To Make Callishones – Coriander-Scented Marchpane Candies (John Murrell, 1621)Callishones drying on the stovetop — fragrant marchpane sweets gilded with coriander and gold dust.
Updated: October 30, 2025 | Originally Published: 9/17/2015
To Make Callishones – Coriander-Scented Marchpane Candies
This elegant sweetmeat comes from John Murrell’sA Daily Exercise for Ladies and Gentlewomen (1621), a household guide filled with refined banqueting recipes — comfits, marchpanes, fruit pastes, and perfumed lozenges meant to close an Elizabethan feast. Callishones (or calysons) were pressed from almond paste and spiced with coriander and musk, then dried into aromatic lozenges.
The Elizabethan Banqueting Course
In the Elizabethan and Jacobean eras, a banqueting course was a distinct final act of a feast — a separate table laden with sugarwork, spiced wines, candied fruits, comfits, and perfumed pastes. These dishes were not meant to fill the stomach but to delight the senses and demonstrate refinement.
The fashion for such displays began in the Tudor court and reached its height under Elizabeth I, when sugar was imported from Madeira, the Azores, and later the Caribbean. Wealthy hosts commissioned sugar plate sculptures and marchpane castles, while smaller households imitated them with printed or molded sweets like callishones. The very word “banquet” came to mean not a meal, but a ceremonial table of confections.
Surviving accounts from royal and noble households show that banqueting rooms were sometimes separate from dining halls — built atop towers or in garden pavilions — so that guests could “walk to the banquet” after dinner and admire both the view and the artistry of the table.
Gyngaudre – Medieval Fish Liver Stew from Harleian MS. 279 (c. 1430)
Gyngaudre – Medieval Fish Liver Stew from Harleian MS. 279 (c. 1430)
Originally published July 2015 · Updated October 28, 2025
Illustration from The Book of Wonders of the Age (St Andrews ms32).
Fish in the Medieval Diet:
During the Middle Ages, fish was an essential protein for both the pious and the practical. Church fasting rules forbade meat from warm-blooded animals on Fridays, during Lent, and other holy seasons—amounting to nearly one-third of the year. Preserved and freshwater fish therefore became dietary staples across all social classes, and creative dishes like Gyngaudre ensured nothing was wasted.
Context & Historical Background
Gyngaudre (sometimes written Jingandre or Gyngawdre) is a rare entry in Harleian MS. 279 (c.1430), one of the great English culinary manuscripts of the 15th century. It appears alongside many Lenten and fasting-day recipes, where fish replaces red meat or poultry. The dish is a rich fish-liver stew, thickened and sharpened with wine, vinegar, saffron, and pepper.
Offal dishes—especially those made with liver and roe—were prized for their perceived nourishment and humoral warmth. According to medieval dietetic theory, liver was considered “hot and moist,” believed to restore vitality and promote sanguine balance. Fish livers, particularly from eel or cod, were thought especially rich in essence and restorative for those weakened by fasting.
Modern readers may balk at the idea of fish offal, but in its day this would have been a luxurious and economical dish—making use of every edible part of valuable seafood during Lent or “fish days.” Today, cod liver remains a delicacy in parts of Northern Europe, often canned in its own oil.
About the Source
Harleian MS. 279 is one of two major medieval English cookbooks compiled for upper households in the early 15th century (the other being Harleian MS. 4016). Its recipes show a transition between heavily spiced, sauce-rich medieval fare and the more refined early Tudor palate. “Gyngaudre” reflects that shift—spiced, fragrant, but comparatively simple.
What Is a “Fish Pouch”?
The manuscript calls for “the Pouches and the Lyuerys.” The term pouch may refer to the roe sac, as in “fish pouch of eggs,” or possibly a scribal error for “paunch”—meaning belly. Both interpretations fit a recipe focusing on rich internal organs. For modern cooks, roe or belly meat are both acceptable substitutes.
Modern Safety Note
While medieval cooks used offal liberally, modern dietary safety recommends avoiding fish livers from unknown sources due to possible toxin accumulation. If you wish to attempt this dish, use clean, cold-water species and ensure all organs come from a safe, traceable source. Alternatively, substitute filleted fish and roe for a milder and safer experience.
How to Make Elizabethan Fruit Pastes & Marmalades (Quince, Peach & Plum)Paste of quince (amber), apricot (yellow), and strawberries (red).
Originally published: December 2020 Updated: October 24, 2025
Sweet Preserves for a Banquet Table
In the Elizabethan era, fruit pastes—sometimes called marmalades or “chardequynce”—were glittering jewels of sugar, fruit, and spice. They appeared at the close of grand meals as part of the banqueting course, alongside marchpane, candied spices, and comfits. Far from our modern breakfast spreads, these were confections of luxury—delicate, perfumed, and designed as edible art.
My earliest experiment with fruit paste was a quince paste, followed by a Spanish-style marmalade made with dates, powdered pearls, and gold leaf. Since then, I’ve made pastes of apples, raspberries, strawberries, apricots, and plums. For our Baronial Twelfth Night, the table featured a full assortment of these sparkling fruits.
Historical Context
The first fruit pastes appear in late medieval manuscripts such as *A Leechbook* (Royal Medical Society MS 136, c.1444) and continue into the Tudor and Elizabethan printed cookbooks like A.W.’s A Book of Cookrye (1587) and John Partridge’s The Treasurie of Commodious Conceits (1573). These recipes often recommend honey or sugar as preservatives, with quinces or wardens (a firm pear) providing natural pectin. Sugar was believed to “close the stomach” and aid digestion—so these confections were thought medicinal as well as delightful.
By the late 16th century, “marmalade” had expanded beyond quince to include peaches, plums, and even medlars. Unlike modern spreads, these were boiled until firm and cut into decorative shapes, sometimes impressed with moulds and dusted with sugar to gleam like gemstones.
The very word marmalade comes from the Portuguese marmelada, meaning a preserve of quince (marmelo). It entered English through imported Iberian sweetmeats and gradually expanded to mean any thick fruit conserve. Only in the 17th century did citrus marmalades—especially bitter orange—become fashionable in England.
Sugar, Trade, and Luxury
In the 1400s and early 1500s, sugar was a costly import from Mediterranean trade routes, used sparingly in medicines and aristocratic kitchens. By Elizabeth’s reign, Caribbean plantations and new trade networks made sugar more available, transforming what had been a medicinal luxury into a fashionable indulgence. Elaborate sugarwork became a mark of refinement—these pastes were served on gilded dishes at banquets to showcase both taste and status.
Period Tools & Presentation
Household inventories list *marmalet boxes*—small wooden or pewter containers used to store fruit pastes—and carved boxwood moulds for shaping them into knots, roses, or heraldic badges. Displayed among marchpane and candied fruits, these confections were edible sculptures. At feasts, they were offered in the banquetting house alongside spiced wine, wafers, and sugar plate, eaten in tiny bites rather than spread on bread.
Humoral Theory Notes
According to Galenic medicine, quinces and other tart fruits were considered cold and dry in the second degree, balancing the hot and moist qualities of meats and wines. The addition of sugar, cinnamon, and ginger “warmed” the mixture, making it more agreeable to the stomach. Thus, fruit pastes served both as decoration and as digestive aid.
Iberian Influence
England’s fascination with “Spanish marmalades” reflected the influence of Iberian confectionery traditions using honey, rosewater, and spice. Early imports were prized gifts, inspiring English cooks to recreate them at home. A.W.’s peach marmalade and Partridge’s plum version show how continental recipes adapted to local fruits and English tastes.
Context. This post expands on Gervase Markham’s early-17th-century candying method from The English Huswife (1623), part of his famous “banqueting-stuffe”—the delicate sugarwork served at the end of elite meals. Candying preserved seasonal produce for winter and created jewel-like sweets for feast courses and subtleties. Below you’ll find Markham’s original text and a carefully tested modern method I use for SCA feast work.
