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Creme Boylede – A Luxurious Medieval Boiled Custard from Harleian MS 279

Creme Boylede, a medieval boiled custard garnished with pomegranate seeds
Creme Boylede garnished with pomegranate seeds

Originally published January 11, 2016. Updated June 2026.

Creme Boylede is a rich medieval boiled custard made from cream or milk, bread, egg yolks, butter, sugar, and salt. It appears in Harleian MS 279, a fifteenth-century English cookery manuscript dated to about 1430, and it is one of those recipes that looks simple until you begin asking what kind of dish it actually was.

Modern diners are likely to read the ingredients and think “dessert.” A medieval cook may have understood it differently. The recipe appears among the pottages, but it also instructs the cook to serve the finished custard “in manner of mortrewys,” linking it to a style of thick, carefully prepared dishes that could function as special dishes or entremets. That makes Creme Boylede a beautiful little category-goblin: part custard, part pottage, part feast-table luxury.

It is also delicious. The bread is soaked in cream or milk, warmed, strained, and then enriched with egg yolks, butter, sugar, and salt. The result is smooth, sweet, and comforting, with the texture of a soft custard and the thrift of a medieval kitchen hiding under all that cream.

Medieval almond milk toast with wine, saffron, and spices from Harleian MS 279. A golden fifteenth-century fasting dish.

Soupes Dorye, a medieval almond milk toast with wine, saffron, and sweet spices from Harleian MS 279
Soupes Dorye, or golden sops, made with almond milk, wine, saffron, toast, and sweet spices

Published: January 9, 2016
Updated: June 18, 2026

Soupes Dorye is one of those medieval recipes that looks simple at first glance and then quietly opens a door into an entire world of fifteenth-century cooking. At its most basic, it is toasted bread soaked with wine, covered in hot almond milk, colored with saffron, and finished with a sweet spice mixture of ginger, sugar, cinnamon, cloves, and mace.

That sounds humble. It is also golden, fragrant, warming, meatless, dairy-free, and carefully composed. This is not merely medieval milk toast. It is a fast-day pottage built from bread, wine, almonds, saffron, and spice, all arranged so that a plain dish becomes something bright enough for the table.

The recipe appears in Harleian MS 279, a fifteenth-century English culinary manuscript dated to about 1430 and printed in Thomas Austin's Two Fifteenth-Century Cookery-Books. Like many recipes in this collection, it offers only brief instructions. The medieval cook was expected to understand how to draw almond milk, how much wine to use, how wet the bread should be, and how heavily to season the finished dish.

For the modern cook, those silences are where the reconstruction work begins. How much wine is enough to flavor the almond milk without overwhelming it? Should the bread collapse into porridge or hold its shape? Should the spices be subtle or generous? These are the practical questions that turn a manuscript recipe into a dish someone can actually serve.

When I first prepared this recipe, one of my tasters walked into the kitchen and said, "It smells like Christmas in here." That reaction still feels like the right doorway into the dish. Soupes Dorye is warm, aromatic, and quietly festive, but it is also a useful reminder that medieval fasting food did not have to be dull.

Oyle Soppys (Oil Sops): Medieval Onion Soup Recipe with Ale | Harleian MS 279

Oyle Soppys, a medieval onion and ale soup from Harleian MS 279 served over toasted bread sops
Oyle Soppys, or Oil Sops, a medieval onion and ale soup from Harleian MS 279

Published: December 24, 2015
Updated: June 18, 2026

Few recipes in Harleian MS 279 demonstrate the ingenuity of medieval cooks quite as clearly as Oyle Soppys. Built from onions, ale, bread, oil, and a handful of seasonings, this fifteenth-century onion soup transforms simple household ingredients into a satisfying and economical first course.

When researching medieval pottages, two recipes immediately caught my attention: Soupes Dorroy and Oyle Soppys. Both recipes begin with onions, yet they produce remarkably different dishes. Soupes Dorroy relies upon wine and almond milk to create a rich golden broth, while Oyle Soppys turns instead to ale, producing a humbler but no less interesting soup.

At first glance, Oyle Soppys appears almost too simple to merit attention. There are no elaborate garnishes, expensive meats, or complex preparations. Yet recipes like this offer an important reminder that medieval cooks spent far more time preparing practical daily meals than creating the grand dishes that often dominate modern discussions of historical food.

The result is a medieval onion and ale soup that reveals not only what people ate, but how cooks stretched common ingredients into nourishing meals suitable for households, travelers, and large feasts.

Mearh Smeamete – Reconstructing an Anglo-Saxon Sausage Delicacy

Originally served at Ceilidh XVI, March 29, 2003. Updated with additional research, source notes, and modernized interpretation in June 2026.

AI-assisted formatting and editing note: This article was developed with the assistance of ChatGPT for organization, source comparison, grammar, and HTML formatting. Historical interpretation, recipe testing notes, and final editorial judgment are my own.

Mearh Smeamete: Following the Trail of an Anglo-Saxon Sausage Recipe

Sometimes revisiting an old recipe does not reveal mistakes. Sometimes it reveals how much care went into the reconstruction in the first place.

That is what happened when I returned to Mearh Smeamete, a sausage dish I served as part of an Anglo-Saxon inspired feast in 2003.

At first glance, the recipe can look surprisingly modern: pork sausage, apples, spices, vinegar, bread, and a milk-thickened sauce baked together in a casserole dish. It was delicious. It was practical. It worked beautifully in a busy feast kitchen.

But more than twenty years later, with far more sources available online than I had in 2003, I wanted to understand the reconstruction more deeply.

Not to ask, “Was Mary Savelli wrong?”

But to ask:

What was Mary seeing?

Anglo-Saxon inspired feast prepared for Ceilidh XVI in 2003

Ceilidh XVI, March 29, 2003. The original Anglo-Saxon inspired feast where Mearh Smeamete appeared on my table.

Original Feast Context: Mearh Smeamete was originally prepared for Ceilidh XVI, an Anglo-Saxon inspired feast held on March 29, 2003.

📜 Read the original feast record:
Ceilidh XVI – March 29, 2003

🍎 Explore the updated feast research:
Reconstructing an Anglo-Saxon Feast: Ceilidh XVI Revisited

The Value of Revisiting Old Recipes

One of the gifts, and occasional discomforts, of maintaining a long-running historical cooking blog is that older work remains visible.

Old recipes show what sources were available, what assumptions were common, what questions had not yet been asked, and what tools did not yet exist. In 2003, many of the resources we now take for granted were not sitting one click away. Searchable manuscript databases, digitized dictionaries, OCR text, archive scans, and online facsimiles were far less accessible.

Historical cooks often worked from the books they owned, interlibrary loans, photocopies, handwritten notes, conference conversations, and the generosity of other researchers.

That is worth remembering.

Mary Savelli’s Tastes of Anglo-Saxon England attempted something genuinely difficult: turning fragmentary evidence into dishes modern cooks could prepare, discuss, and place on the table. That work deserves to be revisited with generosity.

A Note on Mary Savelli’s Work: This revisit is not an attempt to correct Tastes of Anglo-Saxon England. If anything, it deepened my appreciation for the care behind the reconstruction. Mary was building practical bridges between incomplete Anglo-Saxon evidence and real kitchens.

What Historical Food Reconstruction Actually Looks Like

When people imagine historical cooking research, they often picture a tidy manuscript recipe waiting to be translated:

Take sausage, apples, bread, and spice...

Anglo-Saxon food rarely works that neatly.

Instead, reconstruction often feels more like archaeology than recipe transcription. Sometimes we have a word. Sometimes we have a medical warning. Sometimes we have a list of foods owed as rent, a monastic rule, a glossary entry, a dietary recommendation, or a later recipe that seems to preserve an older habit.

Sometimes the evidence is literal archaeology: seeds in midden pits, butchered animal bones, shellfish remains, charred grain, hearths, ovens, cooking vessels, residues in pottery, and the ordinary rubbish of daily life. A broken pot, a fish bone, or an apple seed may not give us a recipe, but it can help us understand what ingredients were present and how food was handled.

Other times, reconstruction follows continuity. Roman foodways influenced later European cooking. Anglo-Saxon England did not exist in a sealed jar. Ideas, ingredients, medical theories, trade goods, cooking methods, and elite tastes moved across time and place. Later Anglo-Norman and medieval English recipes cannot prove an earlier Anglo-Saxon dish by themselves, but they can show which techniques and flavor patterns remained plausible in English kitchens.

Food Archaeology Is More Than Recipes: No single clue proves Mearh Smeamete. The argument becomes stronger when several kinds of evidence point in the same direction: language, cooking technology, comparative recipes, archaeology, medical texts, and practical feast experience.

That is the kind of trail I followed for Mearh Smeamete.

What Does Mearh Smeamete Mean?

The first clue was not culinary.

It was linguistic.

In the Bosworth-Toller Anglo-Saxon Dictionary, mearh can refer to marrow or pith, but it is also glossed as a sausage. That single detail changes the way the dish reads. The title is not merely decorative Old English attached to a modern pork casserole. It points toward sausage as a meaningful part of the reconstruction.

The second word, sméa-mete, is glossed as a delicacy.

Put together, Mearh Smeamete can be understood as something like:

Sausage delicacy.

Or, more freely:

A fine sausage dish.

Language Note: The title does not prove that a complete Anglo-Saxon recipe for this dish survives. It does, however, make the reconstruction meaningful. Mearh points toward sausage, and sméa-mete points toward delicacy or fine food.

That was the first moment I began to appreciate the dish differently.

What Was Mary Seeing?

Mary’s note for Mearh Smeamete does not point to one surviving Anglo-Saxon recipe. Instead, she connects several strands of evidence. She notes that sausage is an ancient method of preserving meat, that Roman cooks were making composed dishes with sausage and forcemeat, and that Anglo-Norman cooks continued the practice of baking ground pork with spices.

That is not guesswork.

That is reconstruction from pattern.

And once I recognized that, I began to see Mearh Smeamete less as a single disputed casserole and more as a practical answer to a historical question:

If an Anglo-Saxon “sausage delicacy” had to be reconstructed for a feast table, what evidence could guide the cook?

To answer that, we need to follow the breadcrumbs.

Bald’s Leechbook, Osterhlaf, and Food Clues in Strange Places

One of the most useful things Mary did in Tastes of Anglo-Saxon England was work honestly with fragmentary evidence.

Her reconstruction of Leaxes Hlaf, or salmon loaves, shows this method clearly. Mary notes that Anglo-Saxons served seafood in some sort of loaf or patty form because of the word osterhlaf, an oyster loaf or oyster patty, found in Bald’s Leechbook. She then compares that clue with Roman fish cakes or fish dumplings from Apicius and chooses salmon and oatmeal for her practical version.

That matters because it shows her reconstruction method:

  • a food word survives,
  • the complete recipe does not,
  • comparative evidence helps suggest a form,
  • the modern cook makes a practical, transparent choice.

This is exactly the kind of method we need for Mearh Smeamete.

Bald's Leechbook Anglo-Saxon medical manuscript

Bald’s Leechbook is not a cookbook, but it preserves food terms, ingredients, and dietary ideas that help reconstruct Anglo-Saxon foodways.

Bald’s Leechbook is a medical text, not a collection of kitchen recipes. But in Anglo-Saxon medicine, food and health were closely entangled. Medical texts used everyday ingredients: apples, vinegar, honey, wine, milk, butter, herbs, grains, animal fats, and spices. They also preserve food categories and dietary warnings that help us understand what people recognized as food.

That does not mean every dish was medicinal.

It means that medical texts sometimes preserve culinary clues when recipe books do not.

Reconstruction Note: A medical text does not give us a feast menu. But when a medical text preserves words for prepared foods, cooking ingredients, or dietary habits, it becomes part of the food historian’s evidence pile.

Sala Cattabia and Bread as Structure

The most suspicious part of Mary’s recipe, at least to my modern eye, was not the sausage.

It was the structure.

Bread in the bottom of the dish. Sausage and apple layered over it. A thickened sauce spooned on top. More bread over everything. Then the whole thing baked as a composed dish.

At first glance, that can feel surprisingly modern.

But Roman cookery preserves a far older world of bread vessels, soaked bread, layered fillings, minced meat and fish, forcemeat, binders, pastry, eggs, sauces, and composed dishes.

One of the most useful Roman parallels is Sala Cattabia from Apicius. It is not a sausage recipe, and it is not Anglo-Saxon. Its importance lies in what it shows bread doing.

In one version of Sala Cattabia, the cook hollows out an Alexandrian loaf, soaks it with posca, a mixture of water and vinegar, and then fills it with layered savory ingredients. The seasoning mixture includes pepper, honey, mint, garlic, fresh coriander, salted cow’s milk cheese, water, and oil. Modern reconstructions often fill the loaf with layers of cooked meat, cucumber, cheese, nuts, capers, onion, herbs, honey, oil, and sharp liquid before pressing or chilling it for service.

Other versions read less like a neat bread box and more like a layered composed dish: soaked bread with the liquid pressed out, arranged with cucumbers, cheese, herbs, honey, vinegar, broth, and savory additions.

Either way, the important point is the same.

Bread is not merely served beside the dish.

It is hollowed, soaked, pressed, layered, filled, and used as the body of the preparation.


Sala Cattabia from Apicius is not a sausage recipe, but it shows bread acting as vessel, absorbent body, and structure in a composed savory dish.

That Roman bread logic helps explain why a stuffed-loaf interpretation of Mearh Smeamete is tempting. A sturdy loaf could be hollowed, lightly moistened with vinegar-water, filled with sausage, apple, spice, and softened bread crumb, then pressed and baked or sliced for service.

That would not make it “the original” Anglo-Saxon version.

But it would be a historically plausible reconstruction built from the same kind of evidence Mary was using: an Old English food word, Roman comparative material, bread as cooking structure, and a practical feast form.

Minutal, Forcemeat, and Roman Composition Dishes

Sala Cattabia explains bread as structure.

Edwards’ discussion of Apicius helps explain the forcemeat, binder, and composition-dish logic.

In the section on fish and forcemeat ragouts, Edwards explains minutal as a chopped meat or fish ragout that could be stewed with vegetables or fruit, highly seasoned, and thickened with flour, pastry, or bread.

That one detail matters enormously for Mearh Smeamete.

Roman Fish and Forcemeat Ragouts from Edwards' Roman Cookery of Apicius

Edwards’ discussion of Roman fish and forcemeat ragouts helped explain the bread, binder, and composition-dish logic behind Mary’s reconstruction.

In Minutal Marinum, fish is cooked, cooled, minced, and formed into small cakes or dumplings. Other Apician dishes use eggs to bind, pastry or bread to thicken, and sauces to hold complicated dishes together.

This gives us another possible path for interpreting Mearh Smeamete. Instead of a casserole or stuffed loaf, one could imagine an enriched sausage patty bound with bread, shaped, and cooked more like a forcemeat cake.

Again, that does not prove the exact form of Mary’s recipe.

It shows that the underlying culinary logic was real: ground or minced protein, seasoning, binder, bread or starch, and a composed final dish.

But What About the Sauce?

The milk-thickened sauce is one of the easiest parts of Mary’s recipe to misunderstand.

Butter, flour, and milk can immediately make a modern reader think of later white sauce or French culinary traditions. That reaction is understandable. We should not imagine an Anglo-Saxon cook carefully whisking together a modern béchamel.

But thickening and binding are much older kitchen habits.

Roman cooks clearly understood how to turn liquids into cohesive dishes. In De Re Coquinaria, composed dishes are thickened or stabilized using flour, bread, eggs, reduced liquids, and starches such as amydon (or amulum). Translators sometimes use the familiar word roux as shorthand for these flour-or starch-based thickening systems because they perform a similar kitchen job for modern readers.

That does not mean Roman cooks were making French roux.

It means modern translators were translating the unfamiliar into the familiar.

The more useful historical question is whether cooks in the Roman and early medieval world understood how to bind meat, liquid, grain, and seasoning into a unified composed dish.

The answer increasingly appears to be yes.

Historical Translation Note: When modern translators use words like roux, they are not claiming Romans were preparing later French mother sauces. Instead, they are translating unfamiliar thickening systems into language modern cooks immediately understand. Roman cooks likely relied on starches, flour, bread, eggs, or reduction to bind and stabilize composed dishes.
Roman cookery reference discussing roux and binding in composed meat dishes

References to binding and thickening in Roman composition dishes helped me rethink Mary’s sauce as a practical modern translation of an older culinary principle.

Mary’s sauce is modernized for a contemporary kitchen, but the job it performs is historically sensible. It binds sausage, apple, bread, vinegar, and spice into a coherent feast dish.

The Turning Point: I expected the bread-and-sauce structure to be the most difficult part of the reconstruction. Instead, Roman cookery gave me evidence for hollowed and soaked bread, layered savory compositions, forcemeat, bread-thickened ragouts, eggs, flour, and binding sauces. The casserole suddenly looked much less suspicious.

Fruit with Meat: Why the Apple Matters

The next question is the apple.

To a modern cook, pork and apples feel familiar enough that the combination can almost seem suspicious. It is easy to look at sausage and apple together and think, “That sounds like modern comfort food.”

But the pairing is not out of place in the early medieval flavor world Mary was reconstructing.

Ann Hagen notes that Anglo-Saxon and Anglo-Norman foodways show a marked interest in fruit with meat and savory dishes. Fruit sauces, sweet-sharp accompaniments, and dishes combining richness with fruit appear repeatedly in discussions of English food traditions. Fruit could brighten heavy foods, cut fat, and make rich meat or fish more pleasant to eat.

Ann Hagen discussing baked composition dishes and fruit served with meat in Anglo-Saxon foodways

Hagen’s discussion of baked composition dishes and fruit with meat helped explain why apple belongs naturally in a reconstructed sausage delicacy.

In Mearh Smeamete, the apple is doing useful culinary work. It softens the richness of the pork sausage. It adds sweetness without turning the dish into dessert. Alongside vinegar and spice, it helps create the sweet-sharp-savory balance that appears again and again in ancient and medieval cookery.

Flavor Note: The apple in this dish should not be treated as a modern garnish pasted onto an old recipe. Fruit with meat belongs comfortably within the broader English and early medieval culinary pattern Mary was exploring.

Anthimus and the Sweet-Sour-Spiced Meat Pattern

Another helpful comparison comes from Anthimus, a sixth-century Byzantine physician writing dietary advice for a Frankish king. His work sits in that useful borderland between food and medicine, where ingredients are chosen not only for flavor but also for digestion, bodily comfort, and balance.

In his section on beef, Anthimus recommends a slow-cooked meat preparation using vinegar, honey, pepper, wine, and aromatics. This is not a recipe for Mearh Smeamete. It is not even pork. But it shows a flavor family that belongs to the same wider culinary world:

  • rich meat,
  • sharp vinegar or wine,
  • sweet honey or fruit,
  • warming pepper or spice,
  • aromatic herbs.
Anthimus De carnibus vero vaccinis discussing beef preparations with vinegar, honey, pepper, wine, and aromatics

Anthimus preserves a sweet-sour-spiced meat pattern using vinegar, honey, pepper, wine, and aromatics.

That pattern matters because it helps explain why Mary’s sausage, apple, vinegar, pepper, cinnamon, and cardamom do not feel random once placed in context. The ingredients are not identical to Anthimus, but the flavor logic is familiar: richness balanced by sharpness, sweetness, and warming spice.

Later Medieval Continuity: Not Proof, But Pattern

Later medieval English recipes cannot prove that an Anglo-Saxon cook made Mearh Smeamete in Mary’s form.

But they can show that the techniques underneath the reconstruction were not alien to English cookery.

By the fourteenth and fifteenth centuries, surviving English manuscripts show many of the same culinary habits that make Mary’s reconstruction plausible: minced meat, pork, sweetness, spice, egg binding, bread thickening, baked enclosures, farced meats, and composed dishes.

That is useful continuity evidence.

It does not give us a straight line from Anglo-Saxon sausage to Mary’s casserole. History rarely hands us such tidy little ribbons. Instead, it shows that the underlying kitchen logic remained visible in later English recipes.

Continuity Note: Later medieval recipes are not proof of an earlier Anglo-Saxon recipe. They are useful because they show that minced meat, bread or flour thickening, egg binding, sweet-spiced pork, and baked composed dishes all belonged to the broader English culinary tradition.

Rapeye of Fleysshe

Harleian MS 279 includes Rapeye of Fleysshe, a dish of pork boiled, ground small, tempered with broth, sweetened with honey, thickened, enriched with egg yolks, and finished with spice. That gives us several useful parallels: pork, mincing or grinding, sweetness, broth, thickening, eggs, and spice.

It is not Mearh Smeamete.

But it shows that later English cooks were very comfortable turning pork into a sweet-spiced, thickened, composed dish.

Doucettes and Baked Sweet-Savory Pork

Doucettes, also known from later medieval English collections, brings pork, eggs, sweetness, spice, and baked enclosure into the conversation. Again, it is not Mary’s sausage casserole. But it shows that pork could belong in sweetened, spiced, egg-bound, baked preparations.

That matters because the modern eye often divides food into strict categories: sausage is savory, apples are sweet, milk sauce is modern, and pie crust is pastry. Medieval cookery is not so obedient. Sweet, savory, rich, sharp, and spiced could happily share a dish.

Liber Cure Cocorum and Thickening

Liber Cure Cocorum is also useful for understanding thickening and binding. Later medieval English recipes use words such as alye or ally for mixing, binding, or thickening dishes. Bread, flour, rice flour, egg yolks, amidon, and grains could all help bring a dish together.

This is directly relevant to Mary’s casserole. Her milk-thickened sauce may be a modern kitchen solution, but the need it answers is old: how to bind a composed dish so that meat, bread, fruit, spice, and liquid become one preparation instead of a loose pile of ingredients.

Farced and Stuffed Meats

Later English recipes also preserve farced or stuffed meats, where chopped, seasoned, or enriched mixtures are placed inside another structure. These dishes remind us that medieval cooks often thought in terms of form as much as flavor: stuffed, wrapped, enclosed, thickened, layered, pressed, or baked.

That matters for Mearh Smeamete because Mary’s dish sits in exactly that kind of world. It is not plain sausage on a plate. It is sausage transformed into a composed feast dish.

A Conservative Fourth Possibility: Coffin-Baked Sausage

There is one more possible interpretation worth mentioning, carefully.

Mary’s recipe uses bread in the baking dish. The Roman evidence gives us soaked and layered bread. The osterhlaf clue gives us loaf or patty logic. Later medieval cooking gives us enclosed dishes and coffins.

Today, when we hear “pie crust,” we often imagine tender, flaky, edible pastry. Medieval coffins were not always that. A coffin could be a sturdy paste container, made from flour and water, designed to hold food during cooking. Sometimes the enclosure might be eaten. Sometimes its main job was more practical: to hold shape, protect the contents, trap moisture, contain juices, and make transport easier.

A flour-and-water paste made thick enough to hold meat could become hard and functional rather than delicate and delicious. In that sense, it was cooking technology as much as food.

Conservative Possibility: A coffin-baked version of Mearh Smeamete is more speculative than Mary’s casserole, a stuffed loaf, or sausage patties. Still, it belongs in the range of plausible interpretations because it uses bread or paste as cooking structure rather than treating it only as a side dish.

In a coffin interpretation, the sausage, apple, vinegar, spice, and binder could be enclosed in a thick paste and baked gently. The paste would protect the filling, preserve juices, and help the dish travel or hold for service.

I would not call this the most likely original form.

But as a conservative historical possibility, it is useful. It reminds us that the question is not simply, “Casserole or not casserole?” The deeper question is:

How might an early cook have contained, protected, bound, and served a rich sausage delicacy?

Four Plausible Reconstructions

After following the evidence, I do not think Mearh Smeamete points toward one inevitable form.

Instead, it points toward a family of plausible reconstructions.

1. Mary Savelli’s Feast Casserole

This is the version I served in 2003: sausage, apple, spice, vinegar, bread, and a milk-thickened sauce baked together. It is practical, scalable, delicious, and well suited to feast service.

Its strongest support comes from Roman composition dishes, bread and pastry thickening, binders, later English thickened meat preparations, and the practical needs of a large feast kitchen.

2. A Stuffed Bread Loaf

This version leans into Sala Cattabia and osterhlaf: a hollowed loaf, lightly moistened, filled with sausage, apple, spice, and bread-bound filling, then pressed and baked or sliced for service.

This interpretation treats bread as vessel and structure.

3. Enriched Sausage Patties or Forcemeat Cakes

This version follows the logic of Minutal Marinum, oyster loaves, salmon loaves, and forcemeat dishes: sausage mixed with bread, apple, vinegar, spice, and perhaps egg, then formed into patties and pan-fried or griddled.

This interpretation treats Mearh Smeamete as a small, fine sausage delicacy.

4. Coffin-Baked Sausage Delicacy

This version is the most speculative, but still worth considering: a sausage mixture enclosed in a thick flour-and-water paste, baked for moisture retention and structure.

This interpretation treats bread or paste as cooking technology.

The Important Point: The evidence does not require one single reconstruction. It supports several historically reasonable approaches. Mary chose the one best suited to a feast kitchen, and that choice deserves respect.

Mary Savelli’s Original Reconstruction

One of the things I expected when revisiting this recipe was that I might want to move far away from the original.

Instead, I found myself appreciating Mary’s work more.

Her recipe does not claim to be a surviving Anglo-Saxon manuscript recipe. It is a practical reconstruction built from a meaningful Old English title, Roman and early medieval culinary parallels, Anglo-Norman baked meat traditions, and the English fondness for fruit with meat.

It also worked.

That matters.

Historical feast cooking is not only about what can be defended on paper. It is about what can be prepared, held, transported, baked, portioned, and served to real people at the right time. Mary’s casserole version does that beautifully.

Feast Cook’s Note: Mary’s casserole version is delicious, scalable, and practical. It can be assembled ahead, baked day-of, and served easily in a busy feast kitchen. That practicality is part of the reconstruction, not separate from it.

My 2026 Interpretation

If I were reconstructing Mearh Smeamete today, I might choose a different form.

After revisiting Sala Cattabia, osterhlaf, Roman forcemeat dishes, bread-thickened ragouts, later English pork dishes, and coffin logic, I can imagine several versions.

I might make a stuffed loaf, especially for a dramatic feast presentation.

I might make enriched sausage patties, especially if I wanted something closer to a small delicacy.

I might experiment with a rough coffin, more for cooking technology than eating pleasure.

But that is preference, not correction.

Mary’s casserole remains historically plausible, practical, and very much worth serving. Revisiting the sources does not make her version weaker. It makes the range of possibilities richer.

2026 Reflection: The question is not whether Mary chose the only possible form. The question is whether her form belongs within a historically plausible reconstruction framework. After following the evidence, I believe it does.

Humoral and Historical Flavor Notes

Mearh Smeamete balances richness with sharpness.

Pork sausage is fatty and substantial. Apple brings sweetness and tartness. Vinegar cuts through the richness. Pepper, cinnamon, and cardamom warm the dish. Bread absorbs juices and gives structure. Milk and butter soften the sharper elements, binding everything into a rich feast dish.

In an early medieval medical and dietary worldview, these contrasts mattered. Food could warm, cool, moisten, dry, stimulate digestion, or soothe discomfort. That does not mean every feast dish was medicine, but it does mean food and bodily balance were closely connected.

Seen this way, Mary’s recipe is not simply sausage, apple, and bread. It is rich meat tempered by fruit, acid, spice, grain, and dairy.

Mearh Smeamete – Sausage Casserole

Serves: 8 as part of a feast

Ingredients

  • Butter, for greasing the baking dish
  • 3 cups cubed bread, divided
  • 1 tablespoon oil
  • 1 small onion, chopped
  • 1 1/2 pounds pork sausage
  • 2 large apples, chopped
  • 3/4 teaspoon salt
  • 3/4 teaspoon cinnamon
  • 1/2 teaspoon black pepper
  • 1/2 teaspoon cardamom
  • 3 tablespoons white wine vinegar
  • 6 tablespoons butter
  • 6 tablespoons flour
  • 3 cups milk

Method

  1. Preheat the oven to 375°F.
  2. Butter a large baking dish. Scatter half of the cubed bread over the bottom of the dish.
  3. Heat the oil in a skillet over medium heat. Add the onion and cook until softened.
  4. Add the pork sausage and cook until browned, breaking it into small pieces as it cooks.
  5. Stir in the chopped apples and cook for 2 to 3 minutes, just until they begin to soften.
  6. Spoon the sausage and apple mixture over the bread in the baking dish.
  7. Sprinkle with the salt, cinnamon, black pepper, and cardamom. Drizzle the vinegar over the sausage mixture.
  8. In a saucepan, melt the butter over medium heat. Stir in the flour to make a smooth paste.
  9. Add the milk all at once, whisking or stirring until the sauce thickens and bubbles.
  10. Spoon the sauce evenly over the sausage mixture.
  11. Top with the remaining cubed bread.
  12. Bake uncovered for about 30 minutes, or until the top is lightly browned and the casserole is hot throughout.

Cook’s Notes

This dish can be assembled earlier in the day and baked before service. If making ahead, cover and refrigerate after assembly. Allow extra baking time if placing the dish into the oven cold.

For a firmer, more loaf-like texture, reduce the milk slightly or increase the bread by about 1/2 cup. For a richer version, use a good-quality pork sausage with enough fat to season the apples and bread.

Alternate Reconstructions

Stuffed Bread Loaf Version

Hollow out a sturdy round or oval loaf. Lightly moisten the interior with diluted vinegar, apple juice, or a mild posca-style mixture. Fill with the cooked sausage, apple, spice, and bread-bound mixture. Replace the top, press lightly, and bake until heated through. Slice to serve.

Sausage Patty Version

Combine cooked or finely chopped sausage with apple, bread crumbs, egg, vinegar, and spices. Shape into small patties and pan-fry. This moves the dish closer to oyster loaf, salmon loaf, and Roman forcemeat logic.

Coffin-Baked Version

For an experimental version, enclose the sausage mixture in a thick flour-and-water paste designed more as a baking container than a delicate edible crust. Bake until the filling is cooked through, then open the coffin and serve the contents. This version is more speculative, but it explores bread or paste as cooking technology.

Feast Service Version

Mary’s casserole remains the easiest and most reliable option for serving a crowd.

Frequently Asked Questions

What does Mearh Smeamete mean?

Mearh can mean marrow or pith, but Bosworth-Toller also glosses it as sausage. Sméa-mete means a delicacy. Together, the phrase can be understood as “sausage delicacy” or “fine sausage dish.”

Is Mearh Smeamete an original Anglo-Saxon recipe?

No complete Anglo-Saxon recipe for this exact dish survives. This is a historically informed reconstruction created by Mary Savelli using Old English vocabulary, Roman culinary parallels, and evidence from Anglo-Saxon, Anglo-Norman, and later medieval foodways.

Did Anglo-Saxons eat sausage?

The Old English word mearh can refer to sausage, and sausage was already an ancient method of preserving meat. Mary’s reconstruction draws on that linguistic evidence as well as Roman and later medieval traditions of minced, ground, or forced meat dishes.

Why are apples included with sausage?

Fruit with meat appears in discussions of Anglo-Saxon and Anglo-Norman foodways. Apples help balance rich pork, while vinegar sharpens the dish and warming spices add depth.

Why does the recipe include bread?

Bread and pastry appear in Roman ragouts and composed dishes as thickeners, binders, vessels, and structural ingredients. Anglo-Saxon evidence for osterhlaf, or oyster loaf, also suggests that bread-based savory preparations were part of the broader food world Mary was reconstructing from.

Why does the recipe use a milk-thickened sauce?

The sauce is a modern practical method for binding the casserole. While the exact sauce is not Anglo-Saxon, the broader principle of using binders and thickeners in composed meat dishes is well supported in Roman and later medieval cookery.

Could this be made another way?

Yes. The evidence could support a baked casserole, a stuffed bread loaf, enriched sausage patties bound with bread, or a more experimental coffin-baked version. Mary’s casserole version is especially useful for feast service because it scales well and can be made ahead.

Sources and Further Reading

  • Mary Savelli, Tastes of Anglo-Saxon England. Anglo-Saxon Books, 2002.
  • Bosworth-Toller Anglo-Saxon Dictionary, entries for mearh and sméa-mete.
  • Ann Hagen, Anglo-Saxon Food: Processing and Consumption. University College London, 1992.
  • Thomas Oswald Cockayne, ed., Leechdoms, Wortcunning, and Starcraft of Early England, Vol. II.
  • Bald’s Leechbook, British Library Manuscript Viewer.
  • Anthimus, De Observatione Ciborum, especially De carnibus vero vaccinis: https://archive.org/details/anthinideobserva00anthuoft/page/8/mode/2up
  • Apicius, Cookery and Dining in Imperial Rome, available through Project Gutenberg: https://www.gutenberg.org/files/29728/29728-h/29728-h.htm
  • Edwards, Roman Cookery of Apicius, especially the discussion of fish and forcemeat ragouts: https://archive.org/details/romancookeryofap0000apic/page/86/mode/2up
  • Harleian MS 279, including later medieval English recipes such as Rapeye of Fleysshe and Doucettes.
  • Liber Cure Cocorum, for later medieval English thickening and binding practices.

Final Thought: Revisiting Mearh Smeamete made me appreciate Mary Savelli’s reconstruction more, not less. I began with questions about the structure of the dish. I ended with a web of evidence: sausage, delicacy, bread as vessel, bread as binder, fruit with meat, sweet-sour-spiced flavor logic, forcemeat, thickened ragouts, later English continuity, and feast practicality. I might build the dish differently today, but Mary’s version still deserves its place at the table.

Would you serve Mearh Smeamete as a baked casserole, a stuffed bread loaf, crisp sausage patties, or a coffin-baked feast dish?

Medieval Creamed Greens with Almond Milk | Whyte Wortes (Harleian MS 279, c.1430)

Originally published December 22, 2015. Updated June 12, 2026 with revised interpretation notes, manuscript-first cooking guidance, recipe schema, modern substitutions, and additional historical context.

AI-assisted formatting and editing note: This article was updated with the assistance of ChatGPT for organization, grammar, HTML formatting, and checklist review. Historical interpretation, recipe judgment, cooking experience, and final editorial decisions are my own.

Medieval Creamed Greens with Almond Milk | Whyte Wortes

Whyte Wortes, from Harleian MS 279, is one of those medieval recipes that looks plain until it reaches the spoon.

At first glance, it sounds humble: greens boiled in water, pressed dry, chopped small, then cooked with almond milk, rice flour, saffron, honey, and salt. But the result is far more interesting than the ingredient list suggests. It is soft, rich, lightly sweet, gently aromatic, and much more elegant than “boiled greens” has any right to be.

When I first made this dish in 2015, I served it to my teenage non-SCA taste testers. Several were suspicious because they disliked cabbage and kale. After some coaxing, the verdict changed quickly:

“This is GOOD.”

One tester even wished their mother cooked cabbage this way.

That reaction still matters to me. Historical recipes can be fascinating on paper, but the real test is whether people want to eat them again. Whyte Wortes passed that test.

Whyte Wortes, medieval creamed greens with almond milk from Harleian MS 279
Whyte Wortes, a 15th-century greens pottage enriched with almond milk, rice flour, saffron, honey, and salt.

A Note from My 2015 Kitchen: My original version used cabbage and kale rather than a wider mixture of pot herbs. That was a practical choice based on what I had available, and it still works well. Reading the recipe now, I would describe this as a greens pottage or creamed greens dish rather than simply a vegetable side.

Like many Harleian recipes, it sits comfortably between modern categories.

The Original Recipe

The recipe appears in Thomas Austin’s edition of Two Fifteenth-Century Cookery-Books, from Harleian MS 279, dated to about 1430.

.v. Whyte wortes.—Take of þe erbys lyke as þou dede for jouutes, and sethe hem in water tyl þey ben neyshe; þanne take hem vp, an bryse hem fayre on a bord, as drye as þow may; þan choppe hem smale, an caste hem on a potte, an ley hem with flowre of Rys; take mylke of almaundys, an cast þer-to, & hony, nowt to moche, þat it be nowt to swete, an safron & salt; an serue it forth ynne, ryȝth for a good potage.

A Working Translation

Take the herbs as you did for Joutes, and boil them in water until they are soft. Then take them up and bruise them well on a board, as dry as you can. Then chop them small and put them in a pot. Add rice flour. Take almond milk and add it, with honey, but not too much, so that it is not too sweet. Add saffron and salt, and serve it forth as a good pottage.

Manuscript Interpretation Note: This recipe is not simply greens boiled in almond milk. The greens are boiled first, pressed as dry as possible, chopped small, and then cooked again with rice flour, almond milk, honey, saffron, and salt. That first boiling removes harshness and excess moisture before the greens are enriched into a smooth pottage.

From Joutes to Whyte Wortes

One of the most useful clues in this recipe is that it does not begin by listing every green or herb. Instead, it points the cook backward:

“Take of þe erbys lyke as þou dede for jouutes…”

In other words:

Use the herbs and greens you prepared for Joutes.

This tells us something important about medieval kitchen practice. Cooks were not always beginning from scratch. They were working from familiar systems, repeated preparations, and shared kitchen knowledge. If Joutes represents a greens preparation built from available pot herbs, then Whyte Wortes feels like its richer, softer cousin: the same family of greens enriched with almond milk, thickened with rice flour, gently sweetened with honey, and perfumed with saffron.

That relationship also explains why the manuscript does not pause to give us an exact botanical list. The cook was expected to understand the broader greens preparation from the earlier recipe.

Pot Herbs, Wortes, and Medieval Kitchen Ingenuity

One of the things I increasingly admire about medieval cooking is its flexibility.

Whyte Wortes does not demand one perfect modern vegetable. Instead, it belongs to a world of pot herbs: leafy plants grown, gathered, or foraged for cooking. Depending on season, region, household garden, market access, and local taste, the mixture could change.

Modern cooks often want a recipe to say:

Use exactly this.

Medieval recipes often say something closer to:

Use what grows, what tastes good, and what you have enough of.

The Fromond List, published around 1525 under the title Herbys necessary for a gardyn, gives us a glimpse of the kinds of plants late medieval and early Tudor cooks valued for pottages and kitchen use. It includes familiar plants such as cabbage, beet, borage, chervil, chives, dill, fennel, leek, lettuce, marjoram, mint, onions, parsley, sage, spinach, thyme, and wood sorrel, along with plants less familiar in many modern kitchens, such as alexanders, Good King Henry, patience dock, hartstongue, orach, and sowthistle.

In other words, there was probably no single correct bowl of wortes.

In my original kitchen interpretation, I used cabbage and kale because they were available and held up beautifully to boiling, pressing, chopping, and reheating. Eleven years later, I still think that was a practical choice. But the spirit of the recipe comfortably allows the cook to work with a mixture of sturdy greens and herbs available in season.

Build Your Wortes: Choose one or two sturdy base greens such as cabbage, kale, collards, mustard greens, or turnip greens. Then add smaller amounts of flavorful greens or herbs such as parsley, sorrel, spinach, chard, beet greens, fennel fronds, or dill. The goal is not to recreate one fixed grocery list, but to build a useful medieval-style greens mixture.

What Makes These Wortes “White”?

The “white” in Whyte Wortes does not mean the greens themselves are white. The color comes from the almond milk and rice flour used to enrich and thicken the dish.

Medieval cooks often cared about color. White dishes could suggest refinement, smoothness, and careful preparation. Almond milk, rice, and pale sauces appear in many recipes where the finished dish is meant to feel gentle, rich, or elegant.

The saffron complicates the color slightly. It adds golden warmth rather than leaving the dish purely white, but medieval recipe titles often point toward the intended character of a dish rather than a perfect modern paint-chip description. Here, “white” likely signals the almond milk and rice-flour base more than a literal snow-white finished color.

Why Almond Milk Mattered

To a modern cook, almond milk in a medieval greens dish can feel unexpected. Yet almond milk appears constantly in medieval cookery, especially in pottages, sauces, and fasting dishes.

Part of the reason was practical. Fresh animal milk spoiled quickly without refrigeration and could vary in quality depending on season, storage, and household conditions. Almonds, by contrast, could be stored dry and transformed into milk when needed. That made almond milk flexible, reliable, and useful in both everyday kitchens and elite households.

Almond milk was also valuable during fasting periods, when dairy products might be restricted. But it was not merely a substitute for “real” milk. Medieval cooks appreciated almond milk for its own flavor, texture, and ability to enrich dishes gently without overwhelming other ingredients.

In Whyte Wortes, almond milk softens the sharper edges of boiled greens, while rice flour creates body and honey rounds the flavors just enough to keep the dish from becoming harsh.

If you would like to learn more about how almond milk functioned in historical kitchens, including fasting traditions and medieval culinary practice, see my article on the importance of almond milk in medieval cooking.

Modern Almond Milk Note: Homemade almond milk is usually richer and more historically useful than many boxed almond milks. If using store-bought almond milk, choose plain, unsweetened almond milk without vanilla. Avoid strongly flavored or sweetened versions.

Rice Flour, Honey, and Texture

Rice flour thickens the almond milk into a soft sauce. That matters because almond milk alone is fairly thin. The rice flour gives the pottage body, helping it cling to the chopped greens rather than pooling loosely beneath them.

The honey is equally important because the manuscript gives a warning:

“nowt to moche, þat it be nowt to swete”

Not too much, so that it is not too sweet.

That instruction tells us how the dish should behave. This is not a dessert. It is a savory greens pottage with just enough sweetness to soften the almond milk and greens. Too much honey would push it out of balance.

The final texture should be spoonable and rich. It can be loose enough to serve as a pottage, or thicker and more like creamed greens. If serving as part of a feast course, I prefer it thick enough to hold together on the plate without becoming stiff.

Texture Note: Medieval pottages were not always thin soups. This dish can be served as a soft pottage, a thickened greens dish, or a first-course accompaniment. The rice flour controls where it lands.

Why Boil the Greens First?

This step is easy to overlook, but it matters.

The manuscript tells the cook to boil the greens in water until soft, then bruise and dry them as much as possible before chopping. This removes some bitterness, softens tough leaves, and prevents the finished almond milk pottage from becoming watery.

That step also makes the final dish easier to control. Instead of trying to cook raw greens directly in almond milk, the cook begins with prepared greens and then enriches them. It is a practical medieval kitchen technique, and it still works.

Whyte Wortes: Medieval Creamed Greens with Almond Milk

Serves: 8 as a first-course pottage or side dish

Ingredients

  • 1 1/2 pounds (680 g) sturdy greens such as kale, cabbage, collards, mustard greens, turnip greens, or mixed wortes
  • 2 to 3 cups (480 to 720 ml) plain unsweetened almond milk, preferably homemade or rich almond milk
  • 1 to 2 tablespoons rice flour, or up to 3 tablespoons for a thicker feast-service version
  • 1 to 2 teaspoons honey, or to taste
  • Pinch of saffron
  • Salt, to taste

Method

  1. Wash the greens well. Remove tough stems if needed.
  2. Bring a large pot of clean water to a boil. Add the greens and boil until they are soft, about 8 to 12 minutes depending on the greens used.
  3. Lift the greens from the water and drain well. Press them in a clean towel to remove as much water as possible.
  4. Bruise or press the drained greens on a board, then chop them small.
  5. Place the chopped greens in a clean pot and sprinkle with the rice flour. Stir to coat the greens evenly.
  6. Add the almond milk gradually, stirring well to prevent lumps. Start with 2 cups (480 ml) for a thicker dish and add more as needed for a softer pottage.
  7. Add the saffron, a small amount of honey, and salt.
  8. Cook gently over medium-low heat, stirring often, until the almond milk thickens and the greens are coated in a soft sauce.
  9. Taste and adjust salt and honey. The dish should be gently sweet, not dessert-sweet.
  10. Serve warm as a pottage or thickened greens dish.

Modern Kitchen Notes

For a manuscript-first texture: Use 1 to 2 tablespoons rice flour and enough almond milk to create a soft, spoonable pottage.

For a thicker feast-service dish: Use up to 3 tablespoons rice flour and cook gently until the almond milk thickens enough to coat the greens.

For a looser pottage: Use less rice flour or add more almond milk.

For a vegan version: Replace the honey with sugar or leave it out. The almond milk base is already dairy-free.

For a nut-free version: This recipe depends on almond milk, so a nut-free version is a modern adaptation rather than a manuscript-first reconstruction. Oat milk or rice milk can work as substitutes, though the flavor will change.

For feast service: The greens can be boiled, pressed, chopped, and refrigerated earlier in the day. Finish the dish with almond milk and rice flour shortly before service.

Why This Is a Good Feast Dish

One of the reasons I like Whyte Wortes for feast service is that it solves several practical problems at once. It is meatless, dairy-free, inexpensive, and surprisingly satisfying. The greens can be cooked and pressed ahead of time, while the almond milk and rice flour finish quickly before service.

It also offers a useful contrast on the table. Beside fish, bread, eggs, or sharper sauces, this dish brings softness and richness without relying on butter, cream, or cheese. That makes it especially useful for first courses, fasting menus, or mixed tables where some diners need meatless options.

How I Would Serve It

Whyte Wortes belongs beautifully in a first course. It is rich enough to feel satisfying, but not so heavy that it overwhelms the table. I would serve it with bread, fish, eggs, or other greens dishes from Harleian MS 279.

It would also work well beside tench prepared one of three ways, fresh bread, simple egg dishes, or a mild cheese.

Feast Planning Note: This is an excellent meatless dish for a feast. It is economical, scalable, and more appealing than many modern diners expect from cabbage or kale. The almond milk makes it feel rich without using dairy cream.

Humoral and Historical Flavor Notes

In medieval dietary thought, greens were often treated as cooling and moistening. Almonds were nourishing and rich, while rice flour helped bind and steady the dish. Saffron added warmth and fragrance. Honey softened bitterness but was used carefully so that the dish would not become too sweet.

Read this way, Whyte Wortes balances green, soft, moist ingredients with aromatic warmth and gentle sweetness. It is not simply cabbage in almond milk. It is a carefully managed pottage where texture, richness, and balance matter.

The first boiling of the greens helps tame bitterness and excess moisture. The almond milk then rebuilds the dish into something richer and more polished. That two-step movement, first plain water, then almond milk, is part of what makes the recipe work.

Frequently Asked Questions

What are Whyte Wortes?

Whyte Wortes are a 15th-century medieval greens pottage from Harleian MS 279. Greens are boiled, pressed dry, chopped, and cooked with almond milk, rice flour, honey, saffron, and salt.

Why are they called white wortes?

The “white” likely refers to the almond milk and rice flour base rather than the greens themselves. Saffron may tint the dish golden.

What greens should I use?

Use sturdy greens such as cabbage, kale, collards, mustard greens, turnip greens, or mixed pot herbs. Softer greens such as spinach, chard, sorrel, or parsley can be added in smaller amounts.

Is this recipe vegan?

The manuscript uses almond milk and no dairy or eggs. To make it vegan by modern standards, replace the honey with sugar or omit it.

Can I use store-bought almond milk?

Yes, but use plain unsweetened almond milk. Homemade almond milk or a richer almond milk gives a better texture and flavor.

Why does the recipe use almond milk instead of dairy milk?

Almond milk was common in medieval cooking because it was useful for fasting days, could be made from stored almonds, and enriched dishes without relying on fresh dairy. Fresh animal milk spoiled quickly without refrigeration, while almonds were easier to keep and prepare as needed.

Can I use spinach?

Yes, but spinach cooks down quickly and releases a lot of water. Sturdier greens such as kale, collards, cabbage, or mustard greens are closer to the spirit of the recipe.

Is this a pottage or a side dish?

It can be either. With more almond milk, it reads as a soft pottage. Cooked thicker, it becomes a creamed greens dish suitable as a side or first-course accompaniment.

Is this a Lenten dish?

It fits well with Lenten or fasting cookery because it uses almond milk rather than dairy milk and contains no meat or eggs. Replace the honey if following a stricter modern vegan interpretation.

More Medieval Greens and Wortys Recipes

Sources and Further Reading

Final Thought: I understand why my teenage taste testers were suspicious of this dish. Cabbage, kale, almond milk, and rice flour do not sound exciting to a modern audience. But this is one of those medieval recipes that proves how much good cooking can happen with humble ingredients. Boil the greens well, press them dry, thicken the almond milk gently, and the result is far better than expected.

Would you serve Whyte Wortes as a soft pottage, or as thick creamed greens beside the rest of the first course?

Hidden tags: Whyte Wortes, Whyte Wortys, Harleian MS 279, medieval greens recipe, medieval almond milk recipe, almond milk pottage, vegan medieval recipe, vegetarian medieval recipe, Lenten recipe, fasting food, wortes, wortys, pottage, medieval pottage, creamed greens, saffron, rice flour, almond milk, 15th century English cookery, manuscript cookery, pot herbs, Fromond List, historical food research

Medieval Braised Greens with Peas | Lange Wortys de Pesoun (Harleian MS 279, c.1430)

Originally published December 13, 2015. Updated June 12, 2026 with revised interpretation notes, manuscript-first cooking guidance, modern substitutions, recipe schema, and additional historical context.

AI-assisted formatting and editing note: This article was updated with the assistance of ChatGPT for organization, grammar, HTML formatting, and checklist review. Historical interpretation, recipe judgment, cooking experience, and final editorial decisions are my own.

Medieval Braised Greens with Peas | Lange Wortys de Pesoun

One of the unexpected gifts of keeping a historical cooking blog for many years is the chance to return to earlier work with better tools, more experience, and kinder eyes.

When I first interpreted Lange Wortys de Pesoun in 2015, I was still learning how slippery medieval recipe categories can be. If something was cooked in a pot, I tended to think of it as soup. That made sense at the time. Many medieval recipes do live somewhere near the broad family of pottages, broths, sewes, bruets, and spoonable dishes.

But after more years of cooking from manuscripts, I have learned that a pot does not always mean soup.

Sometimes it means a thick pottage. Sometimes it means a braised vegetable dish. Sometimes it means greens lightly coated in a drawn pea broth. Sometimes, wonderfully, it can be all of those things depending on how much liquid the cook chooses to leave in the pot.

Lange Wortys de Pesoun, from Harleian MS 279, is one of those flexible dishes. It can be served brothy as a first-course pottage, especially with bread, or cooked down into a softer braised greens dish to accompany fish, eggs, cheese, bread, or a larger medieval meal.

Either way, it is lovely.

Lange Wortys de Pesoun, medieval braised greens with peas from Harleian MS 279
Lange Wortys de Pesoun, a 15th-century dish of greens, peas, onion, saffron, and broth from Harleian MS 279.

A Note from My 2015 Kitchen: My first version of this dish used beef broth because that was what I had made and had available in the kitchen. Today, reading the manuscript more closely, I would treat oil or fresh fish broth as the manuscript-first choices. Vegetable stock also makes a useful modern substitution, especially for a vegan or vegetarian table.

That earlier version was still delicious, but this update brings the interpretation closer to the wording of the original recipe.

The Original Recipe

The recipe appears in Thomas Austin’s edition of Two Fifteenth-Century Cookery-Books, from Harleian MS 279, dated to about 1430.

.ij. Lange Wortes de pesoun.—Take grene pesyn, an washe hem clene an caste hem on a potte, an boyle hem tyl þey breste, an þanne take hem vppe of þe potte, an put hem with brothe yn a-noþer potte, and lete hem kele; þan draw hem þorw a straynowre in-to a fayre potte, an þan take oynonys, and screde hem in to or þre, an take hole wortys and boyle hem in fayre water: and take hem vppe, an ley hem on a fayre bord, an cytte on .iij. or iiij., an ley hem to þe oynonys in þe potte, to þe drawyd pesyn; an let hem boyle tyl þey ben tendyr; an þanne tak fayre oyle and frye hem, or ellys sum fresche broþe of sum maner fresche fysshe, an caste þer-to, an Safron, an salt a quantyte, and serue it forth.

A Working Translation

Take green peas, wash them clean, and put them in a pot. Boil them until they burst. Then take them from the pot, put them with broth in another pot, and let them cool. Draw them through a strainer into a clean pot. Then take onions and cut them into two or three pieces. Take whole wortes and boil them in clean water. Lift them out, lay them on a clean board, and cut them into three or four pieces. Add them to the onions in the pot with the strained peas. Let them boil until tender. Then take good oil and fry them, or else add fresh broth from some kind of fresh fish. Add saffron and salt in quantity, and serve it forth.

Manuscript Interpretation Note: The recipe does not begin with chopped frozen vegetables and a modern stock cube. It begins with fresh green peas cooked until they burst, strained into a pea broth or purée, whole greens cooked separately, onions cut in large pieces, and a final enrichment with either good oil or fresh fish broth.

What Are Wortys?

Wortys, or wortes, refers broadly to edible greens, especially members of the cabbage and brassica family. For this recipe, kale, collards, cabbage leaves, mustard greens, or similar sturdy greens are more faithful choices than tender spinach or chard.

The manuscript tells the cook to boil the greens whole, lay them on a board, and cut them into three or four pieces. That suggests a dish with soft, recognizable pieces of greens rather than finely chopped greens dissolved into soup.

This is one of the reasons I now read the dish as sitting between pottage and braise.

Why So Many Greens?

Greens appear frequently in medieval cooking because they were practical, nourishing, and widely available. Cabbage-family plants, leafy greens, and garden herbs could fill out a meal without requiring expensive ingredients. They were useful in household cooking, feast kitchens, fasting meals, and first-course dishes.

They also gave medieval cooks enormous flexibility. Greens could be boiled, chopped, braised, strained, enriched with broth, dressed with oil, colored with saffron, sharpened with vinegar, or thickened into a pottage. In manuscript cookery, wortes are not merely background vegetables. They are part of a larger system of economical, seasonal, and adaptable cooking.

Peas in the Medieval Kitchen

Peas are among the oldest cultivated foods, and they were familiar in Europe long before Harleian MS 279 was copied. Roman cookery includes recipes for peas, and medieval cooks inherited a long tradition of using both fresh and dried legumes.

By the Middle Ages, peas were not exotic. They were useful food. Dried peas could be stored and cooked into thick pottages during leaner seasons, while fresh green peas belonged more naturally to spring and early summer tables. That matters for this recipe because the manuscript calls for grene pesyn, or green peas.

Modern readers may picture bright, sweet garden peas. Medieval peas were probably not exactly the same as the tender frozen peas in our grocery stores. Many period peas were field peas: starchier, earthier, and often better suited for drying, boiling, and thickening. Fresh peas were certainly known, but the sweetness and tenderness of many modern varieties are the result of later selection.

Modern Pea Note: Frozen English peas are the easiest modern substitute and work very well. Marrowfat peas give a starchier, earthier result that may feel closer to older field peas. Split peas can be used in a pinch, but they make a thicker pea pottage and change the texture of the dish.

Peas, Pottage, and Texture

The peas are not simply tossed into the pot as a vegetable. They are boiled until they burst, cooled with broth, and drawn through a strainer. This creates a soft pea base that thickens and flavors the dish.

Fresh peas would make this a natural spring or early summer dish. Dried peas could also be used, though they require longer soaking and cooking. Either way, the peas provide body, sweetness, and substance.

In 2015, I treated this as a soup, and it works beautifully that way. With extra liquid, Lange Wortys de Pesoun becomes a comforting first-course pottage. With less liquid, it becomes braised greens in a pea-rich sauce.

That flexibility is part of its charm.

Oil, Fish Broth, and Fasting Food

The final instruction gives two options: use good oil, or else add fresh broth made from fresh fish.

That detail matters. It places the recipe comfortably within the world of medieval fasting and fish-day cookery. It can be made without meat broth, without dairy, and without eggs. With oil, it becomes fully vegan by modern standards. With fish broth, it remains appropriate for many medieval fast-day tables while adding depth and savor.

Modern Kitchen Choice: For a manuscript-first version, use olive oil or a light fish broth. For a vegetarian or vegan version, use olive oil and vegetable stock. Beef broth or chicken broth will make a delicious dish, but those are modern substitutions rather than the strongest reading of this specific recipe.

Lange Wortys de Pesoun: Medieval Greens with Peas

Serves: 8 as a first-course pottage or side dish

Ingredients

  • 2 cups (280 g) fresh or frozen green peas
  • 2 cups (480 ml) light fish broth, vegetable stock, or water, plus more as needed
  • 1 large onion, peeled and cut into halves or thirds
  • 1 1/2 pounds (680 g) sturdy greens such as kale, collards, cabbage leaves, or mustard greens
  • 2 to 3 tablespoons olive oil, or additional fresh fish broth
  • Pinch of saffron
  • Salt, to taste

Method

  1. Place the peas in a pot and cover with water. Bring to a boil and cook until the peas are very soft and beginning to burst.
  2. Drain the peas, then combine them with 1 cup (240 ml) of the broth, stock, or water. Let them cool slightly.
  3. Mash the peas well or blend briefly. Press them through a strainer for a smoother medieval-style drawn pea base.
  4. Bring a separate pot of clean water to a boil. Add the whole greens and cook until softened.
  5. Lift the greens from the water, drain well, and lay them on a board. Cut them into three or four large pieces.
  6. Place the strained peas in a clean pot. Add the onion pieces and enough broth, stock, or water to make a thick pottage or loose sauce.
  7. Add the cooked greens. Simmer until the onions and greens are tender.
  8. Stir in the olive oil, or add fresh fish broth if using that option. Add saffron and salt to taste.
  9. Serve warm. Leave it brothy for a pottage, or cook it down slightly for a braised greens dish.

Modern Kitchen Notes

For a brothy pottage: Add more liquid and serve with bread. This version works well as a first-course dish.

For braised greens: Use less liquid and cook the dish gently until the pea base lightly coats the greens.

For a vegan version: Use olive oil and vegetable stock or water.

For a fish-day version: Use a light fresh fish broth. Avoid a broth that is too strong or oily, since the greens and peas are delicate.

For dried peas: Soak dried green or marrowfat peas overnight, then cook until very soft before straining. The cooking time will be much longer than with fresh or frozen peas.

For softer greens: Spinach or chard may be used in a modern kitchen, but they cook down quickly and do not behave quite like sturdier medieval wortes.

How I Would Serve It

This dish belongs beautifully in a first course. It can sit beside bread, fish, eggs, or mild cheese. For a feast table, I would serve it in a broad dish with enough pea broth to keep it moist, but not so much that the greens disappear into soup.

For a spring-inspired first course, I can imagine Lange Wortys de Pesoun served with a light fish dish such as tench prepared one of three ways, fresh bread for sopping, simple egg dishes, and a mild cheese.

That gives the table variety without heaviness: greens, peas, fish, bread, eggs, and cheese. It is simple, seasonal, and very satisfying.

Feast Planning Note: This is an economical first-course dish. Peas and greens stretch well, the recipe can be made meatless, and the final texture can be adjusted depending on the rest of the menu. Serve it looser if the course needs a pottage, or thicker if you need a vegetable accompaniment.

Humoral and Historical Flavor Notes

Medieval medical and dietary thought often understood foods through qualities such as hot, cold, moist, and dry. Greens were often treated as cooling and moistening. Peas added substance and nourishment, but could also be considered heavy if not well cooked. Onion brought warmth. Saffron was warming and aromatic. Oil added richness and moisture, while fish broth made the dish more savory without turning it into a meat-day preparation.

Read this way, Lange Wortys de Pesoun is not merely greens and peas in a pot. It is a balanced preparation: green, soft, nourishing, lightly sweet, gently aromatic, and suitable for a fasting or first-course table.

The long cooking and straining of the peas also matters. It softens what might otherwise be a coarse legume and turns it into a gentle base for the greens. The saffron and onion lift the dish from plain boiled vegetables into something warmer, more fragrant, and more feast-worthy.

Frequently Asked Questions

Is Lange Wortys de Pesoun a soup?

It can be served as a soup-like pottage, especially if more broth is added. The manuscript also supports a thicker braised interpretation, where the strained peas coat the greens rather than surrounding them with liquid.

What does “wortys” mean?

Wortys, or wortes, refers to edible greens. In this recipe, sturdy brassica greens such as kale, collards, cabbage leaves, or mustard greens are good choices.

What kind of peas should I use?

Fresh peas are closest to the wording of the recipe, but frozen English peas are the easiest modern substitute. Marrowfat peas give a starchier result. Split peas can be used, but they will make the dish thicker and closer to pea pottage.

Should this recipe use beef broth?

The manuscript specifies good oil or fresh fish broth. Beef broth can make a tasty modern version, and I used it in my earlier interpretation because I had homemade beef broth available, but it is not the manuscript-first choice.

Can this be made vegan?

Yes. Use olive oil and vegetable stock or water. The oil option in the manuscript makes this one of the easier Harleian recipes to adapt for a vegan table.

Can I use frozen peas?

Yes. Frozen peas are an excellent modern substitute for fresh green peas. Cook them until soft, then mash or blend and strain them to create the pea base.

Is this a Lenten dish?

It fits comfortably with Lenten or fasting food because it can be made with oil or fish broth rather than meat broth, dairy, or eggs.

More Medieval Greens and Wortys Recipes

Sources and Further Reading

Final Thought: Revisiting this recipe reminded me why old posts are worth preserving and updating. My 2015 version captured the pleasure of the dish. My 2026 reading understands the manuscript more carefully. Between the two is the real work of historical cooking: learning, cooking, returning, and learning again.

Would you serve Lange Wortys de Pesoun as a brothy first-course pottage, or as braised greens beside the rest of the meal?

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