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Showing posts with label Vegetarian Optional. Show all posts
Showing posts with label Vegetarian Optional. Show all posts

Medieval Braised Cabbage with Marrow Bones – Caboges from Harleian MS 279

Medieval Braised Cabbage with Marrow Bones: Caboges from Harleian MS 279

Caboges, a medieval braised cabbage dish from Harleian MS 279, served here with bread.

A humble dish of cabbage can still surprise you.

When I first made this recipe for Caboges from Harleian MS 279, I expected something plain and useful: boiled cabbage, perhaps a little broth, a serviceable green thing on the side of the table. Instead, I found tender cabbage braised in rich broth, scented with saffron, thickened with fine bread, and finished with marrow from the bones. It was cabbage dressed for court.

Even sworn cabbage haters tried it and wanted more. Success!

This recipe is one of several vegetable-forward dishes from Harleian MS 279, a 15th-century English cookery manuscript edited by Thomas Austin in Two Fifteenth-Century Cookery-Books. It belongs in the same delicious family as medieval wortes, Whyte Wortes, Lange Wortys de Chare, and Joutes.

What Are Caboges?

Caboges is the Middle English form of “cabbages.” But this is not simply boiled cabbage. The recipe directs the cook to clean and parboil the cabbage, press it dry, chop it, and then cook it again in fresh broth with marrow bones. The broth is thickened either with grated fine bread or with a strained meat gruel. At service, the marrow is knocked from the bones and placed visibly in the dish.

That finishing touch matters. This is where the recipe moves from plain vegetable cookery into feast-worthy food.

Why Was This Medieval Cabbage Recipe Fit for a Feast?

Modern readers often imagine medieval vegetable dishes as plain or rustic, but medieval cooks knew how to elevate simple ingredients. Here, cabbage becomes noble through treatment:

  • It is cooked twice for better texture and flavor.
  • It is simmered in fresh broth rather than plain water.
  • It is enriched with marrow bones.
  • It is colored and scented with saffron.
  • It is thickened with grated fine bread into a soft pottage.

The cabbage may be inexpensive, but the broth, marrow, saffron, bread, fuel, and kitchen labor all add value. This is one of the joys of medieval cooking: the simplest vegetable can become something luxurious when handled with care.

How Would Caboges Have Been Served?

Caboges would likely have appeared among the wortes, pottages, or vegetable dishes of a medieval meal, served alongside roasted meats, meat pies, bread, or other greens. The marrow bones and saffron suggest a dish meant for a table with resources, not merely a plain household cabbage. This is the kind of recipe that reminds us that medieval feast food was not only about spectacular meats and subtleties. Sometimes the quiet dish at the side of the table was doing serious work.

Why Did Medieval Cooks Use Bread to Thicken Soup and Pottage?

Bread appears throughout medieval cookery as a thickener for sauces, pottages, broths, and stews. Before modern cornstarch, commercial thickeners, or the familiar flour-and-butter roux, cooks often relied on grated bread, soaked bread, ground almonds, egg yolks, or strained grain and meat mixtures to give body to a dish.

In this recipe, the manuscript calls for fayre brede, or fine bread. For a modern kitchen, a day-old manchet or other good white bread works beautifully. It grates more easily than very fresh bread and dissolves into the broth, creating a smooth, velvety texture. I originally made this with grated Rastons, but manchet is likely the better everyday recommendation for readers who want to recreate the dish.

Bread also reflects the no-waste wisdom of the medieval kitchen. Yesterday’s loaf could become today’s sauce, sop, trencher, or pottage. In Caboges, the bread is not filler. It is the quiet magic that turns broth into something spoonable and satisfying.

Why Does the Recipe Offer Bread or Meat Gruel?

The recipe gives two ways to enrich and thicken the dish: grated fine bread, or a strained gruel made from fresh meat. The bread version is more approachable for a modern kitchen and produces a smooth pottage. The meat-gruel version would have made the dish even richer, especially in a busy medieval kitchen where broth, meat, and strained cooking liquids were already part of the day’s work.

Why Do the Marrow Bones Matter?

The marrow bones are not incidental. The recipe tells the cook to boil the cabbage with marrow bones, then knock out the marrow and lay two or three pieces in the dish at service. That means the marrow is both flavoring and garnish.

For modern cooks, bone marrow can feel unfamiliar, but it brings deep richness. Think of it as the medieval equivalent of finishing a dish with butter, olive oil, or the most luxurious spoonful of beef essence imaginable. If you make your own stock with marrow bones, do not waste the marrow. Use it. The manuscript wants you to.

Cabbage in Medieval Food Philosophy

Cabbage and other brassicas were useful, filling, and widely eaten, but they could also be considered coarse, windy, or difficult if poorly prepared. This recipe manages cabbage through careful technique. Parboiling softens and tames it. Pressing removes excess water. The second cooking in broth makes it nourishing. Saffron adds warmth and fragrance, while bread gives the broth body. The result is not limp cabbage water, but a carefully balanced pottage.

Historic Recipe

The recipe below is from Thomas Austin’s edition of Two Fifteenth-Century Cookery-Books. Harleian MS. 279 (ab. 1430), & Harl. MS. 4016 (ab. 1450), with extracts from Ashmole MS. 1429, Laud MS. 553, & Douce MS. 55.

.iiij. Caboges. Take fayre caboges, an cutte hem, an pike hem clene and clene washe hem, an parboyle hem in fayre water, an þanne presse hem on a fayre bord; an þan choppe hem, and caste hem in a faire pot with goode freysshe broth, an wyth mery-bonys, and let it boyle: þanne grate fayre brede and caste þer-to, an caste þer-to Safron an salt; or ellys take gode grwel y-mad of freys flesshe, y-draw þorw a straynour, and caste þer-to. An whan þou seruyst yt inne, knocke owt þe marw of þe bonys, an ley þe marwe .ij. gobettys or .iij. in a dysshe, as þe semyth best, & serue forth.

Modern Translation

Take good cabbages, cut them, pick them clean, and wash them well. Parboil them in clean water, then press them on a clean board. Chop them, and put them in a clean pot with good fresh broth and marrow bones, and let it boil. Then grate fine bread and add it, and add saffron and salt. Or else take good gruel made of fresh meat, strained through a strainer, and add that. When you serve it, knock the marrow out of the bones and lay two or three pieces of marrow in the dish, as seems best, and serve it forth.

Modern Recipe Notes

This interpretation follows the breadcrumb-thickened version of the recipe rather than the alternate strained meat gruel. The first boiling softens the cabbage and removes some of its stronger edge. Pressing the cabbage keeps the final dish from becoming watery. The second cooking in broth gives depth, while the grated bread thickens the broth into a soft pottage.

The saffron is included in the original recipe, but I mark it as optional for modern cooks because of cost. If you have it, use it. It adds color, fragrance, and a little medieval splendor.

Simple ingredients: cabbage, broth, bread, saffron, and marrow.

Piadina – Ancient Roman-Inspired Flatbread Recipe

Piadina – Ancient Roman-Inspired Flatbread Recipe

Roman feast platter served at Push for Pennsic with flatbread and other ancient Roman-inspired dishes

This dish was served as part of the Push for Pennsic 2004 – Early Roman Feast.

Originally published: June 29, 2025 at 4:14 PM | Updated: June 5, 2026

Updated 6/5/2026: This post has been expanded to current Give It Forth standards with additional Roman bread history, feast service notes, Pennsic and camp cooking guidance, a recipe scaled for 8 diners, dietary notes, FAQ, internal links to the full Roman feast menu, and structured recipe data.

What is Piadina? Piadina is a simple Italian flatbread with roots in the broader world of ancient Mediterranean griddle breads. This feast version is made with flour, fat, salt, and warm water, then cooked on a hot griddle or pan. It is quick, sturdy, and especially useful for Roman-inspired feast service or camp cooking.

Piadina – Roman-Inspired Flatbread

Course: Bread
Origin: Roman-inspired Italian flatbread tradition
Served: Warm or Room Temperature
Event: Push for Pennsic 2004 – Early Roman Feast

Bread is the quiet workhorse of a feast. It holds sauces, softens sharp flavors, stretches a meal, and gives diners something familiar to reach for while exploring less familiar historical dishes. In this Roman-inspired menu, Piadina served as that edible anchor: simple flatbread cooked on a hot surface and served with cheese spread, olives, sausages, vegetables, and other first-course foods.

This is not a fussy bread. It needs no yeast, no oven, and no long rise. Flour, fat, salt, and water become a workable dough that can be rolled, griddled, stacked, wrapped, and carried to table. That makes it especially useful for camp kitchens, dayboards, and feast service, where a reliable bread can save the meal from feeling scattered.

Historical Background

Piadina as it is known today is a later regional Italian flatbread, especially associated with Romagna, but it belongs to a much older Mediterranean family of simple breads cooked on hot stones, hearths, tiles, pans, or griddles. For a Roman-inspired feast, this method makes practical historical sense: a basic dough cooked on a hot surface without requiring a built bread oven.

Flatbreads occupy an important place in Roman food history because they are practical. Before every household had ready access to a dedicated oven, doughs could be cooked on heated surfaces. Bread served not only as food, but also as a utensil, a scoop, a trencher-like base, and a way to carry sauces, cheeses, meats, olives, and vegetables from plate to mouth.

For feast interpretation, this distinction matters. I am not claiming that modern piadina is an unchanged ancient Roman recipe. Rather, this redaction uses piadina as a practical modern bridge to ancient breadmaking habits: simple ingredients, direct heat, fast cooking, and service alongside the strongly flavored foods of a Roman table.

🏛️ Roman bread note: This is a Roman-inspired flatbread rather than a claim that modern piadina is unchanged from antiquity. The method reflects an ancient and practical style of breadmaking: a simple dough cooked on a hot surface without requiring a bread oven.

Bread at the Roman Table

Roman meals used bread in many ways. It could be served plainly, dipped in sauces, eaten with cheese, used to accompany pulses and vegetables, or paired with preserved and salted foods. In a feast setting, bread also helps balance richer dishes. A bite of flatbread softens the intensity of fish sauce, garlic, olives, smoked meat, or heavily seasoned sausage.

This is why Piadina works so well in the Push for Pennsic Roman menu. It is not merely a side dish. It is the edible architecture of the meal: a carrier for spreads, a companion for sausages, and a reliable anchor for the rest of the course.

With Moretum, the flatbread becomes a vehicle for garlic, herbs, and cheese. With Epityrum, it carries olives and oil. With Lucanicae, it gives diners a way to eat rich sausage without needing modern sandwich bread. It does exactly what feast bread should do: quietly make everything else easier to enjoy.

🍞 Feast service note: For Push for Pennsic, I prepared about 12 flatbreads per table for 8 diners so guests could share and take an extra portion if desired. Bread disappears quickly when served with olives, sausages, spreads, sauces, and vegetables.

Modern Interpretation

This version of piadina uses only basic ingredients: flour, fat, salt, and water. It cooks quickly on a griddle or open fire, making it ideal for period events with limited kitchen access.

Olive oil keeps the bread vegetarian, vegan, and dairy-free, while lard gives a richer and more tender result. Either choice works well. For a Roman-inspired feast, olive oil is the more flexible option, especially if serving guests with dietary restrictions.

The finished bread should be flexible enough to fold or tear, but sturdy enough to hold a spread. If the dough feels dry, add water a tablespoon at a time. If it feels sticky, dust with flour as you roll. The goal is not perfect bakery uniformity. The goal is practical bread that can move from pan to platter without drama.

Camp and Pennsic Notes:
  • No oven needed: Cook on a griddle, skillet, cast iron pan, or clean flat cooking surface.
  • Good for primitive sites: The dough uses simple pantry ingredients and can be mixed by hand.
  • Make-ahead friendly: Cook ahead and rewarm briefly on a dry pan or grill.
  • Feast service: Stack wrapped breads in a towel to keep them warm and flexible.
  • Sharing: Serve whole for tearing, or cut into halves or wedges for a dayboard or appetizer table.

Crown Tournament 10/19/2019: O-zōni (Rice Cake Soup – Mochi and Simmered Vegetables with Fish-Paste Cake)


O-zoni (rice cake soup) from the Crown Tournament 2019 feast
O-zoni – Rice Cake and Simmered Vegetables with Fish-Paste Cake
Photo: Avelyn Grene (Kristen Lynn)

Originally published 1/29/2020 Updated 11/6/2025

Kitchen Adventures – Crown Tournament 10/19/2019: O-zoni (Rice Cake Soup)

Context: In Muromachi-period formal dining (honzen ryori), o-zoni is a welcoming soup — a composed bowl of mochi (rice cake), seasonal vegetables, and savory elements in a clear broth. The feast version here uses square kaku-mochi in vegetarian kombu-shiitake dashi so more diners could enjoy it. Regional variations exist, but rice cake is essential.