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Showing posts with label Kitchen Reference. Show all posts
Showing posts with label Kitchen Reference. Show all posts

A Dynere of Flesche — John Russell’s Medieval Feast and the Logic of Digestion

A Dynere of Flesche — John Russell’s Medieval Feast and the Logic of Digestion

Medieval banquet scene with a roasted peacock re-dressed in its feathers presented at table.
Roasted peacock served “re-plumed,” a classic showpiece in late-medieval banquets. Source: Wikimedia Commons.

Introduction

In the mid-fifteenth century, court official John Russell compiled the Boke of Nurture (Harley MS 4011), a manual of etiquette, service, and feasting. Among its most intriguing passages is “A Dynere of Flesche”—a model feast for a flesh day. At first glance it reads like excess: swan, peacock, venison, custards, jellies, fritters, sotelties. But beneath the display lies clear order, guided by humoral theory and the theory of digestion.

  • Humoral theory:
    • Foods are classified hot/cold, moist/dry.
    • The goal was balance — so heavy/dry meats might be paired with moist/sweet sauces, or cooling jellies follow heating roasts.
  • Theory of Digestion (stomach as a fireplace model):

    • Light, quick-digesting foods first (whet the appetite, “open the stomach”).

    • Heavy meats mid-meal (need the appetite at full flame).

    • Cooling or binding foods at the end (to “close the stomach” and aid digestion).

    • Spices and hippocras (spiced wine) seal the stomach and prevent putrefaction.

Feasting, Status, and Seasonality

Russell’s menu was a model feast—aspirational and didactic. It reflected both status and medical order:

  • Luxury foods: swan, peacock, crane, bustard, sea bream inland, imported sugar, almonds, and rice.
  • Sotelties: allegorical sugar or pastry sculptures, more about piety and performance than eating.
  • Hierarchy: the high table saw the full spread; lower tables ate simpler portions.
  • Seasonality: autumn/winter hunting game + preserved foods (brawn, baked quinces, hippocras). Likely a winter festival setting—Christmas or Twelfth Night.

The Logic of the Courses

First Course: Awakening the Appetite

The feast begins with brawn of boar with mustard. Preserved brawn (salted/pressed) was hot/dry, paired with mustard (also hot/dry) to stimulate appetite. Then came pottages of herbs, spice, and wine (warm, moist, aromatic), followed by staples—beef and mutton, heavy and dry but softened by sauces. Showpieces—pheasant and swan with chawdron sauce, capons, pig, venison bake—balanced humors by variety. The course lifted with leches and fritters, hot/oily appetite stimulants, and paused with a sotelty of the Annunciation.

Second Course: Heaviest Roasts & Entremets

The second course starts gently with blancmanger (chicken and almond, moist and white) and jellies (cooling, clarifying). Then came the heaviest fare: venison, kid, fawn, coney, bustard, stork, crane, peacock, heron. These were dry/hot meats, demanding the stomach’s “strongest fire.”

Between them: entremets—custards, pastries, sweet leches—moist refreshers, palate cleansers, and spectacles. A fritter revived appetite, and an angelic sotelty provided allegory and pause.

Third Course: Stepping Down

Cream of almonds and mawmany were restorative and nourishing. Smaller roasts—curlews, snipes, quails, sparrows—replaced great birds. Moist/cooling dishes returned: perch in jelly, crayfish. Quinces baked (astringent) helped close digestion, alongside sage fritters and spiced leches. A Magi sotelty provided solemn close.

Finale: Issue & Sendoff

The issue de table included pippins (apples) with caraway comfits, custard (blaunderelle), wafers, and hippocras. Apples (cold/dry) restrained excess; caraway (hot/dry) dispelled wind; hippocras (spiced wine) “sealed” the stomach.

Overall Temperament by Course

Hot Cold Moist Dry Astringent
Course / Stage Overall Temperament Why this net effect?
First Course Hot Dry (+Moist from pottages) Opens with mustard & preserved brawn (hot/dry stimulants), then warm/moist pottages; heavy meats appear early but are sauced. Net effect = warming/activating with a slight dry edge to “open the stomach.”
Second Course Hot Dry (+ moderated by Moist entremets) Heaviest roasts (venison, crane, peacock) are hot/dry at peak digestion; custards/jellies (entremets) punctuate to moisten/refresh. Net effect = the feast’s hottest/driest point, tempered between platters.
Third Course Moist Cool (+ Astringent close) Steps down with smaller birds and moist/cooling fish in jelly; baked quinces add astringency to begin closure; sage fritters give brief warmth without flipping the net trend.
Finale (Issue & Boute-hors) Cool Dry → sealed by HotDry (hippocras) Raw apples + caraway comfits = cool/dry & wind-dispelling; wafers are light/dry. Final seal with hippocras (hot/dry) “closes the stomach” and guards against putrefaction.


Show SCA stages with temperament
SCA StageTemperamentNotes
On Table / EntranceHotDryMustard & brawn stimulate and announce status.
Pottages & Gentle DishesMoistWarmOpens and soothes the stomach.
Great RoastsHotDryPeak heat/dryness; serve when digestion is strongest.
EntremetsMoistCoolPalate/digestion refreshers between roasts.
Lighter Birds & FishMoistCoolStep-down phase toward closure.
Dessert / FruitAstringentBegins the “binding” close (quinces, etc.).
IssueCoolDryRaw apples + comfits; wafers light and crisp.
Boute-horsHotDryHippocras seals the stomach.

Feast Planning with Russell’s Menu

For SCA feast planners, Russell’s feast maps neatly into modern service frameworks:

Downloadable Resources:

StageDishes from Russell’s MenuDigestive Role
On Table / EntranceMustard & brawnStimulates appetite, prestige
PottagesPottage, blancmanger, jelliesGentle starters, open stomach
Great RoastsBeef, mutton, venison, swan, peacock, bustard, crane, etc.Heaviest, driest meats; mid-digestion
EntremetsCustards, pastries, fritters, soteltiesPalate refreshers, visual allegories
Lighter Birds & FishCurlew, quail, perch in jelly, crayfishMoist/cooling, easier to digest
Dessert / FruitQuinces baked, sage frittersAstringent closure, sharpen digestion
IssueApples with caraway, wafersRefresh and bind, dispel wind
Boute-horsHippocrasSpiced wine to seal digestion

Mythbusting Russell’s Feast

  • “Feasts were chaotic.” ❌ They followed medical choreography.
  • “Everyone ate the same food.” ❌ Hierarchy dictated portions.
  • “Peacock and swan were delicacies.” ❌ They were tough; value lay in spectacle.
  • “Sugar was common.” ❌ It was a costly luxury spice.
  • “Fritters were desserts only.” ❌ They appear in every course as stimulants.
  • “Fruit was always cooked.” ❌ The pippins at issue were raw, paired with comfits.

✅ Dos & ❌ Don’ts by Course

  • First Course
    ✅ Pair heavy meats with moist dishes (pottage, sauce)
    ❌ Don’t open with multiple cold/moist foods — they dull appetite
  • Second Course
    ✅ Interleave entremets between heavy roasts
    ❌ Don’t serve only hot/dry roasts back-to-back — digestion overload
  • Third Course
    ✅ Use cooling/moist dishes (fish, almond cream) to “calm the stomach”
    ❌ Don’t drop in new hot/dry meats here — it reverses the descent
  • Finale
    ✅ Always end with an astringent fruit + spiced closer
    ❌ Don’t pile sweets without balance — needs closure to “seal digestion”

Conclusion

Russell’s Dynere of Flesche shows that medieval dining was deliberate: humoral balance, digestive order, spectacle, and hierarchy all interlaced. What seems like excess was careful choreography. For modern readers—and especially SCA feast stewards—it offers both inspiration and a reminder: a medieval feast was an art of health and performance.

Why this matters today: Russell’s feast reminds us that medieval banquets were not chaotic indulgence, but carefully balanced systems of health, status, and art. It’s a reminder that food has always been about more than eating—it shapes identity, power, and performance at the table.

Glossary: a few terms
  • Chawdron: rich sauce of entrails/offal.
  • Entremets: “between-dishes” (light/spectacular interludes).
  • Sotelty: edible allegory/sculpture, more for the eyes than the stomach.
  • Issue de table: light closing bites after courses.
  • Boute-hors: sendoff drink(s), e.g., hippocras.

Source: John Russell, Boke of Nurture, Harleian MS 4011, fol. 171 (c. 1460).

Further reading
  • Flandrin & Montanari (eds.), Food: A Culinary History — feast structure.
  • Hieatt & Butler (eds.), Curye on Inglysch — Middle English recipes.
  • Adamson, Food in Medieval Times — ingredients, trade, status.


Medieval Spice Powders: Douce, Forte, and More

Medieval Spice Powders: Douce, Forte, and More

Originally published: November 10, 2015 — Updated: August 19, 2025 (cleaned up formatting, added headings, and clarified measurements).

Oftentimes when you’re recreating a period recipe, you’re met with ambiguous terms for flavoring. When I originally posted this, I focused on two commonly referenced powders—Powder Douce (sweet powder) and Powder Forte (strong powder). As I run across other receipts, I add them here. This is a working notebook, not a decree—and I’ll say when something is my interpretation.

Jars and bowls of ground medieval spice powders
A few house blends I keep on hand for medieval cooking projects.

📖 Jump to a Section

Need spoon-to-ounce conversions? See the Spice Measurement FAQ.


Powder Douce (Sweet Powder)

My working theory: Powder Douce wasn’t a single fixed formula but a family of mixes that leaned sweet, with sugar as the largest proportion, followed by cinnamon or ginger depending on what the cook had. That’s my belief, not gospel—please don’t quote it as settled fact.

My House Blend (3 : 2 : 1 : ½ idea)

  • 1 tbsp sugar (refined white is fine; organic if you prefer)
  • 1 ½ tsp ginger
  • 1 ½ tsp cinnamon
  • 1 tsp nutmeg
  • 1 tsp mace
  • ½ tsp cloves
  • ½ tsp peppercorns

Sometimes I get cheeky and add a pinch of coriander.

Powder Forte (Strong Powder)

Powder Forte differs from Douce in that it’s pepper-forward. The version I use takes its cue from Robert May’s The Accomplisht Cook (1684) in the Bolonia Sausages recipe.

…then add to it three ounces of whole pepper, two ounces of pepper more grosly cracked or beaten, whole cloves an ounce, nutmegs an ounce finely beaten, salt, spanish, or peter-salt, an ounce, coriander-seed finely beaten, or carraway-seed, cinamon an ounce fine beaten…

Note: a dry ounce is approximately 2 tablespoons. That original yields a lot of Powder Forte; I use a smaller everyday batch below.

My Everyday Forte

  • 1 tbsp black peppercorns or a mix of peppercorns, long pepper, cubebs, and grains of paradise
  • 1 tsp each: clove, nutmeg, coriander, cinnamon
  • Salt to taste

Both Douce and Forte are versatile, appear frequently in period cookery, and pull their weight in modern kitchens too.


Fine Powder of Spices (Le Menagier de Paris, c. 1393)

A set of instructions from Le Menagier de Paris for a “fine powder”:

FINE POWDER of spices. Take an ounce and a drachma of white ginger, a quarter-ounce of hand-picked cinnamon, half a quarter-ounce each of grains and cloves, and a quarter-ounce of rock sugar, and grind to powder.
Weights & measures, quick note: In this period the apothecaries’ pound was 12 ounces (not our 16). Systems varied by region. A drachma here is the weight measure (≈ 2 drams, ~52 grains). With that in mind, here’s my best US-measure interpretation.

Interpreted Recipe

  • White ginger: 1 ounce + 1 drachma ≈ 10 drams ≈ ~2 ½ tbsp (~7 ½ tsp)
  • Cinnamon (hand-picked): ~1 ½ tsp
  • Grains of paradise: ~¾ tsp
  • Cloves: ~¾ tsp
  • Rock sugar: ~1 ½ tsp

Common Sauce Spices, Amended (Libre del Coch, 1529)

Rupert de Nola’s Libre del Coch gives this note for “common sauce spices, amended” (roughly translated):

Cinnamon three parts; cloves two parts; one piece ginger; pepper a part; some dry coriander well ground; a little saffron; be all well ground and sifted.

Interpreted Recipe

  • 1 tbsp cinnamon
  • 2 tsp cloves
  • 1 tsp ginger
  • 1 tsp pepper
  • ½ tsp dry coriander (ground)
  • Pinch of saffron

The Duke’s Powder, Amended (Libre del Coch)

Another powder from Libre del Coch (translated/modernized):

Cinnamon half an ounce, cloves half a quarter; and for the lords, do not lie down but only cinnamon; and sugar a pound if you want it sharp of flavor; and for passions of the stomach add a little ginger.

Interpreted Recipe

  • Cinnamon, ½ ounce ≈ 1 tbsp
  • Cloves, ⅛ ounce ≈ ¾ tsp
  • Sugar, 1 pound (apothecaries’ 12-oz pound) ≈ ~1 ½ cups
  • Ginger — “a little” ≈ ~1 tbsp

Mix and use as needed.

Note: A dry ounce ≈ 2 tbsp (≈ 1/8 cup).


Blaunch Poudere (The Haven of Health)

My search for the elusive “blaunch poudere” landed on The Haven of Health by Thomas Cogan/Coghan (first ed. late 16th c.; a 1636 printing survives). In “CHAP: 126. Of Ginger” we find:

Ginger is hot in the second degree, and dry in the first… also with two ounces of sugar, a quarter of an ounce of ginger, & half a quarter of an ounce of Cinnamon, all beaten small into powder, you may make a very good blanch powder, to strow upon rosted apples, Quinces, or Wardens, or to sauce a hen. … green ginger or ginger condite… comforteth much the stomacke and head…

Interpreted Recipe

  • Sugar, 2 ounces ≈ 4 tbsp
  • Ginger, ¼ ounce ≈ ~1 ½ tsp
  • Cinnamon, ⅛ ounce ≈ ~¾ tsp

This makes a very pale, sandy powder—just a shade lighter than the pólvora de duque/Duke’s Powder. If you use a light cassia, it reads even paler. Because Cogan calls it a “very good blanch powder,” I suspect this is the “white” powder referenced in Harleian MS 279.


Working on substitutions for these spices? Visit the Spice Substitution Chart for historically sensible swaps.

📜 Sources & Notes

  • Le Menagier de Paris (c. 1393) — “Fine Powder of Spices.”
  • Rupert de Nola, Libre del Coch (1529) — “Common Sauce Spices,” “Duke’s Powder.”
  • Robert May, The Accomplisht Cook (1684) — Bolonia Sausages (spice proportions that inform Forte).
  • Thomas Cogan/Coghan, The Haven of Health (late 16th c.; 1636 ed.) — “Of Ginger” (blanch powder).

Translations here are working translations; any mistakes are mine. As always, adjust to taste and availability.