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Medieval Gruel Compared: Drawyn Grwel vs Grewel Eforced

The Evolution of Medieval Gruel: Comparing Grewel Eforced and Drawyn Grwel Across Manuscripts

Modern interpretation of medieval gruel served in rustic wooden bowl, featuring oatmeal, herbs, and tender meat


Introduction

While “gruel” might still evoke images of bleak Victorian workhouses or colorless hospital trays, the historical reality is far richer—and more flavorful. Across late medieval England, gruel wasn’t just a thin porridge for the poor. It evolved into a flexible culinary form enriched with meat, herbs, marrow, and even blood. In this article, we explore how various versions of grewel eforced and drawyn grwel appear across five major manuscripts spanning over a century (1390–1500).

This piece builds on our earlier posts detailing individual recipes from Grewel a-forsydde and Drawyn Grwel. Here, we compare them head-to-head: their ingredients, methods, intended audiences, and what they tell us about medieval food culture. Whether you're a culinary historian, a reenactor, or simply oat-curious, you'll come away with a deeper appreciation for this humble but endlessly adaptable dish.

What is Medieval Gruel?

At its simplest, medieval gruel is a liquid-based dish made from grain—typically oatmeal—boiled with water or broth. While it shares ancestry with porridge, gruel is thinner, more broth-like, and often served hot in bowls or trenchers. In most contexts, it was peasant food: cheap, hearty, and easily scalable to feed many mouths.

But medieval cookery manuscripts also preserve more elaborate versions: gruel that’s “eforced” (enriched) or “drawyn” (strained and tempered). These versions might include pork, beef, marrow bones, saffron, herbs, and careful preparation steps like grinding, sieving, and multiple boils. What emerges is a spectrum—from rustic sustenance to refined fare fit for noble households or healing tables.

Key Manuscripts and Timeframes

Let’s begin by situating the recipes within their historical sources. The five manuscripts below each contain a variant of fortified or tempered gruel, reflecting subtle changes in ingredients and technique over time:

  • Fourme of Curye (Rylands MS 7, c. 1390): A courtly collection associated with the kitchens of Richard II, featuring a recipe for “grewel eforced” with pork and saffron.
  • Liber Cure Cocorum (Sloane MS 1986, c. 1430): A northern English manuscript offering practical, poetic instructions for “gruel of force” with oat groats and careful straining.
  • A Noble Boke off Cookry (c. 1468): Richer in tone, this version emphasizes marrow bones, strained broths, and meat purity, showing growing concern for elegance and digestion.
  • Gentyllmanly Cokere (MS Pepys 1047, c. 1500): A late manuscript that elaborates on earlier trends with greater refinement, using both beef marrow and tender pork.
  • Harleian MS. 279 – Drawyn Grwel (c. 1430): Unique for its use of beef and blood, this recipe is herb-forward (parsley and sage) and focused on texture via straining.

Together, these manuscripts span over 100 years and showcase the growing complexity of what began as peasant soup. In the sections that follow, we’ll compare them directly—ingredient by ingredient, technique by technique.

Ingredient Comparison Table

To understand how these recipes differ, it helps to view their ingredients side by side. Below is a simplified comparison of key components used in each manuscript’s version of enriched gruel.

Manuscript Main Protein Grain Type Herbs & Spices Color Additive Strained?
Fourme of Curye (1390) Pork Oatmeal None specified Saffron Yes
Liber Cure Cocorum (1430) Pork Oaten grotes (groats) None specified Saffron Yes
A Noble Boke off Cookry (1468) Pork + Marrow Bones Oatmeal None specified None noted Yes
Gentyllmanly Cokere (c. 1500) Fresh Beef + Pork + Marrow Oatmeal None specified Saffron Yes
Harleian MS. 279 – Drawyn Grwel (1430) Lean Beef + Blood Oatmeal Parsley, Sage Blood (for browning) Yes

Though all recipes rely on oatmeal as a base, we begin to see distinctions: pork in the earlier texts, marrow-rich preparations in later ones, and uniquely, beef and blood in Drawyn Grwel.

Technique Evolution Over Time

The progression from rustic gruel to refined dish is not just in ingredients—it’s visible in the techniques. Across the manuscripts, several key practices become more defined:

  • Grinding: Meat is chopped and pounded in a mortar for smoother texture, especially emphasized in Fourme of Curye and the Noble Boke.
  • Straining: Early recipes mention straining the oats and broth, likely through cloth or fine mesh. Later versions maintain this step for visual elegance and palatability.
  • Simmering over time: Most recipes suggest long cooking times for the oats to fully soften and the broth to thicken naturally, creating a hearty but refined texture.
  • Layered cooking: Initial boiling of meat to remove impurities, followed by broth use and second boiling, reflects growing culinary hygiene and sophistication.

These refinements reveal a shift in culinary values: from basic nourishment to aesthetics, digestion, and status.

Meat Matters: Pork vs. Beef vs. Marrow Bones

The choice of meat speaks volumes about both the period and the intended audience of each recipe. Pork was the most common in earlier versions—not surprising, given its affordability, versatility, and symbolic association with sustenance in medieval Europe.

By the 15th century, however, we begin to see a shift. Drawyn Grwel introduces lean beef as its protein base, likely reflecting both regional availability and growing preference for “cleaner” meat in refined dishes. The use of blood not only darkens the gruel but adds iron-rich depth—something prized in healing foods.

Later manuscripts, such as the Noble Boke and Gentyll manly Cokere, incorporate marrow bones. This addition denotes luxury, as marrow was considered both a delicacy and a rich, energy-dense food. These versions were likely intended for noble tables or ceremonial meals, rather than everyday fare.

Herbal and Spice Profiles

In contrast to the more minimalist early recipes, later medieval gruel preparations begin to incorporate aromatic herbs and luxury spices. These additions served dual purposes: enhancing flavor and communicating refinement or wealth.

  • Parsley & Sage: Uniquely featured in Drawyn Grwel, these herbs reflect not only culinary flavoring but also healthful symbolism. Sage, in particular, was prized for digestive and antiseptic properties.
  • Saffron: Used in Fourme of Curye, Liber Cure Cocorum, and Gentyllmanly Cokere, saffron was a luxury item. Its bright color and subtle aroma elevated gruel from humble food to a dish suitable for high-status tables.
  • Salt & Pepper: Almost universally present, but rarely mentioned explicitly—assumed to be added to taste or in the straining stage.

While earlier recipes relied purely on the natural richness of meat and oats, the introduction of herbs and spices in later versions reflects the increasing overlap between medicine, taste, and social distinction in food.

Use of Blood and Color Manipulation

Perhaps the most striking feature in Drawyn Grwel is its use of blood—not just as an ingredient, but as a color and flavor enhancer. The instructions call for collecting the blood from boiled beef, then reintegrating it into the pot either before or after straining, to darken the gruel and enrich its depth.

In medieval cuisine, blood was not taboo—it was commonplace, particularly in sausages, black puddings, and stews. Beyond flavor, blood added color, thickness, and nutrients such as iron and protein, making it a functional choice for both presentation and nourishment.

Modern Substitutes for Blood:

If cooking for contemporary audiences, or if actual blood is unavailable or unappealing, consider these kitchen-friendly alternatives:

  • Beef or pork drippings: Adds meaty richness and depth without the texture of blood.
  • Dark soy sauce or Worcestershire sauce: Offers umami and color enhancement in small amounts.
  • Black pudding crumbles: If available, crumble small amounts into the broth as a nod to traditional methods.
  • Beef bone marrow or liver puree: Provides similar richness and body, with a smoother consistency.

Whether staying faithful to history or modernizing for comfort, the goal is the same: to deepen color and richness without overpowering the grain and herb base.

Textural Intent: Thin Broths vs. Fortified Soups

The spectrum of medieval gruels stretches from thin, drinkable broths to spoon-thick stews. Understanding where each version falls on this continuum offers insight into its purpose:

  • “Rennyng” or Running Gruel: Often prescribed for the ill or elderly. These thinner preparations were easy to digest and often strained more thoroughly. Drawyn Grwel leans toward this category, despite its hearty ingredients, due to its emphasis on straining.
  • “Eforced” or Enriched Gruel: These versions, like those from Fourme of Curye or Gentyllmanly Cokere, were denser and served as nourishing meals. They were intended to sustain laborers, feed households, or even anchor feasts.

Texture, in medieval cuisine, was as much about class and occasion as it was about preference. A smooth, clear gruel might be seen as elegant and appropriate for a noble sickbed, while a chunkier version signified abundance and rustic strength.

Straining, Drawing, and Presentation

The medieval instruction to “draw” gruel through a strainer was more than a culinary quirk—it was a meaningful technique tied to status, health, and texture. The act of straining removed bone fragments, tough oat hulls, gristle, and impurities, resulting in a smoother and more refined presentation.

In Drawyn Grwel, straining is explicitly mentioned after the beef, oatmeal, and herbs have been cooked. This step would have rendered a velvety, herbal broth with uniform consistency—particularly valuable when serving to nobles or the infirm.

In contrast, earlier eforced recipes—like those in Fourme of Curye or Liber Cure Cocorum—also include straining, but often retain more texture due to groats or unrefined meat. Later manuscripts, such as Gentyllmanly Cokere, reinforce this refinement trend with added marrow and extended simmering.

Presentation Tactics in Period:

  • Use of colored additives (saffron, blood) for visual impact
  • Garnishing with fresh herbs for brightness
  • Serving in ceramic or wooden trenchers to match class or feast setting

The more refined the straining and finish, the more “gentle” the dish was considered—reinforcing its suitability for the elite, the convalescent, or religious fasting tables.

Modern Interpretations and Adaptations

Recreating these dishes today offers both a culinary time capsule and an opportunity to tailor the recipes to modern palates and dietary needs. Whether you're feeding reenactors or just experimenting in your home kitchen, each variation offers a different entry point.

  • Drawyn Grwel: Ideal for those who enjoy savory herbal broths. It’s deeply umami-rich, with a texture like congee or smooth beef barley soup. The sage and parsley make it perfect for autumn or cold-season cooking.
  • Grewel Eforced (Fourme of Curye / Noble Boke): More robust and filling, this version suits hearty appetites. The use of pork and marrow makes it feel like a medieval version of risotto or savory oatmeal stew.
  • Vegetarian Adaptation: Replace meat with mushrooms, seitan, or legumes. Vegetable stock enriched with smoked paprika or miso paste gives depth. Use steel-cut oats for authenticity.

Don’t forget modern kitchen tools—stick blenders, cheesecloth, or food mills can help replicate medieval textures without the elbow grease.

Cultural Significance of Enriched Gruels

Fortified gruels in medieval times carried enormous cultural weight. They were more than food—they were medicine, community fare, and sometimes religious observance. A spoonful of oat-and-meat porridge could signify:

  • Healing and Recovery: Smooth, strained gruels were often prescribed for the sick, elderly, or postnatal mothers due to their digestibility and warmth.
  • Communal Nourishment: Gruels could be made in large quantities for feast days, fasting periods, or during times of scarcity.
  • Hospitality and Ceremony: Enriched versions, especially those with saffron or marrow, were served to guests of rank or in religious institutions offering alms.

Thus, enriched gruel bridged social classes—from the laborer’s daily sustenance to the monk’s fast-day meal and the noblewoman’s recovery broth. Its versatility made it indispensable, and its variations offer a unique window into the values and limitations of medieval kitchens.

Connecting Historical Recipes to Contemporary Cuisine

Though centuries old, these medieval gruel recipes share surprising similarities with modern comfort foods around the world. The use of grains, savory broth, and slow cooking makes them natural ancestors to contemporary dishes:

  • Congee (China): A rice-based porridge simmered with meat or vegetables, often garnished with herbs or preserved eggs.
  • Risotto (Italy): While more refined and rice-based, the method of slow stirring and broth absorption mirrors enriched oat gruel preparation.
  • Oatmeal Soup (Scotland): Known as brose or porage, this shares lineage with gruel and often includes meat or stock.
  • Grits (American South): Ground cornmeal cooked to a creamy consistency, sometimes enriched with stock, butter, or cheese—illustrating the same principle of grain + fat + flavor.

These modern parallels show how gruel-style dishes persist as economical, nourishing meals suited for both everyday cooking and high-end reinvention. Medieval gruel may have laid the foundation for much of what we still enjoy today.

Final Thoughts: What Medieval Gruel Teaches Us

By tracing the evolution of gruel across these key manuscripts, we gain insight not only into historical cooking methods, but also into changing social, economic, and medicinal landscapes. What began as a humble bowl of oats and water evolved into sophisticated, enriched preparations that straddled class and occasion.

Whether drawn or eforced, pork- or beef-based, strained or chunky, medieval gruel was about nourishment, care, and adaptation. And that is perhaps its greatest legacy: a dish built not just for survival, but for thriving—one spoon at a time.

FAQs

Which medieval gruel recipe is closest to congee?

Drawyn Grwel, with its thin, strained texture and herbal notes, is the most comparable to traditional Asian congee. It’s easy to digest and offers subtle layers of flavor.

What’s the most luxurious version of gruel from the manuscripts?

The version from A Noble Boke off Cookry, featuring pork, marrow bones, and refined straining, likely served noble or ceremonial purposes and represents the most elevated example.

Are any of these recipes vegetarian-friendly?

While none of the original texts are vegetarian, they can be adapted using mushroom stock, miso, or root vegetables to replicate umami and texture. Use steel-cut oats for best results.

What modern dish is most similar to Grewel Eforced?

Grewel Eforced resembles a savory oatmeal risotto or oat-based barley stew. It’s thick, filling, and well-suited to one-pot cooking, particularly in colder months.

Why was straining so important in medieval cooking?

Straining removed bone shards, gristle, and oat hulls, improving both safety and texture. It was also associated with refinement, digestion, and presentation—especially for noble or medicinal meals.

Gelo in bocconcini di piu colori piatti - Jelly in small bites, of many colors - Scappi

Gello Among the Roasts: A Sweet Surprise at 12th Night By Yonnie Travis, Culinary Historian and Historical Food Blogger at Give It Forth 

Yule log with a golden egg that when cracked open poured out a wealth of golden coins with gryphons on them.

As a culinary historian specializing in medieval and Renaissance foodways, I bring historical jelly dessert recipes from manuscripts to modern tables. At the 12th Night 2024 feast, one such showpiece made its dramatic return—a shimmering, layered jelly known in the kitchen as "gello." This dish paid tribute to a Renaissance feast jelly dish found in Scappi's Opera and Romoli's banquet menus. This post examines the 16th-century gelatin preparation and its cultural significance. It offers a modern version of Scappi's gelatin recipe for you to try at home.


Historical Context: Jelly as Prestige in Renaissance Banquets


To understand why jelly appeared mid-feast, we must look at the structure of Renaissance menus—particularly those outlined in Romoli's La Singolare Dottrina. His January banquet is a masterclass in culinary pacing: it opens with bread and sugared pastries, flows into savory pasta, braised vegetables, and roasted meats, and interlaces confections and jellies throughout. Each phase of the meal is carefully balanced—sweet beside salty, cold beside hot—often with overlapping sensory contrasts on the same plate.


Romoli organized his menus into over ten structured services, including antipasti, allesso (boiled meats), arrosto sottile (delicate roasts), arrosto grosso (larger roasts), torte, and frutte stufate (stewed fruits). Each course reflected a deliberate visual, humoral, and seasonal logic. Rather than isolating dishes by flavor profile, he arranged them to follow a rhythm of richness and relief. This approach created striking moments—such as serving jelly alongside roast game or poultry—not as a dessert but as a cooling, spiced counterpoint. English and French feasts of the same era also adopted this multi-layered service style.


The preparation of Renaissance jellies involved tools and techniques that differ significantly from modern convenience methods. Cooks relied on collagen extracted by slow-boiling the feet of calves, wethers, or lambs. This process took hours and required precise timing. They clarified the resulting broth with egg whites and filtered it repeatedly through spice bags made from muslin or linen. Specialized copper or ceramic pots helped regulate temperature, while ornate molds or even hollowed eggshells shaped the final presentation. This method demanded not just labor but culinary judgment, as no pre-measured gelatin powder ensured success.


In Renaissance cuisine, jelly wasn't an afterthought—it was an edible spectacle. Found amidst roast courses, molded jellies represented Renaissance edible art and embodied the culinary hierarchy of the time. They required rare ingredients (such as spices, wine, and sugar), gelatin-rich bones, and hours of labor-intensive clarification. These elaborate creations symbolized refinement and control over nature, appearing in both Italian and English feast menus as palate cleansers and visual centerpieces.


The growing accessibility of ingredients like sugar and spices during the 16th century helped elevate jelly dishes from medicinal curiosities to prestigious banquet fare. As European trade with Asia, the Middle East, and the New World expanded, elite kitchens gained increased access to cinnamon, ginger, nutmeg, and pepper—ingredients that enhanced the flavor, aroma, and perceived sophistication of jellies. Sugar, in particular, shifted from a rare pharmaceutical ingredient to a hallmark of wealth. Dishes like jelly allowed hosts to signal economic power and global reach through taste and spectacle.


Bartolomeo Scappi articulates this concept in his Opera (1570), where he presents detailed instructions for constructing layered jellies composed of alternating colors, spices, and almond milk dividers. Likewise, Domenico Romoli, in La Singolare Dottrina (1560), integrates jelly into the arrosto course by pairing it with roasted wild boar cheeks, thereby demonstrating the culinary rationale for employing sweet jellies to moderate the heat and richness of roasted meats.


The Arrosto Course on the 12th Night of 2024 - Areinterpretation of Romoli's January menu included:

  • Carré di costolette di manzo – Spit-roasted rack of beef ribs (we substituted brisket)
  • Cipolle brasate in quaresima – Braised whole onions, Lent-style
  • Salsa di noci e aglio – Walnut and garlic sauce
  • Salsa di mostardo amabile – Sweet mustard sauce
  • Minestre di zucche Turchesche – Turkish squash
  • Tortelletti d’herba alla Lombarda – Lombard-style herb tortellini
  • Gelo in bocconcini di più colori – Jelly in small bites, of many colors (the centerpiece!)


Original Italian (Scappi, Opera, 1570)


Scappi’s Cap. CCXLI – “Per fare gelo in bocconi di più colori”
Per fare gelo in bocconi di più colori. Cap. CCXLI.

Piglia piedi di castrato, & di vitella, & se fora del mese d’Aprile, o di Maggio, in loco de quelli di castrato pigliar quelli d’agnello, nettandoli del pelo, & d’ungnie, & cavandone l’osso; lavisi in più acque, & mettanosi a bollire in un pignattone di rame con tanto vino bianco, & acqua che gli stia sopra; schiumi spesso, & facciasi bollire tanto, quanto sarà giusto, acciocché il decotto che se n’hà da formare faccia buona gelatina. Se vogliono accrescergli di bontà, & arte faccian bollire con detti piedi colli di castrato, o vitella, o d’agnello ben netti. Quando detto decotto fia cotto al giusto, cavinsi detti piedi, cavandone la midolla, & passisi per stamegna. Levandone ogni grasso, mettasi in una pignatta con tre ottavi di aceto forte ben chiaro, due libre di zucchero, sei albumi d’ova fresche battute. Facciasi bollire. Quando sarà prossimo a levarsi da fuoco, mettasi in una sacca di panno lino con pepe grosso, cannella, noce moscata, zenzevero, & altri aromati, se piace, & così colisi più volte, acciò sia ben chiaro. Quando detto gelo sarà colato, & schiarito, pongasi in vasi di vetro, o di terra, o in scorze d’ova, facendo li colori a parte. Se si vuole mettere un colore sopra l’altro, aspettisi che l’uno raffreddi, & rassodi prima di mettervi l’altro sopra. Fra uno, & l’altro colore si può mettere gelatina bianca fatta con latte di mandorle. Si può ancora fare con detti colori alcuni modi di frutti in forma, & piante, & animali in forme di cera, o stagno. Pongansi in luogo fresco, & si manterranno.

English Translation:

To make jelly in bites of many colors. Chapter CCXLI.

Take the feet of a wether and a calf; if it is not the month of April or May, substitute lamb’s feet for the wether’s. Clean them of hair and hooves, remove the bones, and wash in several waters. Boil them in a large copper pot with enough white wine and water to cover them. Skim frequently, and boil until the broth reduces to the appropriate level, forming a good jelly. For added flavor and refinement, you may boil clean necks of wether, calf, or lamb along with the feet.

When the broth is ready, remove the feet and extract the marrow. Strain the liquid through a cloth (stamegna), removing all the fat. Place it in a pot with three-quarters of strong clear vinegar, two pounds of sugar, and six beaten egg whites. Bring it to a boil.

When it is almost ready to remove from heat, pour it through a linen bag containing whole pepper, cinnamon, nutmeg, ginger, and any other desired aromatics. Strain it several times until very clear.

Once filtered and clarified, pour the jelly into glass or earthenware containers—or into eggshells. Make each color separately. If you want to stack one color atop another, allow the previous layer to cool and set before adding the next. Between colored layers, you may add white jelly made with almond milk.

🦚 Curious about the full feast?
Explore the complete menu from the Flaming Gryphon 12th Night Feast 2024 to see all the dishes and historical inspirations behind this event.

You may also shape colored jellies into forms of fruits, plants, or animals using wax or tin molds. Store in a cool place and they will keep well.

Early modern cooks employed this historical jelly recipe to layer color, spice, and visual complexity into a refined banquet offering. By gelatinizing richly seasoned broths, they transformed a functional preservation method into a performative culinary art. Within the framework of Renaissance banquet culture, such jellies signaled wealth, aesthetic discernment, and mastery of technique. Their cooling properties, often accentuated by ingredients like almond milk or vinegar, also reflected humoral principles—tempering the heat and dryness of roasted meats to restore bodily balance.


Scappi Gelatin Recipe Modern Version 


Prep Time: 20 minutes active, 4–6 hours chilling time

Yields: One 9" mold or several smaller servings


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Ingredients 


6 cups clear stock (vegetable for vegetarian) 

2 cups white wine (or lemon juice) 

Juice of 1 lemon (or vinegar) 

1/2 tsp ground mace 

1/2 fresh ginger root, sliced 

1 lb granulated sugar 

1 tbsp rosewater 

4 tbsp powdered gelatin (or agar for vegan)


Yellow Variation: Add a pinch of saffron

Red Variation: Use red wine instead of white; infuse with two whole nutmegs and two cinnamon sticks


Step-by-Step Instructions: How to Make Renaissance Jelly


Simmer base: Combine stock, wine, sugar, and spices in a pot. Simmer until flavors meld.

Dissolve the gelatin: Stir it in after removing the pan from the heat and continue stirring until it has fully dissolved.

Strain: Use cheesecloth or fine sieve for clarity.


Layer 1 – Red: Pour the mixture into the mold and chill until it has set completely. 

Layer 2 – White: Mix almond milk with gelatin and rose water; pour over the red layer and chill.

Layer 3 – Yellow: Infuse base with saffron; pour and chill.


Unmold: Dip in warm water briefly to release jelly.


While modern cooks lack access to veal feet and 16th-century spice routes, they can still evoke the elegance and complexity of Renaissance jellies. Infusing broths or white wine with whole spices like cinnamon, ginger, and nutmeg replicates the warming and aromatic profiles found in Scappi's recipes. Clarifying with egg whites, a technique still used in consommé preparation, offers both historical fidelity and visual clarity. Almond milk layers provide a subtle nod to humoral theory, while soft floral notes, such as rosewater, enhance historical authenticity. These adaptations prioritize flavor harmony and visual drama—just as the originals did.


Vegetarian or Vegan Adaptation


To make a Renaissance banquet jelly recipe vegetarian or vegan, substitute clear vegetable stock for the meat broth. Use agar-agar (1 tsp per cup liquid); boil to activate. For the white layers, blend almond milk with agar and rose water. Agar creates a firmer set than gelatin; reduce the amount slightly for a softer texture that mimics historical gelatin.



FAQ: Medieval Jelly Food History


Was jelly served with meat in the Renaissance? Yes. Scappi and Romoli describe serving jelly in roast courses, where it balances hot, rich meats with cool, spiced elegance.


What made jelly a prestige dish? It required costly ingredients—such as sugar, wine, and exotic spices—as well as time, skill, and precise presentation. It signified wealth and artistry.


How long did 16th-century gelatin preparation take? Up to 24 hours. Boiling bones, reducing broth, clarifying, and then molding took a full day or more—often split among kitchen staff.


What is the easiest way to try a Scappi jelly today? Follow the modern adaptation above using stock, wine, gelatin (or agar), and layering in molds. It's a faithful tribute to Scappi's gelo.


Sources & References


Romoli, Domenico. La Singolare Dottrina. Venice, 1560. Google Books

Scappi, Bartolomeo. Opera dell'arte del cucinare. Venice, 1570.

Scully, Terence. The Opera of Bartolomeo Scappi (1570). University of Toronto Press, 2008.

May, Robert. The Accomplisht Cook. London, 1660.


To assist the writing process, I used these Grammarly AI prompts: Prompts created by Grammarly

- "Identify any gaps"

What’s New at Give It Forth – June 2025 Update

 


Hello friends and fellow food historians!

There’s a lot simmering in the Give It Forth kitchen these days, and I wanted to take a moment to share a few exciting updates, improvements, and sneak peeks of what’s cooking.


🧭 Improved Navigation

We’ve overhauled the site navigation to make it easier to browse recipes, feast planning resources, and historical FAQs. Look for the new sidebar Pages menu, where you’ll find links to:

  • Frequently Asked Questions

  • Ounce to Tablespoon Conversion Guide

  • Comfits and Historical Confections

  • ...and more coming soon!


🔧 Link Updates & SEO Fixes

We’ve been busy hunting down outdated links, broken redirects, and dusty corners of the blog. Many posts are now refreshed with working links, better indexing, and improved discoverability (because even medieval mustard deserves the spotlight).

If you’ve ever stumbled across a 404 or an archived page — don’t worry, we’re on it.


💬 New FAQ Resources

The brand-new FAQ Page is live and loaded with answers to your most common questions:

  • Cooking conversions (dry vs liquid)

  • How to plan a medieval feast

  • What’s a dayboard?

  • Where I get my sources

  • And yes... how to make comfits without losing your mind!


🍴 Coming Soon on the Blog

Keep your eyes peeled — these historical recipes are headed your way in the next few weeks:

  • Gelo in bocconcini di piu colori
    Jelly in small bites, of many colors – from Bartolomeo Scappi

  • Tortelletti d’herba alla Lombarda
    Herb tortellini in the Lombard style – Scappi again!

  • Per far diverse minestre di zucche Turchesche
    A variety of Turkish squash dishes (Cap CCXX, Secondo libro, Scappi)

  • Salsa di Mostardo amabile
    Sweet mustard sauce – perfect for meats, roots, and the curious palate


💡 Support the Project

If you’ve found joy, ideas, or research help here, consider supporting Give It Forth on Ko-fi:
https://ko-fi.com/giveitforth

Thank you for being part of this delicious journey through the past. Stay tuned — and stay hungry!

Yours in herbs and humors,


Yonnie

Kitchen Adventures – Help Me Keep the Past Alive: Why I’m Asking for Your Support

 Give It Forth began as a passion project—a labor of love, memory, and legacy.

It was born from a shared dream between me and my mother. Before she passed, we had planned to interpret and cook through the recipes in Harl. MS 279, using the edition published in Thomas Austin’s Two Fifteenth Century Cookery Books. She bought that book for me, and we always imagined sitting down together to turn those cryptic medieval instructions into real, beautiful meals.

She didn’t get to finish that journey with me. But Give It Forth is how I carry that dream forward.

It’s how I honor her.

And it’s how I share the joy we both felt in exploring the past through food.

I’ve completed the first section of that project—the pottages—and I’m working to get them formatted, published, and available online to share with all of you. It’s just one small part of what I want to bring to life.


But here’s the truth behind the curtain:
I haven’t been blogging as much lately—not because I’ve lost interest, but because life’s demands keep pulling me away. My husband is partially disabled, and most of the financial burden falls on me. Between work, caregiving, and just trying to keep the bills paid, there’s little left over—for time, energy, or breathing room.

I always feel like I’m behind the ball—robbing Peter to pay Paul—and it’s hard to justify spending hours researching a 15th-century sauce when something urgent (and unpaid) is waiting.

But this work—the history, the food, the storytelling—it matters to me deeply. And I believe it matters to others too.


☕ So here’s where you come in:

If Give It Forth has ever made you smile, fed your curiosity, helped you plan a feast, or just made you feel more connected to the past—please consider supporting me on Ko-fi:
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You can:

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Your support gives me the time and breathing room to keep doing this work—to finish the projects my mom and I started, and to keep bringing the past to life, one dish at a time.

With gratitude (and probably flour on my sleeves),


Yonnie
Give It Forth




Italian (Medieval) – Small Plates of Chestnuts in Embers (Domenico Romoli) (Piattelletti di maroni in bragia)

 


Something Sweet and Savory — Piattelletti di Maroni in Bragia

Craving a taste of the Renaissance? Here's your ticket— piattelletti di maroni in bragia, or ember-roasted chestnuts, a Renaissance favorite brought to life using ancient cooking techniques for nuts preserved in historic manuscripts.. All it takes is a crackling fire, a bed of embers, and a dusting of sugar and salt. Simple, rustic, and surprisingly delicious.

Piattelletti di Maroni in Bragia, which charmingly translates to “little chestnut cakes in the embers,” comes from La Singolare Dottrina, penned in 1560 by Domenico Romoli—better known as Panunto. Don’t let the name fool you—it’s not a cake in the modern sense, but rather whole chestnuts nestled in hot ash or coals. And when finished with sugar, salt, and a hit of pepper? Absolute magic. You’ll be asking yourself how something so basic can taste so good.

A decade later, Bartolomeo Scappi featured a similar technique in his masterpiece Opera dell'arte del cucinare (1570)—a true treasure chest of culinary brilliance. Like Romoli, he was all about the ember-roasted chestnuts, but with an extra nudge of seasoning. Both men clearly understood that chestnuts, with just a little fire and flair, could steal the show.

Chestnuts were a staple in Italian kitchens during the 15th and 16th centuries, prized not just for their flavor but also for their versatility. Dishes ranged from sweet to savory, and cooks like Scappi and Romoli perfected techniques still worth learning today.

Romoli (1560) wrote of cooking chestnuts in embers to bring out their natural sweetness, while Scappi detailed "piattelletti", or small chestnut cakes, roasted or cooked directly in ashes or coals. These weren’t just rustic peasant fare—they were refined enough for noble tables during feast days and holidays.

“Maroni si cuociono nel bragia, et servano caldi sopra tovagliuoli bianchi.”
(Romoli, 1560)
“Chestnuts are cooked in embers and served warm on white linens.”

One of the many menu's featuring Chestnuts in Embers from La Singolare Dottrina

So, to keep this delicious bit of smoky history alive, I’ve got two ways you can make them: one straight out of the 16th century, and one fit for a modern stovetop. Fingers crossed I keep the ash to a minimum!

Historic Version: Piattelletti di Maroni in Bragia

Ingredients:

  • Fresh chestnuts

  • Embers or ash

  • Sugar

  • Salt

  • Pepper

Method:

  1. Slice an X into the flat side of each chestnut. It’ll stop them from bursting and make peeling a lot easier.

  2. Nestle them gently into warm embers—no direct flames, just cozy heat from the coals.

  3. Let them roast 20–30 minutes, giving them a stir now and then for even cooking.

  4. Pull them out and cool slightly. They're best peeled while still warm.

  5. Sprinkle with sugar, salt, and cracked pepper while they’re still toasty.

That’s it. A smoky-sweet snack with just the right amount of warmth and rustic charm. It's a little time travel on a plate.

Modern Kitchen Version: Oven-Roasted Chestnuts with Sugar, Salt & Pepper

Ingredients:

  • 1 lb fresh chestnuts

  • 1 tbsp sugar

  • 1/2 tsp kosher salt

  • 1/4 tsp fresh black pepper

  • Optional: a drizzle of olive oil or melted butter

Method:

  1. Heat your oven to 425°F (220°C).

  2. Score each chestnut with an X on the flat side.

  3. Roast on a baking sheet for 20–25 minutes, until the shells curl back at the X.

  4. Let them cool enough to handle, then peel.

  5. Toss warm chestnuts with sugar, salt, pepper—and maybe a little butter or oil, if you’re feeling fancy.

Serve them warm, maybe with a glass of wine or cider. They’re just as welcome on a winter snack board as they are straight from the oven.

A Bit More on the Origins

Romoli’s La Singolare Dottrina was more than a cookbook—it was a guide for noble households, covering everything from seasonal menus to food and health advice. Scappi’s Opera, written just ten years later, was the work of a papal chef—six volumes packed with over a thousand recipes and drawings. Where Romoli wrote with a steward’s insight, Scappi brought the precision and flair of a true culinary artist.

Together, they remind us how humble ingredients—like the chestnut—can become something extraordinary with a bit of care and creativity.

Final Thoughts: A Flavor Worth Reviving

Piattelletti di maroni in bragia reminds us that even the simplest ingredients—chestnuts and embers—can create something beautiful and deeply nostalgic. Whether you're drawn to historic Italian chestnut recipes or simply crave traditional chestnut recipes for fall, this ancient treat deserves a comeback.

Would I make these again? Absolutely. There's something so satisfying about cracking into a warm, roasted chestnut and tasting that perfect sweet-savory balance. So next time you see chestnuts at the market, take the leap—you might just discover your new favorite fall treat.

If you love diving into the past like I do, I highly recommend exploring these Renaissance cookbooks:

These works offer a window into a time when cooking was equal parts sustenance and spectacle.


Sources: 

La Singolare Dottrina di M. Domenico romoli Sopranominato Panonto dell’ufficio delle Scalco (no date) Google Books. Available at: https://www.google.com/books/edition/La_Singolare_Dottrina_di_M_Domenico_Romo/AiY6AAAAcAAJ?hl=en&gbpv=1&bsq=Piattelletti+di+maroni+in+bragia+ (Accessed: 11 April 2025).

The opera of Bartolomeo Scappi (1570) (no date) Google Books. Available at: https://books.google.com/books?id=oF2jsqrWtEkC&printsec=frontcover#v=onepage&q&f=false (Accessed: 11 April 2025).

🦚 Curious about the full feast?
Explore the complete menu from the Flaming Gryphon 12th Night Feast 2024 to see all the dishes and historical inspirations behind this event.