweet Mustard Sauce 
  5. Per far diverse minestre di zucche Turchesche – Turkish Squash 
  6. Tortelletti d’herba alla Lombarda – Herb tortellini in the Lombard Style 
  7. Gelo in bocconcini di piu colori piatti – Jelly in small bites, of many colors 

How to Render Suet (Tallow) – 3 Easy Methods

How to Render Suet (Tallow) – Three Easy Methods for Cooking & Historical Recipes

Finding real suet can feel like a scavenger hunt—especially outside the winter months. If you do get your hands on it, rendering suet into tallow is absolutely worth it: cleaner flavor, longer shelf life, and perfect for historic pies, pastries, and frying.

How to Render Suet (Tallow) – 3 Easy Historical Methods