Capponi Sopramentati – Renaissance Spiced Capon Served Cold

Capons Salpamentati / Sopramentati in a Renaissance Carnivale First Service

Originally published: September 28, 2021, 12:19 PM
Updated: May 22, 2026

Capponi sopramentati, adapted as sliced chicken pinwheels with prosciutto, herbs, cheese, lemon, and Renaissance spices.

This is one of those recipes that keeps returning to my table.

I first prepared this dish during the COVID years, when SCA feasts had largely gone quiet in our area. We had not yet returned to the normal rhythm of events and feast halls, but I still wanted to cook period food for people I loved. So I made a small historical picnic lunch for close friends. That earlier lunch can be found here: Crown Tournament Chez Beauvisage Picnic Lunch.

The dish was a hit then, and it was a hit again when it appeared in my Renaissance Carnivale feast. I was delighted to find this preparation, or something very close to it, listed in a period banquet menu. There is a particular joy in being able to point to a historical menu and say, “Here it is. This belongs here.”

This version is not a strict reconstruction of Scappi’s whole stuffed capon. Instead, it is a practical feast-cook adaptation: chicken breast, prosciutto, herbs, cheese, spices, and lemon, served cold in neat slices. It is economical, elegant, make-ahead friendly, and especially useful in a meat-forward service where a little richly flavored poultry can go a long way.

The Carnivale Menu Context

This dish appeared in the Primo servitio posto in tavola, the first service placed on the table, in a Carnivale banquet menu:

Insalata di cicoria bianca, insalata di carote, prosciutto sfilato, testa di ruffolatto fredda, fette di cedro condite con aceto rosato, zuccaro & cannella, grue arrosta fredda, capperini, capponi salpamentati & salsiccioni bolognesi.

In English, this service included white chicory salad, carrot salad, shredded prosciutto, cold testa, citron slices dressed with rose vinegar, sugar, and cinnamon, cold roast crane, capers, seasoned capons, and Bolognese sausages.

That first service is rich, bright, acidic, salty, and deeply meat-forward. The cold capon belongs beautifully in that company. It offers a composed, spiced poultry dish that can be prepared ahead and served sliced among other cold meats, salads, preserved flavors, and sharp garnishes. The lemons, capers, rose vinegar, and citron are not decorative afterthoughts. They help balance the richness of the meats and keep the opening service from feeling heavy.

Testa di ruffolatto in gelatina served beside sliced caponi sopramenti pinwheels during the Carnivale first service. The pairing shows how cold prepared meats, spice, acid, and texture worked together on the Renaissance table.

A Note on Salpamentati vs. Sopramentati

The Carnivale menu lists capponi salpamentati. In the digitized period text, the word can be easy to misread as falpamentati, because early printed books often use the long s, which resembles an f to modern eyes. Read as modern type, the word is best understood as salpamentati.

Bartolomeo Scappi’s related recipe, however, is titled cappon sopramentato. Are these precisely the same term? I cannot say that with absolute certainty. Historical spelling and culinary vocabulary are often flexible, and menus may use terms differently than recipe headings. What I can say is that the culinary context is very close: a capon preparation, heavily seasoned, suitable for cold service, and appropriate to a formal first service.

For this reconstruction, I chose Scappi’s detailed recipe for cappon sopramentato as the closest surviving practical guide to the capponi salpamentati named in the Carnivale menu.

Source Text: Scappi’s Capon Recipes

The following recipes are from Bartolomeo Scappi’s Opera dell’arte del cucinare (1570), translated by Terence Scully in The Opera of Bartolomeo Scappi (1570): The Art and Craft of a Master Cook, p. 198.

122. To boil a boneless capon

When the capon has been prepared in either of the above ways (skinned and deboned), get the flesh from the breast of another uncooked capon, and a pound of prosciutto and pork fat together, and beat those finely with knives, adding in half an ounce of common spices, a handful of finely chopped herbs, two egg yolks and two ounces of grated cheese. Stuff the capon with that mixture, pushing it into the wings and thighs; sew it up so the stuffing cannot come out, with its wings and thighs trussed, put the capon into an ample earthenware or copper pot with cold water and put that on the fire.

123. To boil and prepare the capon “sopramentato”

When the capon is plucked and drawn, whether stuffed or empty, boil it in a meat broth or else in water with a piece of prosciutto and crushed pepper. When it is done, take it out of the broth and let it drain. Then make several slashes across the thighs, body, and breast. Sprinkle it all over, especially in the slashes, with a mixture of sugar, pepper, cinnamon, cloves, nutmeg, and fennel flour. Let it cool. When you wish to serve it, do so with it cold, with cut-up lemons over it. Before sprinkling it, you can also splash it with rose vinegar.

Authentic Recipe vs. Modern Feast Adaptation

The period recipe calls for a whole capon, optionally stuffed with another capon breast, prosciutto, pork fat, herbs, egg yolks, cheese, and common spices. That is a luxurious preparation, and exactly the sort of thing one expects from a high-status Renaissance kitchen.

My modern feast version is more modest and practical. Rather than stuffing a whole bird, I butterfly chicken breast, season it, add prosciutto and a cheese-herb mixture, roll it into pinwheels, and poach or bake it. For the Carnivale feast, I used a single butterflied chicken breast and a single slice of prosciutto to feed several diners because the rest of the service was already very meat-forward.

This is not a perfect one-to-one reconstruction. It is an interpretation. But it preserves the heart of the dish: seasoned poultry, prosciutto, aromatic spices, herbs, cheese, lemon, and cold service. More importantly, it is delicious and has become a favorite among those who have eaten it.

Common Sauce Spices

First, you will need to put together your common spices. This is delicious, and I use it quite a bit in my cooking. I have sometimes substituted cubebs and long pepper for the pepper and ginger to create a spicier blend.

Rupert de Nola’s Libre del Coch (about 1529) gives instructions for Common Sauce Spices. Roughly translated, the instructions are:

Cinnamon three parts; cloves two parts; one piece ginger; pepper a part; some dry coriander well ground; a little saffron. Be all well ground and sifted.

Common Sauce Spices, Amended

• 1 tablespoon cinnamon
• 2 teaspoons cloves
• 1 teaspoon ginger
• 1 teaspoon pepper
• 1/2 teaspoon dry coriander, ground
• Pinch of saffron

Testa di Ruffolatto Fredda – Cold Pressed Young Boar in Gelée (Carnivale Feast)

Published: May 21, 2026

Testa di Ruffolatto Fredda - Cold Pressed Young Boar in Gelée (Carnivale Feast)

Testa di Ruffolatto Fredda, or cold young boar head meat, was one of the most surprising dishes served during the Carnivale Feast. It appeared on the table cold, sliced, and set in its own natural jelly. For many modern diners, the texture was unfamiliar at first. The flavor, however, won them over completely.

This was not a dish most of us eat regularly. Cold meat suspended in savory gelée can feel strange to modern palates accustomed to sliced deli meats, pâtés, or pulled pork. Yet by the end of the feast, there was none left. The turning point came when someone spread a slice onto warm bread, allowing the natural jelly to melt into it. Then someone else added capers. After that, everyone had to try it.

Testa di Ruffolatto Fredda served alongside caponi sopramenti pinwheels during the Carnivale Feast. Though unfamiliar in texture to many modern diners, the rich flavor quickly won people over.

The Original Source

This reconstruction draws on an Italian jelly-meat recipe from Libro di cucina / Libro per cuoco, a 14th/15th-century Italian culinary text translated by Louise Smithson. The recipe is not a modern head cheese recipe, but it gives us a clear period method for producing a meat jelly from collagen-rich cuts and spiced broth.

XXXI - Jelly of whatever meat. If you want to make a good jelly of any meat: of meat of pork of the woods (boar), take ears and feet and each thing, and capons and partridge, and thrush, and hare, and roebuck (venison), and pheasant, take these things and put these to the fire in part water and part vinegar and when they are boiled and well skimmed, put spices and pepper and cinnamon and ginger and saffron not beaten together, that you choose is enough with the meat. And when the meat it is enough cooked pull it out, until remains the ears and the feet until it is of enough substance. When it is pulled all these things from, pulverize all the meat and spices, and take the jelly from the fire and let it stand, and take saffron and temper with jelly and place the meat into a vessel that you want that is lined with bay leaves and put over this jelly and strain the jelly and saffron with wool (through a cloth). When it is strained over the meat, take sweet spices and mix with this same jelly and pour it above, it should be colored and good yellow, and put with to boil from that which is come together, and it will be a good jelly.

The method is wonderfully practical: cook collagen-rich meats in water and vinegar, skim carefully, season with spices, strain the broth, arrange the meat in a vessel, and allow the natural jelly to set. The result is a cold, sliceable meat dish suitable for display and service.

What Is a Ruffolatto?

At first, the word ruffolatto raised questions. It can look obscure to a modern reader, and it is easy to confuse this dish with other animal-head preparations from the same feast. However, the Grande Dizionario della Lingua Italiana identifies rufalotto, ruffolatto, and rufolatto as a young wild boar, specifically a cinghiale di pochi mesi, or a wild boar of only a few months.

This matters. The dish is not goat. It is associated with young wild boar, a prestigious game animal and an appropriate choice for a lavish Carnival banquet before the restrictions of Lent. Young boar would have offered tender meat, rich flavor, and excellent natural gelatin.

Because young wild boar is difficult to source for a modern kitchen, this feast reconstruction used country-style pork ribs. They were inexpensive, available, flavorful, and, most importantly, produced an excellent natural jelly without added gelatin.

A Cold Dish for a Banquet Table

Modern diners often imagine historical feasts as a parade of hot dishes brought steaming from the kitchen. In reality, many Renaissance banquet foods were served cool, cold, or temperate. Salads, preserved fruits, sliced meats, cured meats, jellied preparations, and composed dishes could be prepared ahead, arranged carefully, and served from the sideboard or brought to the table as part of a larger service.

Testa di Ruffolatto Fredda fits that logic beautifully. It was not a hurried dish. It required time, patience, careful skimming, cooling, and setting. Once prepared, it could be sliced and arranged neatly for the table, making it ideal for a feast with many dishes served together.

Nose-to-Tail Cooking and Banquet Luxury

To modern ears, head meat and jellied pork may sound humble or even intimidating. In historical kitchens, however, collagen-rich cuts were valuable. Feet, ears, heads, skin, bones, and joints were not waste. They were the source of texture, body, richness, and natural gelée.

This was not merely survival food. In an elite context, a well-made meat jelly showed skill. The broth needed to be skimmed cleanly, the meat cooked until tender, the seasoning balanced, and the final dish set firmly enough to slice. It was thrift and luxury at the same time, the sort of kitchen alchemy historical cooks understood deeply.

Why All the Skimming?

One of the least glamorous but most important parts of the process was skimming the pot during the first stage of cooking. As the pork slowly heated, foam rose to the surface. This is normal. It is made up of coagulated proteins and impurities released from the meat.

Removing that foam helped produce a cleaner broth and a clearer finished jelly. The original recipe specifically calls for the meat to be “well skimmed,” and this turned out to be excellent advice. For a cold sliced dish, appearance matters. A well-skimmed broth gives the finished gelée a cleaner flavor and a better look.

Why It Set Without Gelatin

One of the surprises of this reconstruction was that no added gelatin was needed. The country-style ribs produced enough natural collagen to set the broth firmly on their own.

The process was simple but slow. The pork was cooked low and slow until the meat fell from the bones. The meat was strained from the broth, then the broth was allowed to rest overnight so the fat could rise and harden. Once the fat cap was removed, the broth was reheated until it melted, poured over the shredded meat in a loaf pan, and chilled until firm.

This is the heart of traditional aspic cookery: collagen, time, and cooling. No packet of gelatin. No modern shortcut. Just patient cooking and a broth rich enough to become its own structure.

The French Connection

If you have eaten French charcuterie, this dish may feel more familiar than it first sounds. It belongs to the same broad family as fromage de tête, English brawn, German Sülze, and other European jellied or pressed meats. These dishes differ by region and seasoning, but they share the same essential idea: tender cooked meat held together by a savory natural gel.

That comparison helped me understand the dish at table. The sliced testa was not strange once treated as charcuterie. It wanted bread. It wanted something sharp. It wanted the capers that were already part of the first service.

The Surprise of the Table

I will admit that I was surprised by how well this dish was received. This is not something most of us normally eat, and the mouthfeel was unfamiliar to several diners. Served cold, the gelée gives the meat a texture somewhere between terrine, aspic, and rich pork spread.

The flavor, however, was excellent: deeply porky, gently spiced, savory, and comforting. Once someone spread it on warm bread and the gel melted into the crumb, the dish suddenly made sense. Then someone added capers, bringing salt and acidity to the rich pork, and everyone wanted to try it.

Bread had been baked for the sops beneath the crane, represented at feast by chicken, rather than specifically for the testa. Serving warm bread with the cold meat was not the strictest interpretation of the original service. Still, fresh bread had been baked, and refusing to serve it while its ghost lingered through the hall would have been a very naughty thing indeed.

By the end of the feast, there was none left. For a dish many diners approached with caution, that felt like high praise.

How Would This Have Been Eaten?

A dish like this would most likely have been served cold and sliced, as it was at the feast. Diners could cut small portions with a knife and eat them alongside other dishes from the same service. In a banquet setting, foods were not always experienced in isolation. A bite of rich meat might be followed by capers, bitter greens, preserved citron, bread, or another contrasting flavor from the table.

The capers were not written into the testa recipe, but they were present in the same service and made excellent sense. Sharp, salty, acidic foods balance rich meats beautifully. In that sense, the diners who added capers were participating in the same flavor logic that made Renaissance banquet tables so compelling.

Humoral Notes

In humoral thinking, rich meats and gelatinous broths were often associated with nourishment and strength. A dish like this would have been substantial, warming, and sustaining, especially when made from a young animal and served as part of a lavish pre-Lenten feast.

The vinegar in the cooking liquid and the sharpness of accompaniments such as capers helped balance the richness of the meat. That balance between fat and acid, rich and sharp, soft and bright, is part of why the dish worked so well for modern diners too.

Okashi – Anmitsu and Japanese Sweet Traditions (Muromachi Feast Recreation)

Jasmine green tea ice cream on agar (kanten), surrounded by red bean paste and a drizzle of black sugar syrup.

Imagine my surprise when I realized I’d never published the final tray of the feast! This course—built around Anmitsu—was my nod to banquet finales that closed with fruit and confections. My interpretation layers agar jelly, fresh fruit, shiratama mochi, sweet red bean paste (anko), black sugar syrup (kuromitsu), and jasmine green tea ice cream.

Historical Frame: Okashi in Context

In the Muromachi period (1336–1573), formal banquet cuisine (honzen ryori) treated sweets as refined, seasonal endings rather than everyday fare. Sugar was scarce and costly; sweetness often came from beans, grains, or fruit. As long-distance trade expanded, imported sugars and new tools elevated confectionery into an art closely linked with tea culture—favoring elegance and balance over intense sweetness.

Seasonal Aesthetics: Confections mirrored the time of year—spring blossoms, summer greens, autumn leaves, winter snows. Their fleeting forms encouraged contemplation of impermanence and gratitude at table.

Trade, Technique, and Evolution

Maritime trade in the 16th century brought refined sugar and new implements that influenced sweet-making. Hybrid sweets (like castella sponge) arose from cultural exchange. Meanwhile, temple kitchens and courtly households continued to favor plant-based textures and subtle flavors, keeping okashi aligned with ideals of restraint.

Cross-Cultural Parallels

Just as medieval Europe prized marchpane and sugar plate as status-laden table art, Japan refined bean- and rice-based sweets into edible miniatures of the natural world. In both traditions, confectionery served as display, diplomacy, and delight.

• Heian → Kamakura: fruits, nuts, lightly sweetened treats
• Muromachi: codified banquets; sweet courses as refined finales
• Edo: wagashi artistry flourishes with broader sugar access

Ingredient Insights

Agar (kanten): a seaweed-derived gelling agent long valued in Buddhist vegetarian cooking and later central to clear, delicate jellies in confectionery.

Anko (red bean paste): sweetened adzuki paste that underpins many classic sweets. Texture ranges from smooth to rustic and chunky.

Kuromitsu (black sugar syrup): made from unrefined brown sugars—deeper, rounder, and more mineral than modern white sugar syrups.

Roasted Root Vegetables – Collegium Lunch Tavern (Modern Companion Dish)

 Roasted Root Vegetables – Collegium Lunch Tavern (Modern Companion Dish)

This colorful medley of roasted root vegetables was served during the 2016 Collegium Lunch Fundraiser Tavern as a hearty, comforting, and universally appealing side. Though roasting vegetables is such a basic and ubiquitous method that it rarely appears in medieval cookbooks, the approach is still entirely appropriate to the time period. Modern seasoning and technique were used for this version to maximize flavor and practicality for event service.

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Modern Recipe

Ingredients:

• 1 butternut squash, peeled, seeded, and chopped

• 1 sweet potato, peeled and chopped

• 2 Yukon Gold potatoes, chopped

• 1 bunch beets, tops trimmed and scrubbed

• 2 large parsnips, peeled and chopped

• 1 yellow onion, peeled and cut into wedges

• 1 head garlic, cloves peeled

• 2 tbsp olive oil

• 1–2 tsp herbs de Provence (or rosemary/thyme mix)

• Salt and pepper to taste

Instructions:

1. Preheat oven to 425°F.

2. Cut all vegetables into uniform 1-inch chunks.

3. Toss with olive oil, herbs, salt, and pepper.

4. Spread on baking sheets in a single layer.

5. Roast for 40–50 minutes, turning once or twice, until edges brown and vegetables are tender.

6. Serve warm or at room temperature.

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A Note on Roasting in Period Context

While explicit “roasted vegetable” recipes are rare in surviving medieval cookbooks, roasting over coals or in ashes was a common and practical technique—especially for onions, garlic, or root vegetables. One of the closest documented parallels comes from the Libro della Cucina (14th century), in a recipe for roasted onion salad:

“Take onions; cook them in the embers, then peel them and cut them across in longish, thin slices; add a little vinegar, salt, oil, and spices, and serve.”
— De la insaleggiata di cipolle, Libro della Cucina del secolo XIV, Zambrini ed., Bologna 1863 (as translated in The Medieval Kitchen)

This recipe illustrates that the concept of roasting root vegetables, then dressing or seasoning them, would not have been unfamiliar in period. Our modern roasted medley draws on this tradition while remaining flexible and familiar for modern feast-goers.

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Served With (Collegium Lunch Tavern Menu)

– Pork Pie with Mustard
– Cold Roast Chicken with Garlic, Sage, or Must Sauce
– Cold Lentil Salad
– Roasted Root Vegetables (this dish)
– Pickles & Olives
– Fresh Fruit (Apples, Grapes, Oranges)
– French Bread & Cheese
– Water & Soda

You can view the full feast overview and menu notes here.

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Cold Lentil Salad – Collegium Lunch Tavern (Modern Companion Dish)

 Cold Lentil Salad – Collegium Lunch Tavern (Modern Companion Dish)

While not a period recipe, this cold lentil salad offered a refreshing, protein-rich vegetarian option during the 2016 Collegium Lunch Fundraiser Tavern. It was designed for make-ahead convenience and offered a contrasting texture and temperature alongside rich pies, chicken, and roasted vegetables. At the time, I did not yet have a copy of Scappi’s Opera—otherwise I might have chosen a warm lentil pottage instead! Still, this dish worked beautifully for service and gave guests a bright, fresh contrast to heavier fare. offered a refreshing, protein-rich vegetarian option during the 2016 Collegium Lunch Fundraiser Tavern. It was designed for make-ahead convenience and offered a contrasting texture and temperature alongside rich pies, chicken, and roasted vegetables.

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Served With (Collegium Lunch Tavern Menu)

This dish was served as part of the full Collegium Lunch Tavern spread. It paired well with both the rich meats and simpler side offerings:

– Pork Pie with Mustard
– Cold Roast Chicken with Garlic, Sage, or Must Sauce
– Cold Lentil Salad (this dish)
– Roasted Root Vegetables
– Pickles & Olives
– Fresh Fruit (Apples, Grapes, Oranges)
– French Bread & Cheese
– Water & Soda

You can view the full feast overview and menu notes here.

Modern Recipe

Ingredients:

• 1 cup red lentils, uncooked

• 1 tbsp olive oil

• 2 tbsp freshly squeezed lemon juice

• 1 clove garlic, minced

• 2 tbsp red wine vinegar

• 2 green onions, chopped

• 2 tbsp parsley, chopped

• ¼ small red onion, chopped

• 1 carrot, chopped

• Salt and pepper to taste

Instructions:

1. Add enough water to fully cover lentils in a deep pot and cook, covered, over medium-high heat until just tender. Drain and rinse with cold water.

2. In a small mixing bowl, whisk together olive oil, lemon juice, garlic, and vinegar.

3. In a medium bowl, combine cooked lentils with green onions, parsley, red onion, and carrot.

4. Drizzle dressing over lentils and toss gently. Season to taste with salt and pepper.

5. Chill overnight and serve with crumbled feta if desired. This salad holds well for dayboard use, requires no on-site cooking, and scales easily for larger crowds—making it a reliable option for SCA tavern or lunch service.

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Lentils in Period Context

Lentils were widely known and consumed throughout medieval Europe, especially in Italian and Mediterranean cuisines. They appeared in fast-day pottages, monastic kitchens, and household recipes alike. While cold lentil salads like this aren’t documented in surviving English or French manuscripts, the ingredients—lemon, vinegar, herbs, lentils—are all within period reach. It’s a respectful modern interpretation that pairs well with heavier dishes and stands on its own for vegetarian and fasting menus.

Looking for a Period Option?

For those wanting a pre-1600 version of a lentil dish, try Per far minestra di lenti secche (To Make a Pottage of Dried Lentils), a recipe from 16th-century Italy. This version uses lentils, oil, salt, and seasonal aromatics to create a warm, hearty side suitable for meatless menus or fasting days.

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Cold Roast Chicken with Sauce Options – Collegium Lunch Tavern (2016)

 Cold Roast Chicken with Sauce Options – Collegium Lunch Tavern (2016)

As part of the 2016 Collegium Lunch Fundraiser Tavern, this cold roast chicken dish provided a reliable, prep-ahead protein that paired beautifully with multiple historical sauce options. It was designed for efficient service, minimal equipment, and flexible flavor pairings for a large crowd.

While the chicken itself was seasoned simply with salt, pepper, olive oil, and garlic and roasted at 350°F, the real variety came from the sauces served alongside it. Each guest could choose from three distinct historical condiments—each with unique flavor profiles suited to different palates.

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Chicken Preparation (Basic)

• Chicken seasoned with salt, pepper, garlic, and olive oil

• Roasted at 350°F until cooked through

• Served cold, sliced, or whole depending on setting

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White Garlic Sauce

A rich, nut-based sauce using almonds, broth, and breadcrumbs.

Ingredients:

• 2–3 garlic cloves, crushed

• ½ cup slivered almonds

• 2 tbsp breadcrumbs

• 1–2 cups chicken broth

Instructions: Combine all ingredients in a blender or food processor and grind until smooth. Strain through a sieve for better texture. Serve cold.

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Cold Sage Sauce

Herb-forward and lightly spiced, this green sauce offers an earthier option.

Ingredients:

• 1 cup fresh parsley

• 1 cup fresh sage

• 1 cup hot chicken broth or bouillon

• ¼ cup white wine vinegar

• 2 hard-boiled egg yolks (optional; omit for simpler version)

• ½ tsp salt

• ½ tsp ginger

• ¼ tsp grains of paradise or cinnamon

• 2 slices white bread, crusts removed

Instructions: Blend parsley and sage with hot broth. Separately mash egg yolks with vinegar and combine. Add spices and slowly incorporate bread until desired thickness. Serve cool.

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Must Sauce

A sweet-tart grape-based sauce with warming spices.

Ingredients:

• 1 cup grape juice concentrate

• ¼ to ½ cup water

• ½–1 tsp cinnamon

• ¼ tsp ginger

• 1 egg, beaten

• 1 tbsp honey

• ½ tsp grains of paradise

Instructions: Heat juice and water, add spices, and bring to a simmer. Temper in egg, then stir to thicken. Add honey and simmer gently. Serve chilled.

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Historical Notes

While the exact manuscript sources for these sauces are unclear, they reflect ingredients and methods consistent with late medieval and early modern English cookery. Almond-thickened garlic sauces, herb purées with vinegar, and spiced must-based condiments appear in sources such as The Forme of Cury, A Book of Cookrye (1591), and similar compilations.

Serving Notes

Each sauce was prepared the day before the event and held well overnight in sealed containers. Guests appreciated the variety and the ability to customize their plates. These sauces can also be paired with pork, veal, or vegetables depending on the setting.